Career Moves: Olson, Creeley, Zukofsky, Berrigan, And
Autor Libbie Rifkinen Limba Engleză Paperback – 2 oct 2000
How much did "making it new" have to do with "making it"? For the four "outsider poets" considered in this book—Charles Olson, Robert Creeley, Louis Zukofsky, and Ted Berrigan—the connection was everything. At once a social history of literary ambition in America in the fifties and sixties and a uniquely collective form of literary biography, Career Moves offers an intimate account of the postwar poetry underground.
Making the controversial claim that anti-Establishment poets were at least as "careerist" as their mainstream peers, Libbie Rifkin shows how the nature of these poets’ ambition actually defined postwar avant-garde identity. In doing so, she clarifies the complicated link between the crafting of a literary career and the defining of a literary canon.
Making the controversial claim that anti-Establishment poets were at least as "careerist" as their mainstream peers, Libbie Rifkin shows how the nature of these poets’ ambition actually defined postwar avant-garde identity. In doing so, she clarifies the complicated link between the crafting of a literary career and the defining of a literary canon.
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Specificații
ISBN-13: 9780299168445
ISBN-10: 0299168441
Pagini: 152
Dimensiuni: 152 x 229 x 10 mm
Greutate: 0.25 kg
Ediția:1
Editura: University of Wisconsin Press
Colecția University of Wisconsin Press
ISBN-10: 0299168441
Pagini: 152
Dimensiuni: 152 x 229 x 10 mm
Greutate: 0.25 kg
Ediția:1
Editura: University of Wisconsin Press
Colecția University of Wisconsin Press
Descriere
How much did "making it new" have to do with "making it"? For the four "outsider poets" considered in this book—Charles Olson, Robert Creeley, Louis Zukofsky, and Ted Berrigan—the connection was everything. At once a social history of literary ambition in America in the fifties and sixties and a uniquely collective form of literary biography, Career Moves offers an intimate account of the postwar poetry underground.
Making the controversial claim that anti-Establishment poets were at least as "careerist" as their mainstream peers, Libbie Rifkin shows how the nature of these poets’ ambition actually defined postwar avant-garde identity. In doing so, she clarifies the complicated link between the crafting of a literary career and the defining of a literary canon.
Making the controversial claim that anti-Establishment poets were at least as "careerist" as their mainstream peers, Libbie Rifkin shows how the nature of these poets’ ambition actually defined postwar avant-garde identity. In doing so, she clarifies the complicated link between the crafting of a literary career and the defining of a literary canon.