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Tagore, R: Chitra - A Play in One Act


en Limba Engleză Paperback – 17 noi 2006
CHITRA By Rabindranath Tagore, 1914 PREFACE THIS lyrical drama was written about twentyfive years ago. It is based on the following story from the Mahab harata. In the course of his wanderings, in fulfilment of a vow of penance, Arjuna came to Manipur. There he saw Chitrangada, the beautiful daughter of Chitravahana, the king of the country. Smitten with her charms, he asked the king for the hand of his daughter in marriage. Chitravahana asked him who he was, and learning that he was Arjuna the Pandafcsl, told him that Prabhanjana, one of his ancestors in the kingly line of Manipur, had long been childless. In order to obtain an heir, he performed severe penances. Pleased with these austerities, the god Shiva gave him this boon, that he and his successors should each have one child. It so happened that the prom ised child had invariably been a son. He, Chitravahana, was the first to have only a daughter Chitrangada to perpetuate the race. He had, there fore, always treated her as ason and had made her his heir. Continuing, the king said : The one son that will be born to her must be the perpetuator of my race. That son will be the price that I shall demand for this marriage. You can take her, if you like, on this con dition. Arjuna promised and took Chitran gada to wife, and lived in her fathers capital for three years When a son was born to them, he embraced her with affection, and taking leave of her and her father, set out again on his travels. THE CHARACTERS GODS : MADANA Eros. VASANTA Lycoris. MORTALS : CHITRA, daughter of the King of Manipur. ARJUNA, a prince of the house of the Kurus. He is of the Kshatriya or warrior caste and during the action is living as a Hermit retired in the forest. VILLAGERS from an outlying district of Manipur. NOTE.The dramatic poem Chitra has been performed in India without scenery the actors being surrounded by the audience. Proposals for its production here having been made to him, he went through this translation and provided stage directions, but wished these omitted if it were printed as a book. "SCENE I Chitra ART thou the god with the five darts, the Lord of Love ? Madana I am he who was the first born in the heart of the Creator. I bind in bonds of pain and bliss the lives of men and women Chitra I know, I know what that pain is and those bondsAnd who art thou, my lord ? "
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Specificații

ISBN-13: 9781406730821
ISBN-10: 1406730823
Pagini: 48
Dimensiuni: 140 x 216 x 3 mm
Greutate: 0.08 kg
Editura: Read Books
Locul publicării:United Kingdom

Notă biografică

¿ Rabindranath Tagore, was a polymath, poet, musician, and artist from the Indian subcontinent. He reshaped Bengali literature and music, as well as Indian art with Contextual Modernism in the late 19th and early 20th centuries. Author of the "profoundly sensitive, fresh and beautiful verse" of Gitanjali, he became in 1913 the first non-European to win the Nobel Prize in Literature.[7] Tagore's poetic songs were viewed as spiritual and mercurial; however, his "elegant prose and magical poetry" remain largely unknown outside Bengal.[8] He is sometimes referred to as "the Bard of Bengal".[9]
¿ A Brahmo Hindu from Calcutta with ancestral gentry roots in Burdwan District[10] and Jessore, Tagore wrote poetry as an eight-year-old.[11] At the age of sixteen, he released his first substantial poems under the pseudonym Bhanusi¿ha ("Sun Lion"), which were seized upon by literary authorities as long-lost classics. By 1877 he graduated to his first short stories and dramas, published under his real name. As a humanist, universalist, internationalist, and ardent anti-nationalist, he denounced the British Raj and advocated independence from Britain. As an exponent of the Bengal Renaissance, he advanced a vast canon that comprised paintings, sketches and doodles, hundreds of texts, and some two thousand songs; his legacy also endures in the institution he founded, Visva-Bharati University.
¿ Tagore modernised Bengali art by spurning rigid classical forms and resisting linguistic strictures. His novels, stories, songs, dance-dramas, and essays spoke to topics political and personal. Gitanjali (Song Offerings), Gora (Fair-Faced) and Ghare-Baire (The Home and the World) are his best-known works, and his verse, short stories, and novels were acclaimed-or panned-for their lyricism, colloquialism, naturalism, and unnatural contemplation. His compositions were chosen by two nations as national anthems: India's Jana Gana Mana and Bangladesh's Amar Shonar Bangla. The Sri Lankan national anthem was inspired by his work