As Long as We're Here
Autor Joel Brouweren Limba Engleză Paperback – 15 mar 2026
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Specificații
ISBN-13: 9781961897786
ISBN-10: 1961897784
Pagini: 112
Dimensiuni: 152 x 229 x 13 mm
Greutate: 0.23 kg
Editura: FOUR WAY BOOKS
Colecția Four Way Books
ISBN-10: 1961897784
Pagini: 112
Dimensiuni: 152 x 229 x 13 mm
Greutate: 0.23 kg
Editura: FOUR WAY BOOKS
Colecția Four Way Books
Recenzii
In these new poems, Joel Brouwer deploys his trademark deadpan humor to jackhammer the rotting foundations of our contemporary idiom. I have long turned to Brouwer, a poet whose intelligence I revere (and fear!), to be reminded of why one must write. In As Long as We’re Here, I find my most persistent questions answered: how will poetry accommodate a rhetoric born of capitalism magnified and distorted by our digital age? When do 21st century platitudes (attitudes) begin to behave like mannequins brought to life, birthing their words out of our own mouths? Have we been talking to ourselves all along? Such distressing preoccupations are the mindstuff of this talky, unnerving, and riotous book.
—Cate Marvin
o ephebes, no, you really cannot buy what a serious life of poetry (yes, precisely nothing like what you imagine) gets you. but take a long look, cause these poems are all that. joel brouwer's bourrée is so fast and so fine; do you hear the form and see the meaning? the shine off his cherries and the sparkle of his flies. yeah, he's kinda gone electric, but you are still on his old excellently-fabricked (partially antimacassared) couch, and you are still really enjoying yourself, crying. these poems will fill your room and make you want to duel.
—Olena Kalytiak Davis
Almost as soon as I began this book, I burst out laughing: “The great apes fear rivers.” The seriousness of this fact, stated with such plain elegance. If you think this is funny, then this is the book for you, an amazing mixture of high and colloquial dictions woven into an electrifying blanket. Not an electric blanket, that’s different. Brouwer’s wordplay is gleeful, but he isn’t letting us off lightly; the absurdities herein are entirely nonfictional, for we live in an absurd land of edgelords and doomscrolling teens and they are all here in As Long as We’re Here.
—Matthew Rohrer
—Cate Marvin
o ephebes, no, you really cannot buy what a serious life of poetry (yes, precisely nothing like what you imagine) gets you. but take a long look, cause these poems are all that. joel brouwer's bourrée is so fast and so fine; do you hear the form and see the meaning? the shine off his cherries and the sparkle of his flies. yeah, he's kinda gone electric, but you are still on his old excellently-fabricked (partially antimacassared) couch, and you are still really enjoying yourself, crying. these poems will fill your room and make you want to duel.
—Olena Kalytiak Davis
Almost as soon as I began this book, I burst out laughing: “The great apes fear rivers.” The seriousness of this fact, stated with such plain elegance. If you think this is funny, then this is the book for you, an amazing mixture of high and colloquial dictions woven into an electrifying blanket. Not an electric blanket, that’s different. Brouwer’s wordplay is gleeful, but he isn’t letting us off lightly; the absurdities herein are entirely nonfictional, for we live in an absurd land of edgelords and doomscrolling teens and they are all here in As Long as We’re Here.
—Matthew Rohrer
Notă biografică
Joel Brouwer is the author of four earlier collections of poems: Exactly What Happened, Centuries, And So, and Off Message. He lives in Tuscaloosa and New Orleans and teaches at the University of Alabama.
Extras
Smash or Pass
Did you notice one of the extras in that hospital scene
kept looking into the camera, as if a clearer future
was coming right at him? Surely by now I’ve forgotten
more than I know. I coddle my orchids and rewind
my shows. When animals stand still in a sunny pasture
I assume they’re thinking of evening. You’ve never
been one to push a song on anyone, at least that’s been
my experience, or to label the system of attachment
that has grown, over these last weeks, as complex
and hot as an anthill. The heap of unprimed canvas
on the studio floor reminds me of a Buddha
in a temple with no roof. Yet I love that you cherish
your weakness and mine. I guess most of the livestock
are happy with grass. Smash or pass. Smash or pass.
Did you notice one of the extras in that hospital scene
kept looking into the camera, as if a clearer future
was coming right at him? Surely by now I’ve forgotten
more than I know. I coddle my orchids and rewind
my shows. When animals stand still in a sunny pasture
I assume they’re thinking of evening. You’ve never
been one to push a song on anyone, at least that’s been
my experience, or to label the system of attachment
that has grown, over these last weeks, as complex
and hot as an anthill. The heap of unprimed canvas
on the studio floor reminds me of a Buddha
in a temple with no roof. Yet I love that you cherish
your weakness and mine. I guess most of the livestock
are happy with grass. Smash or pass. Smash or pass.