Beyond Boundaries
en Limba Engleză Hardback – 2000
This volume is aimed not only at specialists in identity studies and those concerned with the artistic landscape of a wider Europe - including Russia, the Balkans, Finland and Turkey. It will also interest those preoccupied with building an imaginative and imagined identity for Europe, an identity which might help to sustain it as a political entity and lend it greater popular legitimacy than it enjoys at present.
Preț: 407.73 lei
Puncte Express: 612
Carte indisponibilă temporar
Doresc să fiu notificat când acest titlu va fi disponibil:
Se trimite...
Specificații
ISBN-13: 9789042015432
ISBN-10: 9042015438
Pagini: 199
Dimensiuni: 155 x 230 mm
Greutate: 0.51 kg
Editura: Brill
ISBN-10: 9042015438
Pagini: 199
Dimensiuni: 155 x 230 mm
Greutate: 0.51 kg
Editura: Brill
Cuprins
Andy HOLLIS: Introduction
Deborah PARSONS: Nationalism or Continentalism?: Representing Heritage
Culture for a New Europe
Parvati NAIR: Homing the Other:the Immigrant as New European in David Planell’s Bazar
Ortwin de GRAEF and Henriëtte LOUWERSE: The Alteration of Amsterdam: Hafid Bouzza’s Entertainment of Cultural Identity
Moray McGOWAN: ‘The Bridge of the Golden Horn’: Istanbul, Europe and the ‘Fractured Gaze from the West’ in Turkish Writing in Germany
Philip DINE: Memorial Boundaries and Textual Transgressions: the Narrative Politics of France’s Algerian War
Ludmilla KOSTOVA: Inventing Post-Wall Europe: Visions of the ‘Old’ Continent in Contemporary British Fiction and Drama
Irina KABANOVA: Two Kinds of Vagueness: ‘Europeanness’ in Tim Parks and Anastasia Gostova
Andy HOLLIS: Shifting of Boundaries: Humour and National Identity in Three Versions of Ulrich Plenzdorf’s Freiheitsberaubung (‘Wrongful Detention’)
Juliet WIGMORE: Holofernes Commits Harakiri: Elisabeth Reichart’s Das vergessene Lächeln der Amaterasu
Richard ROBINSON: The European Border: Joyce’s Triestine Ulysses
John SUNDHOLM: The Non-Place of Identity: On the Poetics of a Minority Culture
William HOPE: The Silent Traveller: Self-Reinvention in Curzio
Malaparte’s ‘Diary of a Foreigner in Paris’
Deborah PARSONS: Nationalism or Continentalism?: Representing Heritage
Culture for a New Europe
Parvati NAIR: Homing the Other:the Immigrant as New European in David Planell’s Bazar
Ortwin de GRAEF and Henriëtte LOUWERSE: The Alteration of Amsterdam: Hafid Bouzza’s Entertainment of Cultural Identity
Moray McGOWAN: ‘The Bridge of the Golden Horn’: Istanbul, Europe and the ‘Fractured Gaze from the West’ in Turkish Writing in Germany
Philip DINE: Memorial Boundaries and Textual Transgressions: the Narrative Politics of France’s Algerian War
Ludmilla KOSTOVA: Inventing Post-Wall Europe: Visions of the ‘Old’ Continent in Contemporary British Fiction and Drama
Irina KABANOVA: Two Kinds of Vagueness: ‘Europeanness’ in Tim Parks and Anastasia Gostova
Andy HOLLIS: Shifting of Boundaries: Humour and National Identity in Three Versions of Ulrich Plenzdorf’s Freiheitsberaubung (‘Wrongful Detention’)
Juliet WIGMORE: Holofernes Commits Harakiri: Elisabeth Reichart’s Das vergessene Lächeln der Amaterasu
Richard ROBINSON: The European Border: Joyce’s Triestine Ulysses
John SUNDHOLM: The Non-Place of Identity: On the Poetics of a Minority Culture
William HOPE: The Silent Traveller: Self-Reinvention in Curzio
Malaparte’s ‘Diary of a Foreigner in Paris’
Recenzii
”…valuable anthology…” in: The European Legacy, Vol. 10, 2005
Notă biografică
Linda Phyllis Austern is Associate Professor of Musicology at Northwestern University. She is author of Music in English Children's Drama of the Later Renaissance, editor of Music, Sensation and Sensuality, editor (with Inna Naroditskaya) of Music of the Sirens, and (with Kari Boyd McBride and David Orvis) of Psalms in the Early Modern World.
Candace Bailey is Professor of Music History at North Carolina Central University. She is the author of Music and the Southern Belle: From Accomplished Lady to Confederate Composer and Seventeenth-Century British Keyboard Sources.
Amanda Eubanks Winkler is Associate Professor of Music History and Cultures at Syracuse University and author of O Let Us Howle Some Heavy Note: Music for Witches, the Melancholic, and the Mad on the Seventeenth-Century English Stage.
Candace Bailey is Professor of Music History at North Carolina Central University. She is the author of Music and the Southern Belle: From Accomplished Lady to Confederate Composer and Seventeenth-Century British Keyboard Sources.
Amanda Eubanks Winkler is Associate Professor of Music History and Cultures at Syracuse University and author of O Let Us Howle Some Heavy Note: Music for Witches, the Melancholic, and the Mad on the Seventeenth-Century English Stage.