Bob Dylan in the 1980s
Editat de Erin C Callahan, Court Carneyen Limba Engleză Paperback – 9 feb 2027
Twenty years into his public career, Bob Dylan entered the 1980s at a moment of transition. The late 1970s were a turbulent time for the singer-songwriter, with critical and commercial ups and downs defining his public standing. Many observers consider the following decade the nadir of his professional life.
Yet, since he first took the stage in the early 1960s, Dylan has consistently defied expectations, and has received criticism for doing so. This was especially true in the 1980s as he navigated aging, new technologies, and a self-admitted creative disconnect. Despite these challenges, Dylan's work throughout the decade reveals the artist striving, albeit at times unsuccessfully, to create rather than replicate. A lost decade, perhaps, given his output before and after, but by any metric, it was a productive and profitable period. Bob Dylan in the 1980s reframes the decade within the broader arc of Dylan's sixty-five-year career, enabling a deeper understanding and appreciation of how his work during this era bridges his early and later periods.Preț: 185.34 lei
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Specificații
ISBN-10: 0807186511
Pagini: 224
Dimensiuni: 152 x 229 x 13 mm
Greutate: 0.31 kg
Editura: Lsu Press
Notă biografică
Erin C. Callahan is professor of English at San Jacinto College in Houston, Texas. She is the coeditor, with Court Carney, of The Politics and Power of Bob Dylan's Live Performances: Play a Song for Me.
Court Carney is professor of history at Stephen F. Austin State University. He is the author of Cuttin' Up: How Early Jazz Got America's Ear and Reckoning with the Devil: Nathan Bedford Forrest in Myth and Memory. Jeff Slate is a writer, journalist, and rock-and-roll historian. He penned the liner notes for Bob Dylan's More Blood, More Tracks and is coauthor of The Authorized Biography of Roy Orbison. His catalog of interviews includes Bob Dylan, Ringo Starr, and David Crosby.Cuprins
Introduction: Telltale Signs
Court Carney and Erin C. Callahan
Part I: Reframing the 1980s
These Times and These Tunnels Are Haunted: Bob Dylan's Archiving and Attic Cleaning in the 1980s
Keith Nainby and John M. Radosta
Reframing Bob Dylan's Projections of Authenticity in the 1980s: Gospel, Country Music, and Film-Star Texts
Leigh H. Edwards
Johanna's Heiresses
Rona Cran
Part II: Gender, Performance, and Persona
Gender Performance in "Sweetheart Like You"
Graley Herren
It Was All Wet: Bob Dylan's "Clean Cut Kid" as Social Protest
Paul Haney
My Life Ain't No Circus: The Legacy of Hearts of Fire
Rebecca Slaman
Part III: Revival and Renewal
Let the Good Times Roll: Bob Dylan Rediscovers His Muse with Tom Petty and the Heartbreakers
Ray Padgett
Part IV: Politics, Memory, and Nationhood
Passive Protest and Consumer Charity: Bob Dylan and "We Are the World"
Erin C. Callahan
It's Morning Again in New Jerusalem: Bob Dylan and "Blind Willie McTell" in the Reagan Era
Robert Reginio
Farm Aid and Bob Dylan's Rural Nationalism
Jason Tebbe
Conclusion: Wiggle 'Til You Vomit Fire
Court Carney and Erin C. Callahan