Beyond Perspective: Geometries of Absolute Measure in Renaissance Italy
Autor Ian Verstegenen Limba Engleză Hardback – 26 ian 2027
This book provides a groundbreaking reinterpretation of the relationship between geometric techniques and scientific knowledge in early modern Europe. By examining model making, orthographic plans, and military perspectives as ‘techniques of absolute measure,’ readers will gain fresh insights into how geometry connected to technology and practical knowledge. Moving beyond both scientistic celebrations and postmodern critiques, it offers a balanced analysis that reconnects geometric practice to civil and military engineering projects.
Intended for scholars and advanced students in art history, history of science, history of technology, and Renaissance studies it is also suitable for graduate-level study and will appeal to researchers interested in the intersection of visual culture, scientific knowledge, and the practical applications of geometric methods in early modern Europe.
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Specificații
ISBN-13: 9789048568383
ISBN-10: 9048568382
Pagini: 200
Ilustrații: 108
Dimensiuni: 156 x 234 mm
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
ISBN-10: 9048568382
Pagini: 200
Ilustrații: 108
Dimensiuni: 156 x 234 mm
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
Public țintă
AcademicCuprins
Table of Contents
Preface
Introduction
The Edgerton Thesis
An Ottoman Parable
For Gradualism, Against Revolution
What Constituted Progress in the Early Modern Period?
Obliquity and Transcription
Structure of the Book
1. Fictive Perspective versus Transcriptive Reality
Masaccio’s Trinity: The Anti-Canon of Perspective
Two Primary Perspective Constructions
Print versus Manuscript
2. Putting Perspective in its Place
The Objectivity of Geometry
The Objectivity of Sight
The Objectivity of Pictorial Recognition
The Relativity of Perspective
The Engineer’s Critique of Perspective
‘Inverted’ Perspective
3. From Transcription to Absolute Measure
The Martial Mandate
The Slow Fuse of Progress
The Technologization of the Drawing
Ad Hoc Design
4. Plans, Elevations and Ichnographic Plans
The Rise of Orthography
Coordinating Orthographic Orders
The Ubiquity of Orthography
Transcriptive Elements in Perspective Maps
5. Architectural Models
Advantages of Models
Military Models
Making Models
6. The Military Engineer’s Perspective
Parallels, Infinity & History
The Emergence of Military Perspective
Map Use
Drawing Machines
Conclusion
Bibliography
Index
Preface
Introduction
The Edgerton Thesis
An Ottoman Parable
For Gradualism, Against Revolution
What Constituted Progress in the Early Modern Period?
Obliquity and Transcription
Structure of the Book
1. Fictive Perspective versus Transcriptive Reality
Masaccio’s Trinity: The Anti-Canon of Perspective
Two Primary Perspective Constructions
Print versus Manuscript
2. Putting Perspective in its Place
The Objectivity of Geometry
The Objectivity of Sight
The Objectivity of Pictorial Recognition
The Relativity of Perspective
The Engineer’s Critique of Perspective
‘Inverted’ Perspective
3. From Transcription to Absolute Measure
The Martial Mandate
The Slow Fuse of Progress
The Technologization of the Drawing
Ad Hoc Design
4. Plans, Elevations and Ichnographic Plans
The Rise of Orthography
Coordinating Orthographic Orders
The Ubiquity of Orthography
Transcriptive Elements in Perspective Maps
5. Architectural Models
Advantages of Models
Military Models
Making Models
6. The Military Engineer’s Perspective
Parallels, Infinity & History
The Emergence of Military Perspective
Map Use
Drawing Machines
Conclusion
Bibliography
Index
Notă biografică
Ian Verstegen is Associate Director of Visual Studies at the University of Pennsylvania, USA. His research focuses on the history, theory and historiography of early modern and modern art. He is the author of Federico Barocci and the Science of Drawing in Early Modern Italy (2019).
Descriere
Beyond Perspective challenges traditional narratives linking Renaissance linear perspective to scientific revolution, arguing that orthographic plans and military perspectives - not linear perspective- were the true geometric tools driving technological advancement from 1400-1700.