Becoming a Tinkerer: Tools, Workshops, and the Return to Making in Poland
Autor Jacek Gadeckien Limba Engleză Hardback – 13 mai 2027
Situated within broader histories of craft revival, Becoming a Tinkerer explores the contemporary return to Do-It-Yourself (DIY) and tinkering in Poland. In the communist era, repairing, modifying, and creating objects was often a pragmatic response to scarcity. Today, these practices may be pursued for pleasure, sustainability, autonomy, or simply the satisfaction of making something oneself. Rather than treating DIY primarily as a social movement, the book examines tinkering as an embodied practice in which people work with materials, tools, and their own developing skills. Blending anthropology, sociology, and design theory, Jacek Gadecki shows how tinkering blurs the boundaries between work and leisure, professionalism and amateurism, consumption and creation.
Through a unique methodological approach combining video-based fieldwork, mobile app documentation, think-aloud protocols, and participant observation, Gadecki offers a close account of making as an embodied, multisensory practice. The study follows making as it happens: through concentration and flow, frustration and improvisation, embodied thinking and learning, and the recurring desire to create "something of their own." It shows how tinkering can reconnect people with materiality in a world increasingly shaped by disembodied labor.
Ultimately, this book is about people who, by making things, also remake themselves. It explores the everyday practices through which people reclaim time, agency, and attention, and examines how tools and materials participate in shaping the human experience of being in the world. In doing so, it asks what "making" means when it is no longer primarily a response to material scarcity, but a way of engaging with the world.
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Specificații
ISBN-13: 9798216487449
Pagini: 240
Ilustrații: 12 bw photos, 3 figures
Dimensiuni: 152 x 229 mm
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
Pagini: 240
Ilustrații: 12 bw photos, 3 figures
Dimensiuni: 152 x 229 mm
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
Cuprins
Acknowledgements
Introduction to the English Edition
Introduction
The Maker Movement and Tinkering: Critique, Commitment, or Lifestyle?
1.1. DIY as Critical Practice or Everyday Activity?
1.2. DIY, Tinkering, and Amateur Crafting: Defining Tinkering
1.3. Between Hobby and Work: Defining Tinkering
The Researcher as Tinkerer: My Research Methods
2.1. From Asking about Things to Asking about Practice
2.2. From Distributed Ethnography to Compressed Sensory Ethnography
2.3. Talking, Recording, Doing
2.4. Analysis of the Research Material
Who Are the Contemporary Male and Female Tinkerers?
3.1. Between Consumption and Making
3.2. Between Work and Leisure
3.3. A Career in Tinkering
Returning to Making
4.1. The First Wave: DIY out of Necessity
4.2. The Second Wave - Interrupted Continuities
4.3. The Third Wave - Tinkering as Choice
4.4. Nostalgia, Memory and Reconnection
Workshops - More Than Locations
5.1. Material and Affective Structures of Social Practices
5.2. The Workshop as an Actor and Catalyst of Creativity
5.3. The Workshop as an Emotional Space
5.4. The Workshop as an Arrangement of Artefacts
DIY Practices
6.1. DIY as a Value in Itself
6.2. The Time of DIY
6.3. Losing Oneself in Action
6.4. DIY as the Art of Problem-Solving
6.5. Following the Material
6.6. Instead of a Conclusion: DIY as an Experience of Flow
Conclusion
Literature
Appendix I. Participant Profiles
Appendix II. Simplified Interview Guide for In-Depth Interviews with Makers
Introduction to the English Edition
Introduction
The Maker Movement and Tinkering: Critique, Commitment, or Lifestyle?
1.1. DIY as Critical Practice or Everyday Activity?
1.2. DIY, Tinkering, and Amateur Crafting: Defining Tinkering
1.3. Between Hobby and Work: Defining Tinkering
The Researcher as Tinkerer: My Research Methods
2.1. From Asking about Things to Asking about Practice
2.2. From Distributed Ethnography to Compressed Sensory Ethnography
2.3. Talking, Recording, Doing
2.4. Analysis of the Research Material
Who Are the Contemporary Male and Female Tinkerers?
3.1. Between Consumption and Making
3.2. Between Work and Leisure
3.3. A Career in Tinkering
Returning to Making
4.1. The First Wave: DIY out of Necessity
4.2. The Second Wave - Interrupted Continuities
4.3. The Third Wave - Tinkering as Choice
4.4. Nostalgia, Memory and Reconnection
Workshops - More Than Locations
5.1. Material and Affective Structures of Social Practices
5.2. The Workshop as an Actor and Catalyst of Creativity
5.3. The Workshop as an Emotional Space
5.4. The Workshop as an Arrangement of Artefacts
DIY Practices
6.1. DIY as a Value in Itself
6.2. The Time of DIY
6.3. Losing Oneself in Action
6.4. DIY as the Art of Problem-Solving
6.5. Following the Material
6.6. Instead of a Conclusion: DIY as an Experience of Flow
Conclusion
Literature
Appendix I. Participant Profiles
Appendix II. Simplified Interview Guide for In-Depth Interviews with Makers