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Creative Writer's Handbook

Autor Philip K. Jason, Allan B. Lefcowitz
en Limba Engleză Paperback – 31 ian 2009
This handbook is the perfect reference for beginning creative writers. It offers abundant illustrations, exercises, and useful techniques in all genres. While emphasizing problem-solving and the mastery of literary conventions, this handbook also takes the apprentice writer on a journey from inspiration to revision.
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Specificații

ISBN-13: 9780136050520
ISBN-10: 0136050522
Pagini: 411
Dimensiuni: 150 x 226 x 25 mm
Greutate: 0.54 kg
Ediția:5Nouă
Editura: Prentice Hall
Locul publicării:New York, United States

Descriere

This handbook is the perfect reference for beginning creative writers. It offers abundant illustrations, exercises, and useful techniques in all genres. While emphasizing problem-solving and the mastery of literary conventions, this handbook also takes the apprentice writer on a journey from inspiration to revision.

Cuprins

Contents X
Anthology of Poems        
                                                               
Preface to Fifth Edition                                                                 
 
Part I  A Writer’s Concerns                                                           
            Typical page from a journal                    
                             
1      Working like a Writer                                                                  
Pleasure and Passion     0   ~    Attitudes  0  ~ The Writer Participates in Writing 0  ~  A Digression for the Classroom User   ~  On Being Unprofessional   ~  Working Habits   ~ A Word About Intentions  
 
2      Journal/Research/Invention                                                          
Why Keep a Journal?   
Your Journal    ~  What to Write in the Journal   ~  Getting Started   ~   Keeping Up   ~  What Will You Do with It All?    
The Relationship between Invention and Research
   Searching and Imagining  ~ A Word about Resources
 
3      Point of View                                                                                  
What Is It?  ~ Who Will Do the Telling?  ~ The Decision and Its Consequences  ~ The Range of Perspectives  ~ Third Person  ~ First Person,  
 “Sex Education” by  Dorothy Canfield Fisher
 
4      Language Is Your Medium                                                           
There Is No Such Thing as a Synonym   
Choosing Well   
Accuracy,  ~  Precision,  ~  Concreteness,  ~ Appropriateness,  ~ Idiomatic Usage,
Some Diction Problems     
Overwriting,  ~  Overmodification, ~   Saying It Twice,~  Excessive Variation ~,   Latinate Diction,  ~  Archaic Diction ~,   Sonic Boom ~,  Passives and Operators,
Figures of Speech  
Style  
Evoking Styles  ~ Incompatible Styles  ~ A Style Checklist 
 
Part II The Concerns of the Poet
          Typical submission for a poem
 
5      The Elements of Poetry                                                                  
The Nature of Poetry   ~ The Line   ~ The Line and Meter   ~ Lines and Rhymes  
The Line and Free Verse   ~ Lines in Combination   ~ Imagery    ~ Sound Patterns   ~
Off-Rhyme  
 
6      Practicing Poetry                                                                           
Imitation  ~ Fixed forms   ~ Memory Poem   ~ Formula Poems ~   Ritual Poems   ~ List Poems   ~ Dramatic Poems/Character Poems   ~ Event Poems  ~ Personification Poems  ~ Epistolary Poems   ~ Time Warp Poems  ~ Advice Poems  ~ Picture Poems   ~ Music Poems   ~ Poems on Poems  ~ Found Poems  154
 
7      Poetry Problems                                                                             
Out of Tune  ~ Archaic Diction   ~ The Anonymous Voice   ~ Appalling Abstraction   ~ Unintentional Humor   ~ Jarring Diction   ~ For the Sake of Rhyme   ~ The Clash of Poetic Elements   ~ Writing Past the Poem   ~ Treasure Burying   ~ Saying Too Much   ~ The False Start   ~ Punch-Line Endings   ~ Ineffective Line Break   ~ Out of Order   ~ Derivative Drivel  
 
Part III  The Concerns of the Storyteller
            Typical submission page for prose
8      The Elements of Fiction                                                                 
The Nature of Fiction  
Plot and What It Does  
Setting  
Point of Attack  
Character and Characterization  
Action,  ~  Appearance,  ~ Thought  ~  Dialogue,  ~  Indirect Discourse,
 ~ Other Means,  ~ Functionaries and Stock Characters ~   Naming Character    ~  The
Relationship of Character, Plot, and Setting,
A Note on the Novel  
 
9    Narration and Its Techniques                                                        
Exposition  
Flashbacks  
Scene and Summary  
Verisimilitude  
Problems  
Needless Complication,  ~  Misuse of Dialogue,  ~ Sudden Comfort,  ~  Sudden Omniscience,  ~ Ping-Pong,  ~  Wrong Technique,  ~ Pogo Stick,  ~  Descriptive Clutter,  ~ Other Problems,
 
10    Creative Nonfiction                                                                        
The Nature of Creative Nonfiction  
How the Writer Convinces the Reader  
Exposure of Self,  ~  Testable Elements Hold Up  to the Test,  ~  Anecdotes Must Feel Universal,
Virtues in Nonfiction  
Problems in Creative Nonfiction  
Finding Materials  
    Reading,  ~ Exploring Yourself,  ~   Exploring Others,
“The Fact Behind the Facts” by Phillip Gerard,
 
11    Stories and Nonfiction                                                                   
“You Won’t Remember This “ by Kate Blackwell
 “A Very Short Story” by Ernest Hemingway  
“The Boarding House” by James Joyce  
 “Sunday in the Park” by Bel Kaufman  
“The First Day,” Edward Jones
“Just Married,” Tony Earley
“Chinese Medicine” by Hilary Tham  
“Grandmother’s Nose” by Robert Coover
 
Part IV  The Concerns of the Playwright
          Typical submission page for a play
 
12    The Elements of Drama                                                                
The Nature of Drama  
Storytelling with People and Things  
Characters   ~ Presenting Character   ~ Characters in Place and Time   ~ Setting  
 
13    Dialogue and Its Problems                                                       311
Dialogue: The Essence of Drama  
Principles and Common Errors  
Your Exposition Is Showing,  ~ Contractions and Formality,  ~  Interruptions and Other Ways of Creating Verisimilitude,  ~  Fake Dialogue or the Dialogue Dummy,   ~  Designators, or Stealing the Actors’ and Director’s Jobs,  ~  Long Speeches,  ~  
Grunting and Pausing,  ~  Accents, Dialect,and Verbal Tics,  ~  Swearing,  ~  Locker
Room Raillery,
The Day They Shot John Lennon by James McLure
 
14    Plays and Screen Plays                                                                 
Introduction 
Procedure by Joyce Carol Oates
     Discussion
Off Hand by Michel Wallerstein 
   Discussion
A Word on Plays for Film and Television  
Summary  
 
Part V  The Writer’s Business
 
15    From Drafting to Revision to Submission                                      
Feedback
Revision  
When to Revise,   ~  How to Revise–Checklists for poetry, prose, and plays,  ~
Mechanics  
Checking for Correctness,   ~ Facts   ~ Some Possible Problems   ~
Some Words About Proofreading  
Finding a Home for Your Work  
   Manuscript Form   ~ Publication Markets  ~ Play and Film Markets  ~
  Before You Write that Check  ~ Cover Letters  ~ A Manuscript Checklist   ~
  What About Copyright?  
 
Glossary of Key Terms                                                                  
 
Acknowledgments                                                                         
 
Index                                                                                             
 
 

Textul de pe ultima copertă

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Caracteristici

  • NEW - Updated examples of effective stories, essays, poems and plays.
    • Explores the work of “classic” modern as well as active contemporary writers.
  • An extensive look at issues—Includes attitudes, habits, journal-keeping, point of view, language, invention and research, and more.
    • Presents students with the fundamental issues that are of importance to every creative writer.
  • Multiple exercises on each issue and genre explored—Includes many that are connected to the sample writing.
    • Involves students in the conventions and methods of literary craft, offering guidelines that may spark raw material worth developing into poems, stories, personal essays, or plays.

Caracteristici noi

  • New to the 5th Edition:
    • Fresh writing exercises
    • Research tips reflecting technological and media advances (Chapter 2 and 15)
    • Quotations on writing from renowned writers relating to topics
    • New poetry, fiction, non-fiction and plays.  See below for a detailed list.
    • Chapter and part opening images relevant to chapter topics 
    • Revised journal keeping chapter incorporating Internet research
    • Information on receiving feedback (Chapter 15)
    • Using the internet to sell your writing
    • Updated illustrations of techniques (tricks of the trade)
    • Increased demonstration of skills useful for writing all genres
     
New Selections
 
JOURNAL AND RESEARCH EXAMPLES
Allison Klein   “A Gate-Crasher's Change of Heart”
Lee Lawrence  Journal Excerpts 
 
SHORT STORIES
Kate Blackwell, “You Won’t Remember This”
Robert Coover “Grandmother’s Nose”
Dorothy Canfield Fisher “Sex Education” 
 
POETRY
Krista Benjamin “Letter from my Ancestors”
Christian Bok, “Vowels”
Geoffrey Brock “Flesh of John Brown’s Flesh: Dec. 2, 1859”
Sterling Brown, selection from “Old Lem”
Billy Collins “The Brooklyn Museum of Art” 
Albert Goldbarth “Stopping by Woods on a Snowy Evening”
Jessica Goodheart “Advice for a Stegosaurus”
Bob Hicok, “So I know”
Vicki Hudspith “Ants”
Joanie Mackowski “When I was a Dinosaur”
Richard Newman “Briefcase of Sorrow”
Linda Pastan “Death Is Intended”
John Godfrey Saxe “The Blind Men and the Elephant” 
William Stafford, “What’s in My Journal”
Kevin Young “Black Cat Blues”
 
NOVEL SELECTION
Alice McDermott, selection from Charming Billy.  
 
CREATIVE NON-FICTION
Philip Gerard, “The Fact Behind the Facts”
E. Ethelbert Miller, sections from Fathering Words: The Making of an African American Writer  
Naomi Shihab Nye  “Mint Snowball”
Marjorie Schwarzer, Riches Rival Radical
  
PLAY
Michel Wallerstein “Off Hand”