The present study is distinctive in that the author examines Byron as an artist and self-critic. Based mainly upon Byron's own self-analytical and critical statements as found in his letters and in contemporary memoirs, and written with considerable verve, this volume gives a refreshing picture of Byron as an artist who knew what he was doing and why. Originally published in 1935.A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.