Many know Jonathan Lethem as one of our most celebrated and eclectic writers, whose iconic novels-Motherless Brooklyn, The Fortress of Solitude, Chronic City, among many others-play with genres and storytelling modes like a DJ mixing music. But Lethem grew up in his father's studio, went to art school, and, in his own words, "made hundreds if not thousands of drawings, collages, paintings, hand-drawn comics, and even two animated shorts" before diverting, at nineteen, to prose. The surreal and form-defying panoply of his stories, essays, and novels celebrates-and mourns-this forsaken world of the visual and plastic arts. That leap, between the cellophane ephemerality of language and the brick-like tangibility of visual art, which operates as a sublimated wellspring for Lethem's writing, is the subject of this book.
Cellophane Bricks mortars together Lethem's fictions in response to (and in exchange for) artworks by his friends with dozens of original essays. Here we tour his meditations on comics and graffiti art; his collaborations with artists and interventions into visual culture; and his portrait of the museum that was and continues to be his home, untethered from geography. Unique in Lethem's kaleidoscopic oeuvre, Cellophane Bricks comprises a kind of stealth memoir of his parallel life in visual culture. Gorgeously designed, with stunning, full-color images from the author's own collection and elsewhere, Cellophane Bricks is a ravishing assemblage for story lovers of all kinds.