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Cinema Against Spectacle: Technique and Ideology Revisited de Jean-Louis Comolli

Cinema Against Spectacle: Technique and Ideology Revisited: Film Theory in Media History

Autor Jean-Louis Comolli Editat de Daniel Fairfax
en Limba Engleză Paperback – 9 ian 2015
Jean-Louis Comolli's six-part essay Technique and Ideologyhad a revolutionary effect on film theory and history when it first appeared in Cahiers du Cinéma in 1971. In 2009, Comolli revisited his earlier text, arguing that the present age, marked by the total dominance of media-filtered spectacle over image production, makes the need for an 'emancipated, critical spectator' more pressing than ever. In this volume, Daniel Fairfax presents annotated translations of these two texts to provide an overview of Comolli's activity as both a theorist and a filmmaker.
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Specificații

ISBN-13: 9789089645548
ISBN-10: 9089645543
Pagini: 346
Ilustrații: 35 halftones
Dimensiuni: 156 x 234 x 19 mm
Greutate: 0.64 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Film Theory in Media History

Locul publicării:Oxford, United Kingdom

Public țintă

Academic

Cuprins

Preface (Philip Rosen) Introduction (Daniel Fairfax) Yes we were utopians; in a way, I still am...: Interview with Jean-Louis Comolli Cinema against Spectacle I. Opening the Window? II. Inventing the Cinema? III. Filming the Disaster? IV. Cutting the Figure? V. Changing the Spectator? Technique and Ideology Introduction I. On a Dual Origin The ideological place of the base apparatus Birth = deferral: the invention of the cinema II. Depth of Field: the Double Scene Bazin's surplus realism The work of transparency For a materialist history of the cinema For the first time... III. Primitive Depth of Field IV. Effacement of Depth/Advent of Speech V. Which Speech? Appendix I: Cinema/Ideology/Criticism Appendix II: Machines of the Visible Glossary of Terms, Publication History, Filmography, Bibliography,Translator's Notes, Index.

Notă biografică

Jean-Louis Comolli is a French writer, editor, and film director. He was editor of Cahiers du cinéma in 1965-73. Daniel Fairfax is Assistant Professor of Film Studies at the Goethe-Universität Frankfurt and an editor of the online film journal Senses of Cinema.

Recenzii

Hopefully this intelligent edition will make Comolli and his work more visible to contemporary readers, while also positing the development of a more 'scientific' ideological critique not just of individual films, but of cinema and the society of the spectacle as a whole. - William Brown in New Review of Film and Television Studies

Descriere

Jean-Louis Comolli's six-part essay Technique and Ideologyhad a revolutionary effect on film theory and history when it first appeared in Cahiers du Cinéma in 1971. In 2009, Comolli revisited his earlier text, arguing that the present age, marked by the total dominance of media-filtered spectacle over image production, makes the need for an 'emancipated, critical spectator' more pressing than ever.