Cinematic Starchitecture: The Celebrity Status of Urban Architectural Structures in Film: Routledge Advances in Film Studies
Editat de Merrill Schleier, Paul Newlanden Limba Engleză Hardback – 3 noi 2025
Building on the term "starchitecture" – coined in 1997 for dramatic, monumental structures designed to gain international attention and economic advantage – the authors demonstrate that a crucial part of an architectural structure’s iconic star status emerges through its engagement with (and codification by) the media, and with cinema in particular. This book explores how iconic architectural structures have performed a myriad of roles and functions that exceed buildings’ everyday uses or identities as aesthetic objects, location markers, or spatial settings, to show that countless films globally have featured famous buildings as inimitable components of narrative exposition, character development and/or identity construction.
This volume will appeal to students, scholars, and researchers of film studies, media studies, and architecture and architectural history, as well as those in the areas of media and cultural studies, history, popular culture, and urban geography.
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Specificații
ISBN-13: 9781032602134
ISBN-10: 1032602139
Pagini: 288
Ilustrații: 56
Dimensiuni: 156 x 234 x 20 mm
Greutate: 0.56 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Advances in Film Studies
Locul publicării:Oxford, United Kingdom
ISBN-10: 1032602139
Pagini: 288
Ilustrații: 56
Dimensiuni: 156 x 234 x 20 mm
Greutate: 0.56 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Advances in Film Studies
Locul publicării:Oxford, United Kingdom
Public țintă
Postgraduate and Undergraduate AdvancedCuprins
Introduction: what is cinematic starchitecture?
Part 1: Starchitects and Cinema
1. Gaudí: Starchitecture, Iconicity, and Barcelona
2. The Iconicity of Architectural Decay in Detroit: The Posthumous Cinematic Re-mediation of Albert Kahn
3. Traces of a Proto-Starchitect: Erich Mendelsohn’s Architecture on Screen
Part 2: Iconic Starchitecture in Cinema
4. Plaza and Fortress: Screening Lincoln Center’s Ambiguous Iconicity
5. La La Land’s (2016) Griffith Observatory: Through the Nostalgic Lens of Rebel Without a Cause and the Studio-Era Musical
Part 3: Lofty Towers and Vertical Views
6. Tokyo Tower on Screen
7. The Nearest Thing to Heaven: the Empire State Building as romantic icon
8. Millennial Global Starchitecture in the City of London and its Cinematic “Other” in Rocks
Part 4: Cinematic Starchitecture and Genre
9. Hong Kong Starchitecture and Action-Sci Fi Cinema
10. The Icon and the Grid: North by Northwest, the United Nations Building, and the Thriller Genre’s Media-Architecture Complex
11. Building Dystopia: Frank Lloyd Wright’s Marin County Civic Center in THX 1138 (1971) and Gattaca (1997)
Part 5: Architectural Typologies and Styles in Cinema
12. “Concrete Stardom”: Brutalism’s Cinematic Iconicity and the Spatial Imaginaries of London
13. Pensive Spectacles: On Museal Gazes in Cinematic Starchitecture
14. Poetic Referentiality: The Ocean Liner as Film Star
Index
Part 1: Starchitects and Cinema
1. Gaudí: Starchitecture, Iconicity, and Barcelona
2. The Iconicity of Architectural Decay in Detroit: The Posthumous Cinematic Re-mediation of Albert Kahn
3. Traces of a Proto-Starchitect: Erich Mendelsohn’s Architecture on Screen
Part 2: Iconic Starchitecture in Cinema
4. Plaza and Fortress: Screening Lincoln Center’s Ambiguous Iconicity
5. La La Land’s (2016) Griffith Observatory: Through the Nostalgic Lens of Rebel Without a Cause and the Studio-Era Musical
Part 3: Lofty Towers and Vertical Views
6. Tokyo Tower on Screen
7. The Nearest Thing to Heaven: the Empire State Building as romantic icon
8. Millennial Global Starchitecture in the City of London and its Cinematic “Other” in Rocks
Part 4: Cinematic Starchitecture and Genre
9. Hong Kong Starchitecture and Action-Sci Fi Cinema
10. The Icon and the Grid: North by Northwest, the United Nations Building, and the Thriller Genre’s Media-Architecture Complex
11. Building Dystopia: Frank Lloyd Wright’s Marin County Civic Center in THX 1138 (1971) and Gattaca (1997)
Part 5: Architectural Typologies and Styles in Cinema
12. “Concrete Stardom”: Brutalism’s Cinematic Iconicity and the Spatial Imaginaries of London
13. Pensive Spectacles: On Museal Gazes in Cinematic Starchitecture
14. Poetic Referentiality: The Ocean Liner as Film Star
Index
Notă biografică
Merrill Schleier is Professor Emeritus of Art and Architectural History and Cinema Studies at the University of the Pacific, USA, specializing in the relationship of urbanism, identity, and cinema.
Paul Newland is Professor of Film and Architecture at Liverpool John Moores University, UK. He has published widely on representations of cities, landscapes, and architecture in literature and film.
Paul Newland is Professor of Film and Architecture at Liverpool John Moores University, UK. He has published widely on representations of cities, landscapes, and architecture in literature and film.
Descriere
This book explores how examples of famous architecture have circulated throughout cinema history across diverse genres. It will appeal to Film Studies, Media Studies, and Architecture and Architectural History, Media and Cultural Studies, History, Popular Culture, and Urban Geography.