Art as Communication: Aesthetics, Evolution, and Signaling
Autor Shawn Simpsonen Limba Engleză Hardback – oct 2024
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Specificații
ISBN-13: 9781666924350
ISBN-10: 1666924350
Pagini: 288
Ilustrații: 39 BW Illustrations
Dimensiuni: 157 x 236 x 22 mm
Greutate: 0.59 kg
Editura: Bloomsbury Publishing
Colecția Lexington Books
Locul publicării:New York, United States
ISBN-10: 1666924350
Pagini: 288
Ilustrații: 39 BW Illustrations
Dimensiuni: 157 x 236 x 22 mm
Greutate: 0.59 kg
Editura: Bloomsbury Publishing
Colecția Lexington Books
Locul publicării:New York, United States
Cuprins
Acknowledgments
Introduction
Chapter 1. Theories of Representation and Expression in Art
Chapter 2. Signs, Symbols, and Meaning
Chapter 3. Group Communication
Chapter 4. Art and Communication
Chapter 5. Art and Evolution
Chapter 6. Maps, Blueprints, and Other Communicative Devices
Postscript
References
Introduction
Chapter 1. Theories of Representation and Expression in Art
Chapter 2. Signs, Symbols, and Meaning
Chapter 3. Group Communication
Chapter 4. Art and Communication
Chapter 5. Art and Evolution
Chapter 6. Maps, Blueprints, and Other Communicative Devices
Postscript
References
Recenzii
"With refreshing frankness and simplicity, Art as Communication returns us to age-old questions about what matters most about art and sheds new light on them by bringing to bear a model of communication, the 'sender-receiver' model, that is more biologically-grounded than its traditional philosophical competitors. His discussion is grounded in a wealth of specific examples drawn from a wide-range of artforms. Shawn Simpson is admirably patient and thorough in building its case that the sender-receiver model affords a more comprehensive and unified understanding of individual and collective communication across the arts and across the human/animal divide."
Although defended by commentators like Tolstoy, the notion of art as communication has not received much attention by philosophical aestheticians as of late, but as the title signals, Art as Communication intends to redress that lacuna. Shawn Simpson puts his theory in the context of traditional theories of art as well as setting forth the approach to communication he intends to apply to art-the sender/responder model-in terms of its historical antecedents in addition to cutting-edge contemporary research. Though the material is complex, the clarity of the text is exemplary and the generous use of artistic examples engrossing in their own right. Not only is Simpson's book a novel challenge to the debate among philosophers of art. It can serve as a welcoming introduction for ordinary consumers of art who are curious about its nature.
Although defended by commentators like Tolstoy, the notion of art as communication has not received much attention by philosophical aestheticians as of late, but as the title signals, Art as Communication intends to redress that lacuna. Shawn Simpson puts his theory in the context of traditional theories of art as well as setting forth the approach to communication he intends to apply to art-the sender/responder model-in terms of its historical antecedents in addition to cutting-edge contemporary research. Though the material is complex, the clarity of the text is exemplary and the generous use of artistic examples engrossing in their own right. Not only is Simpson's book a novel challenge to the debate among philosophers of art. It can serve as a welcoming introduction for ordinary consumers of art who are curious about its nature.