The Contemporary Piano: A Performer and Composer’s Guide to Techniques and Resources
Autor Alan Shockleyen Limba Engleză Paperback – 5 iun 2018
| Toate formatele și edițiile | Preț | Express |
|---|---|---|
| Paperback (1) | 375.81 lei 6-8 săpt. | |
| Bloomsbury Publishing – 5 iun 2018 | 375.81 lei 6-8 săpt. | |
| Hardback (1) | 792.61 lei 6-8 săpt. | |
| Bloomsbury Publishing – 5 iun 2018 | 792.61 lei 6-8 săpt. |
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Specificații
ISBN-13: 9781442281899
ISBN-10: 1442281898
Pagini: 280
Ilustrații: 119 b/w illustrations
Dimensiuni: 177 x 248 x 17 mm
Greutate: 0.57 kg
Editura: Bloomsbury Publishing
Colecția Rowman & Littlefield Publishers
Locul publicării:New York, United States
ISBN-10: 1442281898
Pagini: 280
Ilustrații: 119 b/w illustrations
Dimensiuni: 177 x 248 x 17 mm
Greutate: 0.57 kg
Editura: Bloomsbury Publishing
Colecția Rowman & Littlefield Publishers
Locul publicării:New York, United States
Cuprins
Chapter 1: Notation and Some Piano Basics
Chapter 2: The History and Mechanism of the Piano
Chapter 3: On the Keys and on the Pedals
Chapter 4: Pizzicato, Strumming, Scraping, Rubbing
Chapter 5: Muting
Chapter 6: Harmonics
Chapter 7: The Piano is a Big Box and the Pianist is a Noise-Making Animal
Chapter 8: Bowing
Chapter 9: Preparations
Chapter 10: The Toy Piano
Appendix A: Repertoire
Appendix B: Materials for Piano Preparation
Appendix C: Grand Piano Interior Architecture and Stringing
Chapter 2: The History and Mechanism of the Piano
Chapter 3: On the Keys and on the Pedals
Chapter 4: Pizzicato, Strumming, Scraping, Rubbing
Chapter 5: Muting
Chapter 6: Harmonics
Chapter 7: The Piano is a Big Box and the Pianist is a Noise-Making Animal
Chapter 8: Bowing
Chapter 9: Preparations
Chapter 10: The Toy Piano
Appendix A: Repertoire
Appendix B: Materials for Piano Preparation
Appendix C: Grand Piano Interior Architecture and Stringing
Recenzii
Shockley, a respected composer and teacher, has written an excellent one-stop shop for all matters dealing with nontraditional uses of the piano. This is a modern-day performance practice manual similar to those written by composers dealing with performance practices of earlier eras. The author gives detailed instructions for composers-and, more important, players-of this music, which was created mostly during the 20th century and employs the piano in unusual ways. Following brief but useful introductory chapters about the construction and history of the piano, Shockley meticulously guides the reader through each topic-pedals, clusters, preparations, bowing, the piano as a percussion instrument, harmonics, muting, and even the toy piano. Highly recommended.
Alan Shockley's The Contemporary Piano: A Performer and Composer's Guide to Techniques and Resources gives descriptions and instructions for the complete range of modern extended techniques for the piano. His clear, practical presentation of the material is useful for both performers and composers.
This book is a welcome comprehensive guide to nontraditional techniques for the piano, and for pianists who are interested in playing repertoire which requires techniques and/or implements unfamiliar to both the instrument and to the performer. . . This book is a must-have resource for any performance pianist or orchestra playing contemporary music for the piano.
Not since Richard Bunger's seminal book on prepared piano in 1973 has anyone dared tackle the ever burgeoning topic of extended piano techniques. Alan Schockley's new book is extensive, well researched and utterly necessary for any pianist preparing to explore the repertoire of our time.
Alan Shockley's new book will be indispensable to pianists who perform modern and contemporary music. We have long needed a guide this thorough, well-organized, and detailed, with plentiful examples from new and historical repertoire.
Alan Shockley's The Contemporary Piano: A Performer and Composer's Guide to Techniques and Resources gives descriptions and instructions for the complete range of modern extended techniques for the piano. His clear, practical presentation of the material is useful for both performers and composers.
This book is a welcome comprehensive guide to nontraditional techniques for the piano, and for pianists who are interested in playing repertoire which requires techniques and/or implements unfamiliar to both the instrument and to the performer. . . This book is a must-have resource for any performance pianist or orchestra playing contemporary music for the piano.
Not since Richard Bunger's seminal book on prepared piano in 1973 has anyone dared tackle the ever burgeoning topic of extended piano techniques. Alan Schockley's new book is extensive, well researched and utterly necessary for any pianist preparing to explore the repertoire of our time.
Alan Shockley's new book will be indispensable to pianists who perform modern and contemporary music. We have long needed a guide this thorough, well-organized, and detailed, with plentiful examples from new and historical repertoire.