An Alternative Globalization: Global Generations, Cultural Commodities, and Soft Power from East Asia to the World: Youth in a Globalizing World, cartea 26
Vincenzo Cicchelli, Sylvie Octobre, Juhyun Leeen Limba Engleză Hardback – 18 iun 2026
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Specificații
ISBN-13: 9789004754225
ISBN-10: 9004754229
Pagini: 484
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Youth in a Globalizing World
ISBN-10: 9004754229
Pagini: 484
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Youth in a Globalizing World
Notă biografică
Vincenzo Cicchelli, Ph.D., is Associate Professor at Ceped (IRD/Université Paris Cité). He has extensively published on youth, globalization and cosmopolitanism including The Sociology of Hallyu Pop Culture (Palgrave, 2021) (with Sylvie Octobre). He is co-editor of Global Youth Studies (Brill).
Sylvie Octobre, Ph.D., is Researcher at Deps (Ministère de la Culture) and Centre Max Weber. She has extensively published on culture, childhood and youth, and globalization, including The Sociology of Hallyu Pop Culture (Palgrave, 2021) (with Vincenzo Cicchelli). She is co-editor of Global Youth Studies (Brill).
Juhyun Lee, Ph.D., is Senior Researcher at the Institute of Social Science (Sogang University). Her research interests focus on culture, generations, and health, approached through an interdisciplinary lens connecting social theory and contemporary issues.
Sylvie Octobre, Ph.D., is Researcher at Deps (Ministère de la Culture) and Centre Max Weber. She has extensively published on culture, childhood and youth, and globalization, including The Sociology of Hallyu Pop Culture (Palgrave, 2021) (with Vincenzo Cicchelli). She is co-editor of Global Youth Studies (Brill).
Juhyun Lee, Ph.D., is Senior Researcher at the Institute of Social Science (Sogang University). Her research interests focus on culture, generations, and health, approached through an interdisciplinary lens connecting social theory and contemporary issues.
Cuprins
Contents
List of Figures and Tables
Abbreviations
Notes on Contributors
Introduction: The Sun of Pop Culture Rises in the East—Towards an Alternative Cultural Globalization
Vincenzo Cicchelli and Sylvie Octobre
Part 1 When East Asian Pop Culture Goes Global
1 Globalization of the Korean Wave: New Perspectives
Dal Yong Jin
2 On the Alternativeness of East Asian Media Culture: Critically Engaging with Cross-Border Dialogue
Koichi Iwabuchi
3 Fostering Alternative Culture: Puppets and Puppet Masters in the Global Film Industry
Jimmyn Parc
4 Chinese Cultural Investments in the Belt and Road Initiative
Nashidil Rouiaï
5 The Globalization of South Korean Cultural Production in the Era of Platforms: The Case of Kakao and Naver’s Webtoon Business
Taeyoung Kim
6 Redefining Virtual Spaces: The Influence of Chinese Aesthetics and AI in the Metaverse
Vincenzo De Masi
Part 2 Varieties of East-Asian Soft Power
7 Ceci n’est pas du Soft Power: Criticalities of East Asian Creative Output in Europe through the Cases of Japanese and Chinese Animation
Marco Pellitteri
8 The Use of Cinema in the Soft Power of East Asian China, Hong Kong, Japan, South Korea and Taiwan
Frédéric Monvoisin
9 ‘Cool Japan’ Policy: Missed Opportunity or Illusion?
Nobuko Kawashima
10 Effective Chinese Soft Power?: China’s Film Strategy in Rivalries with the US
Caleb Moïse
11 The Soft Power of Hard Cash: China and the (Re)Making of American Popular Culture
Lane Crothers
12 China’s Image Building in the 21st Century
Xiaoling Zhang
13 Politicizing Korean Pop Culture: Hallyu as a Policymaking Metaphorical Tool
Dongjoon Lee
Part 3 Intermediaries
14 Festivals and the State: From the Legitimation to the Commercialization of South Korean Cinema in the Global Space
Eunyoung Won
15 Japanese Contemporary Art Presence in Europe from Diffusion by The National Center of Visual Arts (CNAP)
Harumi Kinoshita
16 Staging Globalized Japan in the UK: Producing and Consuming Japan through the Hyper Japan Festival
Christopher J. Hayes
17 A Discovery of Japanese Popular Culture without a User Manual: The Arrival of Toei Animation Series in France
Mathieu Gaulène
18 The Distribution and Reception of Japanese Animated Series on French Television (1978–1997)
Marie Pruvost-Delaspre
Part 4 Narratives and Reception
19 Notes from Hong Kong: Global (Youth) Culture in Flux in the 20th and 21st Century
Cindy Hing-Yuk Wong and Gary W. McDonogh
20 The South Korean Comics, a Platform for Societal Issues
Benjamin Joinau
21 Global Reception of Chinese Games Narratives
Gabriele Aroni
22 The Glocalization of K-pop for Self-Empowerment: East Meets West in Philadelphia
A. Stefanie Ruiz
23 The Aftermath of the Korean Wave: K-pop Fandom(s) Facing a Shift from Sub-culture to ‘Mainstream’
Mathieu Berbiguier
24 Digital Learning by Manga and Anime Fans in France: A Historical and Biographical Approach to Global and Informal Transmission
Olivier Vanhée
General Conclusion: East Asian Pop Culture on the Move
Vincenzo Cicchelli and Sylvie Octobre
List of Figures and Tables
Abbreviations
Notes on Contributors
Introduction: The Sun of Pop Culture Rises in the East—Towards an Alternative Cultural Globalization
Vincenzo Cicchelli and Sylvie Octobre
Part 1 When East Asian Pop Culture Goes Global
1 Globalization of the Korean Wave: New Perspectives
Dal Yong Jin
2 On the Alternativeness of East Asian Media Culture: Critically Engaging with Cross-Border Dialogue
Koichi Iwabuchi
3 Fostering Alternative Culture: Puppets and Puppet Masters in the Global Film Industry
Jimmyn Parc
4 Chinese Cultural Investments in the Belt and Road Initiative
Nashidil Rouiaï
5 The Globalization of South Korean Cultural Production in the Era of Platforms: The Case of Kakao and Naver’s Webtoon Business
Taeyoung Kim
6 Redefining Virtual Spaces: The Influence of Chinese Aesthetics and AI in the Metaverse
Vincenzo De Masi
Part 2 Varieties of East-Asian Soft Power
7 Ceci n’est pas du Soft Power: Criticalities of East Asian Creative Output in Europe through the Cases of Japanese and Chinese Animation
Marco Pellitteri
8 The Use of Cinema in the Soft Power of East Asian China, Hong Kong, Japan, South Korea and Taiwan
Frédéric Monvoisin
9 ‘Cool Japan’ Policy: Missed Opportunity or Illusion?
Nobuko Kawashima
10 Effective Chinese Soft Power?: China’s Film Strategy in Rivalries with the US
Caleb Moïse
11 The Soft Power of Hard Cash: China and the (Re)Making of American Popular Culture
Lane Crothers
12 China’s Image Building in the 21st Century
Xiaoling Zhang
13 Politicizing Korean Pop Culture: Hallyu as a Policymaking Metaphorical Tool
Dongjoon Lee
Part 3 Intermediaries
14 Festivals and the State: From the Legitimation to the Commercialization of South Korean Cinema in the Global Space
Eunyoung Won
15 Japanese Contemporary Art Presence in Europe from Diffusion by The National Center of Visual Arts (CNAP)
Harumi Kinoshita
16 Staging Globalized Japan in the UK: Producing and Consuming Japan through the Hyper Japan Festival
Christopher J. Hayes
17 A Discovery of Japanese Popular Culture without a User Manual: The Arrival of Toei Animation Series in France
Mathieu Gaulène
18 The Distribution and Reception of Japanese Animated Series on French Television (1978–1997)
Marie Pruvost-Delaspre
Part 4 Narratives and Reception
19 Notes from Hong Kong: Global (Youth) Culture in Flux in the 20th and 21st Century
Cindy Hing-Yuk Wong and Gary W. McDonogh
20 The South Korean Comics, a Platform for Societal Issues
Benjamin Joinau
21 Global Reception of Chinese Games Narratives
Gabriele Aroni
22 The Glocalization of K-pop for Self-Empowerment: East Meets West in Philadelphia
A. Stefanie Ruiz
23 The Aftermath of the Korean Wave: K-pop Fandom(s) Facing a Shift from Sub-culture to ‘Mainstream’
Mathieu Berbiguier
24 Digital Learning by Manga and Anime Fans in France: A Historical and Biographical Approach to Global and Informal Transmission
Olivier Vanhée
General Conclusion: East Asian Pop Culture on the Move
Vincenzo Cicchelli and Sylvie Octobre