Antony and Cleopatra (Sparknotes No Fear Shakespeare)
De (autor) William Shakespeareen Limba Engleză Paperback – 11 Sep 2006 – vârsta de la 12 până la 15 ani
Read Shakespeare in all its brilliance and actually understand what it means. Each No Fear Shakespeare contains the complete text of the original play, a line-by-line translation, a complete list of characters, and plenty of helpful commentary.
No Fear Shakespeare gives you the complete text of"Antony and Cleopatra"on the left-hand page, side-by-side with an easy-to-understand translation on the right.
Each No Fear Shakespeare contains
- The complete text of the original play
- A line-by-line translation that puts Shakespeare into everyday language
- A complete list of characters with descriptions
- Plenty of helpful commentary
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Specificații
ISBN-13: 9781411499195
ISBN-10: 1411499190
Pagini: 355
Dimensiuni: 135 x 191 x 24 mm
Greutate: 0.36 kg
Editura: SPARKNOTES
Seria Sparknotes No Fear Shakespeare
ISBN-10: 1411499190
Pagini: 355
Dimensiuni: 135 x 191 x 24 mm
Greutate: 0.36 kg
Editura: SPARKNOTES
Seria Sparknotes No Fear Shakespeare
Textul de pe ultima copertă
In its towering central characters, vast geographical and historical sweep, and its variety of style and mood, 'Anthony and Cleopatra' is perhaps the most ambitious of Shakespear's designs. Yet the degree and nature of its success remain surprisingly contentious, and performances of the play have seldom matched the extravagant expectations of its admirers.
Notă biografică
William Shakespeare was born in April 1564 in the town of Stratford-upon-Avon, on England's Avon River. When he was eighteen, he married Anne Hathaway. The couple had three children-an older daughter Susanna and twins, Judith and Hamnet. Hamnet, Shakespeare's only son, died in childhood. The bulk of Shakespeare's working life was spent in the theater world of London, where he established himself professionally by the early 1590s. He enjoyed success not only as a playwright and poet, but also as an actor and shareholder in an acting company. Although some think that sometime between 1610 and 1613 Shakespeare retired from the theater and returned home to Stratford, where he died in 1616, others believe that he may have continued to work in London until close to his death.
Barbara A. Mowat is Director of Research emerita at the Folger Shakespeare Library, Consulting Editor of Shakespeare Quarterly, and author of The Dramaturgy of Shakespeare's Romances and of essays on Shakespeare's plays and their editing.
Paul Werstine is Professor of English at the Graduate School and at King's University College at Western University. He is a general editor of the New Variorum Shakespeare and author of Early Modern Playhouse Manuscripts and the Editing of Shakespeare and of many papers and articles on the printing and editing of Shakespeare's plays.
Barbara A. Mowat is Director of Research emerita at the Folger Shakespeare Library, Consulting Editor of Shakespeare Quarterly, and author of The Dramaturgy of Shakespeare's Romances and of essays on Shakespeare's plays and their editing.
Paul Werstine is Professor of English at the Graduate School and at King's University College at Western University. He is a general editor of the New Variorum Shakespeare and author of Early Modern Playhouse Manuscripts and the Editing of Shakespeare and of many papers and articles on the printing and editing of Shakespeare's plays.
Cuprins
List of illustrations; Preface; List of abbreviations and conventions; Introduction: Date and sources; The contrarieties of critical response; The ironic gap between word and deed; Transcending limits; Genre and structure; Style; Stagecraft; Antony and Cleopatra in performance; Recent critical and stage interpretations; Note on the text; List of characters; THE PLAY; Supplementary note; Textual analysis; Reading list.
Recenzii
Antony and Cleopatra is a tragedy, and a fascinating examination of the devious intricascies of politics.
'The play is a wry examination of the wonder and the absurdity of love in middle ages.'
'Shakespeare's Antony is a charismatic leader, a reckless politician and a desperate, lust driven lover, with a touch of a demigod.'
'it combines hard politics with erotic fascination'
Cleopatra's speech in which she mourns for Antony and 'transforms a vainglorious old roue into a god in perhaps the most transcendentally beautiful verse Shakespeare ever wrote.'
'easily Shakespeare's finest historical foray'
'The legendary sex bomb Cleopatra, one of the toughest as well as the most fascinating of Shakespeare's heroines'
'This is a tragedy of love poisoned by politics and politics betrayed for love'
'Shakespeare's tragedy of passion, politics, and performance'
'...after all, this is a play about delusions and illusions, about the love affair between a drama queen and a great warrior who manages to botch everything he touches, including his own death'.
'It's the die-hard lust for life and sheer overblown poetry of its middle aged lovers that makes 'Antony and Cleopatra' the hedonist's favourite tragedy.'
'The play is a wry examination of the wonder and the absurdity of love in middle ages.'
'Shakespeare's Antony is a charismatic leader, a reckless politician and a desperate, lust driven lover, with a touch of a demigod.'
'it combines hard politics with erotic fascination'
Cleopatra's speech in which she mourns for Antony and 'transforms a vainglorious old roue into a god in perhaps the most transcendentally beautiful verse Shakespeare ever wrote.'
'easily Shakespeare's finest historical foray'
'The legendary sex bomb Cleopatra, one of the toughest as well as the most fascinating of Shakespeare's heroines'
'This is a tragedy of love poisoned by politics and politics betrayed for love'
'Shakespeare's tragedy of passion, politics, and performance'
'...after all, this is a play about delusions and illusions, about the love affair between a drama queen and a great warrior who manages to botch everything he touches, including his own death'.
'It's the die-hard lust for life and sheer overblown poetry of its middle aged lovers that makes 'Antony and Cleopatra' the hedonist's favourite tragedy.'