Concepts We'll Ponder: Identity, Improvisation, and Community in the Phish Experience: For the Record: Studies in Rock and Popular Music
Editat de Stephanie C. Jenkins, Natalie J. Dollar, Dana Reasonen Limba Engleză Hardback – 22 ian 2026
Distinctively interdisciplinary, the collection draws from diverse disciplines including musicology, communications, statistics, and philosophy. By blending academic methods with passionate "phan" encyclopedic knowledge, the authors of this volume challenge traditional hierarchies between fan/scholar, personal/professional, and high/low culture. They explore "phan" identity, decode the complexities of famous jams, examine concerts as healing spaces, analyze show ratings, and more. In their examinations of the "Camden Chalk Dust," "Colonel Forbin's Ascent," and the "Phish Chicks" community, and beyond, these scholars invite readers to treat Phish as an "intellectual playground" and explore the significance of the Phish experience.
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Specificații
ISBN-13: 9781666955187
ISBN-10: 1666955183
Pagini: 408
Ilustrații: 20 b/w
Dimensiuni: 160 x 234 x 28 mm
Greutate: 0.72 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria For the Record: Studies in Rock and Popular Music
Locul publicării:New York, United States
ISBN-10: 1666955183
Pagini: 408
Ilustrații: 20 b/w
Dimensiuni: 160 x 234 x 28 mm
Greutate: 0.72 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria For the Record: Studies in Rock and Popular Music
Locul publicării:New York, United States
Cuprins
Foreword by Benjy Eisen
Acknowledgments
Editors' Introduction
Stephanie Jenkins
How I'm Forced To Learn: Methodologies
Chapter 1: We Are Aphicionados! We Are Vernacular Theorists! A Critical Reconsideration and Anti-Hegemonic Recasting of Phish, Phandon, and Fan Praxis
Jnan Blau
Chapter 2: Read The Book: Experiencing Philosophy in the Classroom with Phish
Stephanie C. Jenkins
Companions On This Ride: Phish Fan Community and Identity
Chapter 3: I Strive to Convey What You Strive to Condone': Phish Scene Identity and
Understanding America
Elizabeth A. Yeager
Chapter 4: A Cultural Rhetorical Model of Identity for Dispersed
Communities: Case of Jam Band Communities
Natalie J. Dollar, Nicholas Dahl, & Alexa Tawzer
Chapter 5: Donuts, Dresses and Phish: The Effects of Trademark Law on the Production of Culture Inside and Outside of the Phish Scene
Daniel W. Dylan
Chapter 6: Phish Fan's Performance of Resistance, Recuperation, and Reiteration
Christina L. Allaback
We're All in This Together: Gender and Accessibility in the Phish Community
Chapter 7: Inside this Silent Scene, All Are Free: An Assessment of Accessibility Issues Facing Deaf/Hard of Hearing (HoH) Fans at Phish Concerts
Joel Gershon
Chapter 8: You Were the Song That My Soul Understood: Personal Connections Through Shared Discourse in Facebook Community, Phish Chicks
Denise Goldman
Healing The Symptoms
Chapter 9: From the Concert to the Couch: Phish and the Therapeutic Alliance
Isaac Slone
Chapter 10: Community Through the Phellowship: A Support Group of Phans who Choose to Remain Sober
John Boatner
Shiny Music That Descends From Overhead: The Significance of Musical Structure and Improvisation
Chapter 11: On the Persistence of the Groove: Structural Fog and Jouissance in a 'Split Open and Melt' Jam
Steven Reale
Chapter 12: 'Up the Mountain': The Compositional Use of the Arpeggiated Augmented Triad in Anastasio's 'Colonel Forbin's Ascent'
Julie Viscardi-Smalley
Chapter 13: The Camden 'Chalk Dust Torture' as a Model for Understanding Improvisational Aesthetics
Jacob A. Cohen
Chapter 14: An Ethnographic & Feminist Listen-In: Riffing on Phish Through the Influences of Improvised Music Histories and Collective Practices
Dana Reason
Do You Have to Count Them?: Setlists and Ratings
Chapter 15: A Graph-Theoretic Approach to Setlist Structure Analysis
Matthew Sottile
Chapter 16: "Waiting, Calculating:" Phish Setlists and Fans' Show Ratings
Paul Jakus
Acknowledgments
Editors' Introduction
Stephanie Jenkins
How I'm Forced To Learn: Methodologies
Chapter 1: We Are Aphicionados! We Are Vernacular Theorists! A Critical Reconsideration and Anti-Hegemonic Recasting of Phish, Phandon, and Fan Praxis
Jnan Blau
Chapter 2: Read The Book: Experiencing Philosophy in the Classroom with Phish
Stephanie C. Jenkins
Companions On This Ride: Phish Fan Community and Identity
Chapter 3: I Strive to Convey What You Strive to Condone': Phish Scene Identity and
Understanding America
Elizabeth A. Yeager
Chapter 4: A Cultural Rhetorical Model of Identity for Dispersed
Communities: Case of Jam Band Communities
Natalie J. Dollar, Nicholas Dahl, & Alexa Tawzer
Chapter 5: Donuts, Dresses and Phish: The Effects of Trademark Law on the Production of Culture Inside and Outside of the Phish Scene
Daniel W. Dylan
Chapter 6: Phish Fan's Performance of Resistance, Recuperation, and Reiteration
Christina L. Allaback
We're All in This Together: Gender and Accessibility in the Phish Community
Chapter 7: Inside this Silent Scene, All Are Free: An Assessment of Accessibility Issues Facing Deaf/Hard of Hearing (HoH) Fans at Phish Concerts
Joel Gershon
Chapter 8: You Were the Song That My Soul Understood: Personal Connections Through Shared Discourse in Facebook Community, Phish Chicks
Denise Goldman
Healing The Symptoms
Chapter 9: From the Concert to the Couch: Phish and the Therapeutic Alliance
Isaac Slone
Chapter 10: Community Through the Phellowship: A Support Group of Phans who Choose to Remain Sober
John Boatner
Shiny Music That Descends From Overhead: The Significance of Musical Structure and Improvisation
Chapter 11: On the Persistence of the Groove: Structural Fog and Jouissance in a 'Split Open and Melt' Jam
Steven Reale
Chapter 12: 'Up the Mountain': The Compositional Use of the Arpeggiated Augmented Triad in Anastasio's 'Colonel Forbin's Ascent'
Julie Viscardi-Smalley
Chapter 13: The Camden 'Chalk Dust Torture' as a Model for Understanding Improvisational Aesthetics
Jacob A. Cohen
Chapter 14: An Ethnographic & Feminist Listen-In: Riffing on Phish Through the Influences of Improvised Music Histories and Collective Practices
Dana Reason
Do You Have to Count Them?: Setlists and Ratings
Chapter 15: A Graph-Theoretic Approach to Setlist Structure Analysis
Matthew Sottile
Chapter 16: "Waiting, Calculating:" Phish Setlists and Fans' Show Ratings
Paul Jakus
Recenzii
"Born out of the first-ever Phish Studies Conference, this landmark volume showcases the extraordinary range of scholarship exploring the Phish phenomenon. With essays that are as innovative as they are insightful, the book demonstrates how the band, their music, and the fan community inspire both rigorous academic inquiry and joyful curiosity. Multidisciplinary and vast in scope, this collection makes a serious scholarly contribution to the burgeoning field of Phish Studies, deepening our appreciation of a cultural movement that is both widely misunderstood and profoundly significant in American life."
"This is a richly written and curated opportunity for academics of any flavor to learn a bit about the distinctive history behind and deep fandom surrounding one of the most successful and iconoclastic musical performance groups of the last four decades. By the same stroke, it is a chance for Phish fans to learn something (as I did) about the interests and perspectives of more than a dozen academic disciplines. The book, like the band, brings together (and sometimes blends) approaches that rarely share a stage but, once synergized and synthesized, produce something far bigger and bolder than the separate components ever could."
"Concepts We'll Ponder is a thoughtfully structured, masterfully edited, and widely relevant volume that provides a cornerstone for the burgeoning field of Phish Studies, while also contributing great value regardless of the reader being a Phish fan. The breadth of disciplines included in this volume, combined with the rigorous quality of the scholarship and depth of application within those disciplines, allows the impact and relevance to reach far beyond the Phish fan community. Concepts We'll Ponder makes deeply valuable contribution to our understanding of the significant role that music can make to the people and communities that surround it. Read the Book!"
"This is a richly written and curated opportunity for academics of any flavor to learn a bit about the distinctive history behind and deep fandom surrounding one of the most successful and iconoclastic musical performance groups of the last four decades. By the same stroke, it is a chance for Phish fans to learn something (as I did) about the interests and perspectives of more than a dozen academic disciplines. The book, like the band, brings together (and sometimes blends) approaches that rarely share a stage but, once synergized and synthesized, produce something far bigger and bolder than the separate components ever could."
"Concepts We'll Ponder is a thoughtfully structured, masterfully edited, and widely relevant volume that provides a cornerstone for the burgeoning field of Phish Studies, while also contributing great value regardless of the reader being a Phish fan. The breadth of disciplines included in this volume, combined with the rigorous quality of the scholarship and depth of application within those disciplines, allows the impact and relevance to reach far beyond the Phish fan community. Concepts We'll Ponder makes deeply valuable contribution to our understanding of the significant role that music can make to the people and communities that surround it. Read the Book!"