Costume: Readings in Theatre Practice: Readings in Theatre Practice
Autor Ali Maclaurin, Aoife Monksen Limba Engleză Hardback – 12 dec 2014
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Specificații
ISBN-13: 9781137029492
ISBN-10: 1137029498
Pagini: 184
Ilustrații: 8 b/w photos
Dimensiuni: 156 x 234 x 15 mm
Greutate: 0.44 kg
Ediția:2014
Editura: Bloomsbury Publishing
Colecția Red Globe Press
Seria Readings in Theatre Practice
Locul publicării:London, United Kingdom
ISBN-10: 1137029498
Pagini: 184
Ilustrații: 8 b/w photos
Dimensiuni: 156 x 234 x 15 mm
Greutate: 0.44 kg
Ediția:2014
Editura: Bloomsbury Publishing
Colecția Red Globe Press
Seria Readings in Theatre Practice
Locul publicării:London, United Kingdom
Cuprins
Introduction - Aoife Monks
1. Writing About Costume; Ali Maclaurin
Interview one: Jenny Tirimani
Interview two: Mark Thompson
2. The Stage Picture; Ali Maclaurin
Interview three: Simon Annand
Interview four: Alex Rigg
3. Virtuosity, Craft and Technique in the Work of Costume; Aoife Monks
Interview five: Lois Weaver
Interview six: Lez Brotherstone
4. Playing the Body: Costume, Stereotypes and Modernity in Performance; Aoife Monks
Interview seven: Tina Bicat
Interview eight: The salon project
5. Artists and the 'scenic body'; Ali Maclaurin
Bibliography
Index.
1. Writing About Costume; Ali Maclaurin
Interview one: Jenny Tirimani
Interview two: Mark Thompson
2. The Stage Picture; Ali Maclaurin
Interview three: Simon Annand
Interview four: Alex Rigg
3. Virtuosity, Craft and Technique in the Work of Costume; Aoife Monks
Interview five: Lois Weaver
Interview six: Lez Brotherstone
4. Playing the Body: Costume, Stereotypes and Modernity in Performance; Aoife Monks
Interview seven: Tina Bicat
Interview eight: The salon project
5. Artists and the 'scenic body'; Ali Maclaurin
Bibliography
Index.
Recenzii
I am delighted to have this book as part of our literature, and highly recommend it to students of costume design in theatre, television or film, theatre studies, performance studies, fashion and textiles, art and architecture, gender studies and cultural studies. It is an invaluable resource that offers an entryway through which designers, directors, performance theorists and historians may tread towards a more comprehensive history and theory of costume, with its infinite manifestations and functions.