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Artistic Bedfellows: Histories, Theories and Conversations in Collaborative Art Practices de Holly Crawford

Artistic Bedfellows: Histories, Theories and Conversations in Collaborative Art Practices

Editat de Holly Crawford Contribuţii de Vladimir Belogolovsky, Alan F. Blackwell, Horace Brockington, Nicolas Collins, Critical Art Ensemble, Cristyn Davies, Pierre-Olivier Douphis, Chris Fite-Wassilak, Shawna Ferris, Ken Friedman, gelitin, David A. Good, Charles Green, Grant Kester, Pia Lindman, Holly Longstaff, Lull (Elena Knox), Eva Merz, Beret Norman, Orlan, Nadín Ospina, Martin Simon, Tracey Snelling, Lisa Paul Streitfeld, TODT, Andrea Thal, Zoe Trodd, Guy Van Belle, Catharyne Ward, Steve Wozniak, Eric Wright, Nina Zimmer
en Limba Engleză Paperback – 17 sep 2008
Artistic Bedfellows is an international interdisciplinary collection of historical essays, critical papers, case studies, interviews, and comments from scholars and practitioners that shed new light on the growing field of collaborative art. This collection examines the field of collaborative art broadly, while asking specific questions with regard to the issues of interdisciplinary and cultural difference, as well as the psychological and political complexity of collaboration. The diversity of approach is needed in the current multimedia and cross disciplinarily world of art. This reader is designed to stimulate thought and discussion for anyone interested in this growing field and practice.
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Specificații

ISBN-13: 9780761840640
ISBN-10: 0761840648
Pagini: 340
Dimensiuni: 154 x 232 x 25 mm
Greutate: 0.52 kg
Editura: Bloomsbury Publishing
Colecția University Press of America
Locul publicării:New York, United States

Cuprins

Chapter 1 1. The Decoration of the Paris Panthéon by Paul Chenavard-A Particular Brotherhood
Chapter 2 2. The Calling of Two Creatures: Depression-era Collaboration and a Theory of Camera and Pen
Chapter 3 3. Creative Occupation: Collaborative Artistic Practices in Europe 1937-1943
Chapter 4 4. Collaborative Practices in Environmental Art
Chapter 5 5. Concepts of Collaborative Art in the Divided Germany of the 1960s
Chapter 6 6. "Avant-femme" or Futuristic Frauen: Collaborative Art by Women in the German Democratic Republic
Chapter 7 7. The Second Self
Chapter 8 8. "Encompassing Unboundness": Desire and Collaborative Authorship in Carla Harryman and Lyn Hejinian's "The Wide Road"
Chapter 9 9. An Easy Alliance: A Dialogue on Methodology
Chapter 10 10. Learning from Robert Venturi and Denise Scott Brown
Chapter 11 11. Languages of Innovation
Chapter 12 12. Working Together
Chapter 13 13. Ken Friedman: A Life in Fluxus
Chapter 14 14. Temporary Bedfellows: Claes Oldenburg, Maurice Tuchman and Disney
Chapter 15 15. The Ivory Towers Were Always Connected: Interdisciplinary Dia(b)logues as Challenge and Choice
Chapter 16 16. Socially Engaged Art, Critics, and Discontents: Interview with Claire Bishop
Chapter 17 17. "Detrimental to the Interests of the United States": Cuban Artists (Not) in Residence
Chapter 18 18. Suzanne Lacy: Oakland Projects
Chapter 19 19. Simonides in the Machine: The Art of Virtual Memory in a Pentagon-funded Initiative
Chapter 20 20. Locating a Temporary Common Space: Cultural Exchanges in Weedpatch
Chapter 21 21. "Sometimes I'm Harvey Weinstein; Sometimes I'm Wes Craven. The Same Goes For My Brother." The Neistat Brothers
Chapter 22 22. Having Their Cake and Eating it Too: The Case of Christo's (and Jeanne-Claude's) Im(permanence) and Exclusivity
Chapter 23 23. The Wu-wei of the 21st Century Art of Collaboration
Chapter 24 24. What is Conversational Music or "Convers"?
Chapter 25 25. Some Thoughts on Collaboration
Chapter 26 26. The Electron Buddy System
Chapter 27 27. I Always Appreciated Teamwork and Collaborations
Chapter 28 28. The Dream of a Common Language: Thoughts on Collaboration and Protest
Chapter 29 29. Observations on Collective Cultural Action
Chapter 30 30. New Social Art School
Chapter 31 31. Complicity
Chapter 32 32. Transromantik
Chapter 33 33. On Collaboration
Chapter 34 34. "This Way Up": Concept and Progress
Chapter 35 35. Online Collaboration in Genomic Art
Chapter 36 36. A Robot and Its Double
Chapter 37 37. Art.es and Collaborative Projects
Chapter 38 38. My Collaborative Art
Chapter 39 39. Collaboration between Tracey Snelling and Salvador Diaz, Chicago, March 2005
Chapter 40 40. "i Woz" and Gina
Chapter 41 41. "It seems simple, but it is not."

Recenzii

Holly Crawford brings together a series of interviews, essays, conversations, and remarks on collaboration. International visual artists, critics, writers, and musicians explore a range of histories, discourses and theories relating to communal, collective practices including FLUXUS, Zero, GRAV and SPUR in mid-20th century, women artists in the GDR and the Critical Art Ensemble in the Eighties and the experimental New Social Art School set up in Aberdeen in 2004. The resulting anthology, a considerable collaborative project in its own right, challenges orthodoxies and engages in the vital and current debate within the global artistic community about participative cooperative approaches.