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British Colour Cinema: Practices and Theories de Simon Brown

British Colour Cinema: Practices and Theories

Editat de Simon Brown, Sarah Street, Elizabeth Watkins
en Limba Engleză Hardback – 29 mai 2013
Created as a companion volume to a major history of colour in British Cinema (also by Sarah Street), British Colour Cinema is a book based on a series of unique interviews conducted by Sarah Street and Elizabeth I Watkins with practitioners who worked in the UK with Technicolor and/or Eastmancolor during the 1930s-1950s.
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Specificații

ISBN-13: 9781844574148
ISBN-10: 1844574148
Pagini: 280
Ilustrații: 30 b/w photos, 5 b/w illustrations
Dimensiuni: 178 x 236 x 22 mm
Greutate: 0.74 kg
Ediția:2013
Editura: Bloomsbury Publishing
Colecția British Film Institute
Locul publicării:London, United Kingdom

Cuprins

Acknowledgments.- Permissions.- About the Authors.- Introduction.- PART I: COLOUR AND THE CAMERA: CINEMATOGRAPHERS.- 1. Introduction.- 2. Interview: Chris Challis.- 3. Interview: Pat Jackson.- 4. Document: Jack Cardiff, 'Shooting Western Approaches', The Cine-Technician, Nov-Dec 1944.- 5. Interview: Ossie Morris.- 6. Interviews: Guy Green, Erwin Hillier, Douglas Slocombe, Paul Beeson, Stan Sayer.- 7. Document: Ronald Neame, 'A Talk on Technicolor', The Cine-Technician, May-June 1944.- PART II: POST-PRODUCTION.- 8. Introduction.- 9. Interview: Syd Wilson.- 10. Interview: Dave Davis.- 11. Interview: Bernard Happé.- 12. Interview: Frank Littlejohn.- 13. Interview: Les Ostinelli.- PART III: ARCHIVING.- 14. Introduction.- 15. Interview: Paul De Burgh.- 16. Document: 'Preservation of Films', Kinematograph Weekly, 13 March 1952.- 17. Interview: Jaoa de Olivera.- 18. Interview: Keiron Webb.- 19. Interview: Sonia Genaitay.- 20. Document: Robert M. Fanstone, 'Experiences with Dufaycolor Film', British Journal of Photography, 7 June 1935.- 21. Document: 'Gasparcolor Explained to the R.P.S.', Kinematograph Weekly 31 January 1935.- 22. Interview: Paolo Cherchi Usai.- 23. Interview: Ulrich Rüdel and Daniela Currò.- 24. Interview: Giovanna Fossati.- PART IV: THEORY.- 25. Introduction.- 26. Document: Adrian Cornwell-Clyne, 'The Future of the Colour Film' in Colour Cinematography (London: Chapman Hall, 1951).- 27. Document: E.S. Tompkins, 'In Defence of 'Glorious' Colour', British Journal of Photography, 3 Mar 1944.- 28. Document: Paul Nash, 'The Colour Film' in Charles Davy (ed.), Footnotes to the Film (London: Lovat Dickson Ltd, Readers' Union Ltd, 1938).- Index.