Beyoncé
Autor Martin Iddon Editat de Melanie L Marshallen Limba Engleză Paperback – 17 noi 2020
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Specificații
ISBN-13: 9780253052841
ISBN-10: 025305284X
Pagini: 272
Ilustrații: 3 Tables, black and white; 5 Printed music items; 5 Illustrations, black and white
Dimensiuni: 152 x 229 x 16 mm
Greutate: 0.42 kg
Editura: Indiana University Press
ISBN-10: 025305284X
Pagini: 272
Ilustrații: 3 Tables, black and white; 5 Printed music items; 5 Illustrations, black and white
Dimensiuni: 152 x 229 x 16 mm
Greutate: 0.42 kg
Editura: Indiana University Press
Notă biografică
Martin Iddon is Professor of Music and Aesthetics at the University of Leeds. He is editor (with Melanie L. Marshall) of Lady Gaga and Popular Music: Performing Gender, Fashion, and Culture and author of New Music at Darmstadt: Nono, Stockhausen, Cage, and Boulez; John Cage and David Tudor: Correspondence on Interpretation and Performance; and four other monographs and edited volumes. He is based in Leeds, England. Melanie L. Marshall is Lecturer in Music at University College Cork. She is editor (with Martin Iddon) of Lady Gaga and Popular Music: Performing Gender, Fashion, and Culture and of Sexualities, Textualities, Art and Music in Early Modern Italy. She is based in Cork, Ireland.
Cuprins
Introduction
Part I: Beyoncé at Work, Making Beyoncé
1. Surviving the Hustle: Beyoncé's Performance of Work
2. "A Scientist of Songs": Beyoncé's Recording Studio Music Making and the Problem of Authorship in Popular Music
3. "Singing All The Time": Constructions of Cultural Identity in Beyoncé's I am... Sasha Fierce
Part II: Beyoncé On Screen, Reading Beyoncé
4. Beyoncé's Mixed Media Feminism: Sounding, Staging, and Sampling Gender Politics in "***Flawless"
5. "At Last a Dream That I Can Call My Own": Beyoncé and the Performance of Stardom in Dreamgirls and Cadillac Records
6. For the Texas Bama Femme: A Black Queer Femme-inist Reading of Beyoncé's "Sorry"
7. Gypsying Beyoncé: The Latin Crossover through Hispanic Stereotypes
Part III: Beyoncé Online, Re-presenting Beyoncé
8. Unlikely Resemblances: "Single Ladies," and Comparative Judgment of Popular Dance
9. "I See Music": Beyoncé, YouTube, and the Question of Signed-Songs
10. "Girl I'm Tryna Kick It With Ya": Tracing the Reception of "7/11"'s Embodiment of Girl/Bedroom Culture Through YouTube Reaction Videos
Bibliography
Index
Part I: Beyoncé at Work, Making Beyoncé
1. Surviving the Hustle: Beyoncé's Performance of Work
2. "A Scientist of Songs": Beyoncé's Recording Studio Music Making and the Problem of Authorship in Popular Music
3. "Singing All The Time": Constructions of Cultural Identity in Beyoncé's I am... Sasha Fierce
Part II: Beyoncé On Screen, Reading Beyoncé
4. Beyoncé's Mixed Media Feminism: Sounding, Staging, and Sampling Gender Politics in "***Flawless"
5. "At Last a Dream That I Can Call My Own": Beyoncé and the Performance of Stardom in Dreamgirls and Cadillac Records
6. For the Texas Bama Femme: A Black Queer Femme-inist Reading of Beyoncé's "Sorry"
7. Gypsying Beyoncé: The Latin Crossover through Hispanic Stereotypes
Part III: Beyoncé Online, Re-presenting Beyoncé
8. Unlikely Resemblances: "Single Ladies," and Comparative Judgment of Popular Dance
9. "I See Music": Beyoncé, YouTube, and the Question of Signed-Songs
10. "Girl I'm Tryna Kick It With Ya": Tracing the Reception of "7/11"'s Embodiment of Girl/Bedroom Culture Through YouTube Reaction Videos
Bibliography
Index
Descriere
Beyonce: At Work, On Screen, and Online contends that because of her willingness to address societal issues within her career, Beyonce has become an important touchstone for an entire generation-all in a day's work for Queen Bey.