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Bob Dylan in the 1980s

Editat de Erin C Callahan, Court Carney
en Limba Engleză Paperback – 9 feb 2027

Twenty years into his public career, Bob Dylan entered the 1980s at a moment of transition. The late 1970s were a turbulent time for the singer-songwriter, with critical and commercial ups and downs defining his public standing. Many observers consider the following decade the nadir of his professional life.

Yet, since he first took the stage in the early 1960s, Dylan has consistently defied expectations, and has received criticism for doing so. This was especially true in the 1980s as he navigated aging, new technologies, and a self-admitted creative disconnect. Despite these challenges, Dylan's work throughout the decade reveals the artist striving, albeit at times unsuccessfully, to create rather than replicate. A lost decade, perhaps, given his output before and after, but by any metric, it was a productive and profitable period. Bob Dylan in the 1980s reframes the decade within the broader arc of Dylan's sixty-five-year career, enabling a deeper understanding and appreciation of how his work during this era bridges his early and later periods.

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Specificații

ISBN-13: 9780807186510
ISBN-10: 0807186511
Pagini: 224
Dimensiuni: 152 x 229 x 13 mm
Greutate: 0.31 kg
Editura: Lsu Press

Notă biografică

Erin C. Callahan is professor of English at San Jacinto College in Houston, Texas. She is the coeditor, with Court Carney, of The Politics and Power of Bob Dylan's Live Performances: Play a Song for Me.

Court Carney is professor of history at Stephen F. Austin State University. He is the author of Cuttin' Up: How Early Jazz Got America's Ear and Reckoning with the Devil: Nathan Bedford Forrest in Myth and Memory.

Jeff Slate is a writer, journalist, and rock-and-roll historian. He penned the liner notes for Bob Dylan's More Blood, More Tracks and is coauthor of The Authorized Biography of Roy Orbison. His catalog of interviews includes Bob Dylan, Ringo Starr, and David Crosby.


Cuprins

Introduction: Telltale Signs
Court Carney and Erin C. Callahan

Part I: Reframing the 1980s

These Times and These Tunnels Are Haunted: Bob Dylan's Archiving and Attic Cleaning in the 1980s
Keith Nainby and John M. Radosta

Reframing Bob Dylan's Projections of Authenticity in the 1980s: Gospel, Country Music, and Film-Star Texts
Leigh H. Edwards

Johanna's Heiresses
Rona Cran

Part II: Gender, Performance, and Persona

Gender Performance in "Sweetheart Like You"
Graley Herren

It Was All Wet: Bob Dylan's "Clean Cut Kid" as Social Protest
Paul Haney

My Life Ain't No Circus: The Legacy of Hearts of Fire
Rebecca Slaman

Part III: Revival and Renewal

Let the Good Times Roll: Bob Dylan Rediscovers His Muse with Tom Petty and the Heartbreakers
Ray Padgett

Part IV: Politics, Memory, and Nationhood

Passive Protest and Consumer Charity: Bob Dylan and "We Are the World"
Erin C. Callahan

It's Morning Again in New Jerusalem: Bob Dylan and "Blind Willie McTell" in the Reagan Era
Robert Reginio

Farm Aid and Bob Dylan's Rural Nationalism
Jason Tebbe

Conclusion: Wiggle 'Til You Vomit Fire
Court Carney and Erin C. Callahan