Between Script and Scripture: Performance Criticism and Mark's Characterization of the Disciples
Autor Zach Preston Eberharten Limba Engleză Hardback – 3 apr 2024
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Specificații
ISBN-13: 9789004691728
ISBN-10: 9004691723
Pagini: 252
Dimensiuni: 157 x 238 x 19 mm
Greutate: 0.51 kg
Editura: Brill
ISBN-10: 9004691723
Pagini: 252
Dimensiuni: 157 x 238 x 19 mm
Greutate: 0.51 kg
Editura: Brill
Notă biografică
Zechariah Eberhart, Ph.D. (2023), Loyola University Chicago, is Assistant Professor of Biblical Studies at Point University.
Cuprins
Contents
Introduction
1 The Why: Mark’s Disciple Problem
2 The What: the Hypothetical Performance Event – Some Assumptions
3 The How: a Summary of What Follows
1 Whence and Whither: Biblical Performance Criticism
1 Phase 1: Avant la lettre
2 Phase 2: David Rhoads and the Emergence of Biblical Performance Criticism
3 Phase 3: the Pendulum Swings Back
4 Phase 4: after Rhoads
5 Summary
2 Strange Bedfellows? Characters and Characterization in Performance
1 Characters and Characterization in Biblical Performance Criticism
2 Characters and Characterization in Performance in Homeric Studies and Classical Scholarship
3 Characters and Characterization in Shakespearean Performance
4 Summary/Conclusions
3 What’s in a Name? Between Script and Scripture
1 A Question of Ontology: What Is the Gospel of Mark?
2 Current Metaphors in Use for Understanding Ancient Textuality
3 A Proposal of Supplementary Metaphors: Script and Scripture
4 The Limits of Script and Scripture as Metaphors for Determining our Object of Study
5 Conclusions
4 To Be or Not to Be? Mark’s Disciples in Performance
1 Performance Criticism and Mark’s Disciples
2 Traditional Characterization and Mark’s Disciples in Performance
3 A Linear Experience of Mark’s Disciples in Performance
4 To Be or Not to Be? The Rhetorical Effect of Mark’s Disciples in Performance
5 Conclusion
1 Where We Have Been
2 Where Do We Go from Here?
3 Final Remarks
Reference List
Index
Introduction
1 The Why: Mark’s Disciple Problem
2 The What: the Hypothetical Performance Event – Some Assumptions
3 The How: a Summary of What Follows
1 Whence and Whither: Biblical Performance Criticism
1 Phase 1: Avant la lettre
2 Phase 2: David Rhoads and the Emergence of Biblical Performance Criticism
3 Phase 3: the Pendulum Swings Back
4 Phase 4: after Rhoads
5 Summary
2 Strange Bedfellows? Characters and Characterization in Performance
1 Characters and Characterization in Biblical Performance Criticism
2 Characters and Characterization in Performance in Homeric Studies and Classical Scholarship
3 Characters and Characterization in Shakespearean Performance
4 Summary/Conclusions
3 What’s in a Name? Between Script and Scripture
1 A Question of Ontology: What Is the Gospel of Mark?
2 Current Metaphors in Use for Understanding Ancient Textuality
3 A Proposal of Supplementary Metaphors: Script and Scripture
4 The Limits of Script and Scripture as Metaphors for Determining our Object of Study
5 Conclusions
4 To Be or Not to Be? Mark’s Disciples in Performance
1 Performance Criticism and Mark’s Disciples
2 Traditional Characterization and Mark’s Disciples in Performance
3 A Linear Experience of Mark’s Disciples in Performance
4 To Be or Not to Be? The Rhetorical Effect of Mark’s Disciples in Performance
5 Conclusion
1 Where We Have Been
2 Where Do We Go from Here?
3 Final Remarks
Reference List
Index