Recent criticism on African literature and visual art, affected by contemporary global socio-economic and political influences, has been moving away from a singular focus on postcolonial theory towards notions of transnationalism. There have been visible critical attempts that question the relevance of postcolonial critique, while various globally orientated critical approaches have emerged, complicating the notion of postcoloniality as we have known it. This book consists of essays and articles that demonstrate this critical shift.