Bloodletting
Autor Kimberly Reyesen Limba Engleză Paperback – 6 mai 2025
This is a collection of poems about how we find and cultivate love amid wars, including wars that often go ignored. Throughout Bloodletting, Kimberly Reyes considers how we define love and who gets to experience it, paying special attention to the ways that race and sex influence how we are perceived and valued by society. Through the voice of a Black woman coming to terms with her own perspectives on relationship-building, Reyes shows the damage that contemporary culture can do to women, and Black women in particular. Resisting passivity, Reyes’s poetry cuts through pervasive doom scrolling, virtue signaling, and parasocial relationships, inviting readers to remember what care is really supposed to feel like.
Preț: 105.88 lei
Puncte Express: 159
Preț estimativ în valută:
18.74€ • 21.90$ • 16.27£
18.74€ • 21.90$ • 16.27£
Carte disponibilă
Livrare economică 04-18 februarie
Livrare express 21-27 ianuarie pentru 46.70 lei
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9781632431660
ISBN-10: 1632431661
Pagini: 128
Dimensiuni: 152 x 226 x 13 mm
Greutate: 0.2 kg
Editura: Univ of Chicago Behalf of Omnidawn
ISBN-10: 1632431661
Pagini: 128
Dimensiuni: 152 x 226 x 13 mm
Greutate: 0.2 kg
Editura: Univ of Chicago Behalf of Omnidawn
Notă biografică
Kimberly Reyes is a poet, essayist, and the author of the poetry collections vanishing point. and Running to Stand Still. Her book of essays Life During Wartime won the 2018 Michael Rubin Book Award. Her work has been published in various outlets including the Atlantic, New York Times, New York Post, Associated Press, Entertainment Weekly, Village Voice, ESPN the Magazine, Irish Examiner, Poetry Review, Poetry London, Poetry Ireland, and Best American Poetry Blog. Reyes is currently a PhD student in English at the University of Nebraska-Lincoln.
Recenzii
"Bloodletting explores and articulates a distillation of pop culture and violence both global and localized across sharp lyric, writing counterpoints and contradictions across the present moment of the American landscape—Taylor Swift and the devastation of Gaza, TikTok videos, femicide and the male gaze, Golems and smartphones—somehow all provided equal weight through mainstream culture. . . . Offering sharp observation and distillation, Reyes asks the reader to question what stories get told and by whom, and what might this end up doing to our attention. . . . This is a complex, devastating and propulsive collection of poems fully able to simultaneously live within and respond to the present moment, in remarkable ways. She cuts through the noise, the bluster, and gets to the heart of it, providing clarity and clear resistance."
"There is, in Reyes' Bloodletting, an impressive command of diction that, coupled with her precision for clarity, wit and intense observation, produces a poetry of great insight and intellectual alacrity that makes her a brilliant observer of the complexities of the American present. Whether writing about Taylor Swift, the crisis of global warming, or her father, her capacious sensibility allows for vulnerability, humor and the luminous red of bold cultural commentary. Her poems are beautiful studies in form and sentiment. Reyes' poems have managed the enviable quality of being wholly contemporary and present and at the same time unfettered by time."
"In Bloodletting, Reyes strips herself bare and asks the same of her readers. 'Discomfort is no longer a season,' she writes, and in that discernment, we are given permission to not only feel, but allow rage to boil over and set us free. Reyes' poems are so precise, the blade of a knife, carving out the hidden uglies of this world. Full of pop culture references, and the language of the living, this collection dares us to texture everything until we finally find its true center: 'I have no idea what to live for if not love,' we read & poof this collection becomes an act of deep knowing, purposeful, in a world burning too hot for our comfort."
"The unfolding honesty of Bloodletting, its cut, just deep enough, feels like a record of a present that might break us. Reyes answers the gaslighting of an entire society with a poet's truth, as she mourns her and our illusions."