Art in Time
Autor Gauvin Alexander Bailey, Alistair Rider, Matthew McKelwayen Limba Engleză Hardback – 22 sep 2014
Pages of historical photographs, documents, newspaper headlines, and other ephemera evoke the times in which styles and movements arose. The book opens with The Information Age (Internet Art, Neo‐Expressionaism, Arte Povera) and closes with The Classical Age (Roman wall painting, Hellenistic Greek style), covering everything from Photorealism, Art Brut, Ukiyo‐e, and Byzantine style in between. An integrated timeline provides a linear thread throughout the book, while succinct, authoritative text illuminates key points."
Preț: 328.90 lei
Preț vechi: 380.95 lei
-14% Nou
Puncte Express: 493
Preț estimativ în valută:
58.20€ • 68.25$ • 51.11£
58.20€ • 68.25$ • 51.11£
Carte disponibilă
Livrare economică 19 ianuarie-02 februarie 26
Livrare express 02-08 ianuarie 26 pentru 193.39 lei
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9780714867373
ISBN-10: 0714867373
Pagini: 368
Dimensiuni: 261 x 299 x 40 mm
Greutate: 2.65 kg
Editura: Phaidon Press
Locul publicării:London, United Kingdom
ISBN-10: 0714867373
Pagini: 368
Dimensiuni: 261 x 299 x 40 mm
Greutate: 2.65 kg
Editura: Phaidon Press
Locul publicării:London, United Kingdom
Recenzii
"Like Theseus's string guiding him the Minotaur's labyrinth, "Art in Time" leads the reader through the most important styles, schools and movements from art history, and how each movement built upon its predecessor. Understand how the disobediences of the day impacted on the world of art." - Vanity Fair
"Beautifully produced. . . An absorbing and enlightening gallop through art. The careful balance of digestible chunks of information with beautiful images makes this equally rewarding as a dip-into coffee table book or a cover‐to‐cover read." - Royal Academy of Arts Magazine
"Beautifully produced. . . An absorbing and enlightening gallop through art. The careful balance of digestible chunks of information with beautiful images makes this equally rewarding as a dip-into coffee table book or a cover‐to‐cover read." - Royal Academy of Arts Magazine
Descriere
"Art in Time" is the first book to embed art movements within the larger context of politics and history. Global in scope and featuring an innovative present‐to‐past arrangement, the book s accessible text looks back on the most significant art styles and movements, from the present day to antiquity.
Pages of historical photographs, documents, newspaper headlines, and other ephemera evoke the times in which styles and movements arose. The book opens with The Information Age (Internet Art, Neo‐Expressionaism, Arte Povera) and closes with The Classical Age (Roman wall painting, Hellenistic Greek style), covering everything from Photorealism, Art Brut, Ukiyo‐e, and Byzantine style in between. An integrated timeline provides a linear thread throughout the book, while succinct, authoritative text illuminates key points."
Pages of historical photographs, documents, newspaper headlines, and other ephemera evoke the times in which styles and movements arose. The book opens with The Information Age (Internet Art, Neo‐Expressionaism, Arte Povera) and closes with The Classical Age (Roman wall painting, Hellenistic Greek style), covering everything from Photorealism, Art Brut, Ukiyo‐e, and Byzantine style in between. An integrated timeline provides a linear thread throughout the book, while succinct, authoritative text illuminates key points."
Notă biografică
Over twenty specialist contributors include:
Noit Banai, Lecturer of Visual and Critical Studies at Tufts University, School of the Museum of Fine Arts, Boston
Gauvin Alexander Bailey, Professor and Bader Chair in Southern Baroque Art at Queen s University, Kingston, Ontario
Lee Beard, British Academy Post‐Doctoral Research Fellow at the Courtauld Institute of Art, London
Lucy Bowditch, Associate Professor of Art History at the College of Saint Rose in Albany, New York
Olga Goriunova, Assistant Professor in the Centre for Interdisciplinary Methodologies at the University of Warwick, Coventry
Katie Hill, Director of the Office of Contemporary Chinese Art and consultant lecturer at Sotheby's Institute of Art
Monica Kjellman‐Chapin, Associate Professor of Art History at Emporia State University, Kansas
Lloyd Laing, Senior Lecturer Emeritus in Archaeology, University of Nottingham
Caroline Levitt, Visiting Lecturer at the Courtauld Institute of Art, London
Matthew McKelway, Associate Professor of Japanese Art History at Columbia University, New York
Jeffrey Moser, Assistant Professor of East Asian Art History at McGill University, Montreal
Stella Paul, formerly Educator‐in‐Charge of Exhibitions and Communication, Metropolitan Museum of Art, New York
Alistair Rider, Lecturer in Art History at the University of St Andrews, Scotland
Robert Shane, Assistant Professor of Art History at the College of Saint Rose in Albany, New York
Sarah Symmons, Reader Emeritus in Art History and Theory, University of Essex
Elsje van Kessel, Lecturer in Art History at the University of St Andrews, Scotland
Alicia Volk, Associate Professor of Japanese Art History at the University of Maryland"
Noit Banai, Lecturer of Visual and Critical Studies at Tufts University, School of the Museum of Fine Arts, Boston
Gauvin Alexander Bailey, Professor and Bader Chair in Southern Baroque Art at Queen s University, Kingston, Ontario
Lee Beard, British Academy Post‐Doctoral Research Fellow at the Courtauld Institute of Art, London
Lucy Bowditch, Associate Professor of Art History at the College of Saint Rose in Albany, New York
Olga Goriunova, Assistant Professor in the Centre for Interdisciplinary Methodologies at the University of Warwick, Coventry
Katie Hill, Director of the Office of Contemporary Chinese Art and consultant lecturer at Sotheby's Institute of Art
Monica Kjellman‐Chapin, Associate Professor of Art History at Emporia State University, Kansas
Lloyd Laing, Senior Lecturer Emeritus in Archaeology, University of Nottingham
Caroline Levitt, Visiting Lecturer at the Courtauld Institute of Art, London
Matthew McKelway, Associate Professor of Japanese Art History at Columbia University, New York
Jeffrey Moser, Assistant Professor of East Asian Art History at McGill University, Montreal
Stella Paul, formerly Educator‐in‐Charge of Exhibitions and Communication, Metropolitan Museum of Art, New York
Alistair Rider, Lecturer in Art History at the University of St Andrews, Scotland
Robert Shane, Assistant Professor of Art History at the College of Saint Rose in Albany, New York
Sarah Symmons, Reader Emeritus in Art History and Theory, University of Essex
Elsje van Kessel, Lecturer in Art History at the University of St Andrews, Scotland
Alicia Volk, Associate Professor of Japanese Art History at the University of Maryland"