Before the Boom: Latin American Revolutionary Novels of the 1920s
Autor Elizabeth Coonrod Martínezen Limba Engleză Paperback – 15 noi 2001
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Specificații
ISBN-13: 9780761819486
ISBN-10: 0761819487
Pagini: 146
Dimensiuni: 141 x 215 x 12 mm
Greutate: 0.2 kg
Editura: Bloomsbury Publishing
Colecția University Press of America
Locul publicării:New York, United States
ISBN-10: 0761819487
Pagini: 146
Dimensiuni: 141 x 215 x 12 mm
Greutate: 0.2 kg
Editura: Bloomsbury Publishing
Colecția University Press of America
Locul publicării:New York, United States
Cuprins
Chapter 1 Preface
Chapter 2 Acknowledgements
Chapter 3 Introduction: An Exciting and Tumultuous Era
Chapter 4 Mexico's First Anti-Novel
Chapter 5 The Madness of the Argentinean Novel
Chapter 6 The Rebellion of the Ecuadorean Character
Chapter 7 Nostalgia for the Future in Peru
Chapter 8 Conclusion: The Vanguardia Legacy
Chapter 9 Bibliography
Chapter 10 Index
Chapter 2 Acknowledgements
Chapter 3 Introduction: An Exciting and Tumultuous Era
Chapter 4 Mexico's First Anti-Novel
Chapter 5 The Madness of the Argentinean Novel
Chapter 6 The Rebellion of the Ecuadorean Character
Chapter 7 Nostalgia for the Future in Peru
Chapter 8 Conclusion: The Vanguardia Legacy
Chapter 9 Bibliography
Chapter 10 Index
Recenzii
....Martinez seeks to demonstrate, these Boom novels were in fact preceded by the vanguardist movement, whose concerns represented not only an obvious reaction to modernista poetry but also constituted a new approach to fiction. All academic collections.
On many levels, this is definitely a must-read. Dr. Martínez has done a fine job of rescuing a forgotten morsel of Latin American literature. Her book makes it possible to enjoy novels that not only preceded, but actually carved the way for the Boom and for many other 'postmodern' writers.
Coonrod Martínez's thorough analysis.helps clarify complex and at times obscure issues that have often been misunderstood by critics and non-specialized readers alike.
Coonrod Martinez opens each chapter of her study with a presentation of the literary movements surfacing in particular regions; she intricately traces the relationships between competing literary reactions to social stimuli, as well as referencing the cultural climate abroad. What results is a complete study of the innovative trends in Latin American Vanguardia narrative, as well as a detailed presentation of the moment surrounding each writer's literary production.
Very few, if any scholars have seen fit to analyze all these novels as a convincing corpus, due either to conceptual reliance on generic constraints, or to the way in which those usually short novels flout aesthetic or ideological alliances of any kind. In this excellent, elegantly revisionist book Elizabeth Martínez shows her lucid awareness of those interpretative gaps, and patiently conflates pertinent precedents with her solid insights and thorough research...
This well-researched book is a valuable addition to the scarce body of criticism, particularly in English, on Latin American avant-garde fiction... It brings important new insights into Latin American fiction and supplies many missing links for the understanding of Boom literature and the postmodern Latin American novel. It is a major contribution to the field, and should be welcome by Latin Americanists in a number of disciplines. Most of all, Martínez's book provides an essential key for additional studies of Vanguardia writers in the future.
On many levels, this is definitely a must-read. Dr. Martínez has done a fine job of rescuing a forgotten morsel of Latin American literature. Her book makes it possible to enjoy novels that not only preceded, but actually carved the way for the Boom and for many other 'postmodern' writers.
Coonrod Martínez's thorough analysis.helps clarify complex and at times obscure issues that have often been misunderstood by critics and non-specialized readers alike.
Coonrod Martinez opens each chapter of her study with a presentation of the literary movements surfacing in particular regions; she intricately traces the relationships between competing literary reactions to social stimuli, as well as referencing the cultural climate abroad. What results is a complete study of the innovative trends in Latin American Vanguardia narrative, as well as a detailed presentation of the moment surrounding each writer's literary production.
Very few, if any scholars have seen fit to analyze all these novels as a convincing corpus, due either to conceptual reliance on generic constraints, or to the way in which those usually short novels flout aesthetic or ideological alliances of any kind. In this excellent, elegantly revisionist book Elizabeth Martínez shows her lucid awareness of those interpretative gaps, and patiently conflates pertinent precedents with her solid insights and thorough research...
This well-researched book is a valuable addition to the scarce body of criticism, particularly in English, on Latin American avant-garde fiction... It brings important new insights into Latin American fiction and supplies many missing links for the understanding of Boom literature and the postmodern Latin American novel. It is a major contribution to the field, and should be welcome by Latin Americanists in a number of disciplines. Most of all, Martínez's book provides an essential key for additional studies of Vanguardia writers in the future.