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All There Is to Lose: Four Way Books Levis Prize in Poetry

Autor Aiden Heung
en Limba Engleză Paperback – 15 mar 2026
Marking Aiden Heung’s debut collection, All There Is to Lose is the 2024 winner of the Four Way Books Levis Prize in Poetry. The selecting judge, National Book Award Finalist Ilya Kaminsky, praises the resonant particularities and depth of feeling found in these poems, which convert “elegy [into] its driving force.” Poet and Critic Felicity Plunkett observes, “Dreams and memory move through these porous, venturesome poems. The spectral jostles with the sensual to tell ‘a story in which I could be found.’ Achily tender, they open to light, love and the jab of a joke.” Poet David Tait notes, “Unsettling and luminous, the poems preserve the memory of Village 915: its volatile seasons and hard-worn inhabitants, its headstones, spirits, and myriad forms of water. Here you’ll find not only poems of lyrical beauty, but of grim exactness.” The result is a stunning achievement of a first book, what Kaminsky identifies as an exemplar of “that ages-old mode of poetry wherein the poet uses language to break bread with the dead, to bring them back to life, if only for the moment, for a portion of the moment, an instant, before the line breaks.” Channeling the poet as medium, “I am the tension on the bow that draws the arrow,” Heung writes in “Epilogue.” “To lose myself — that is my destiny.” 
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Specificații

ISBN-13: 9781961897687
ISBN-10: 1961897687
Pagini: 120
Dimensiuni: 152 x 229 x 13 mm
Greutate: 0.17 kg
Editura: FOUR WAY BOOKS
Colecția Four Way Books
Seria Four Way Books Levis Prize in Poetry


Recenzii

Welcome to the world where “people wake up long before roosters”—what I love most in this book is how the images and details carry emotion via perspective, while lyrical in turn of phrase. Often understated, pared down, the poetry lives here in specifics that emote: A mother scrubs clean the headstone carvings, a man remembers laughing after he watched his father enter the river twenty years ago, travelers sleep with their heads on greasy bags. Each detail carries an undertow of emotion. Why is that? Is it because we see it all as the poet sees it, after years have gone by? “...Flesh flowers / in the long hush of seasons,” the poet tells us. Perhaps. Or perhaps the book is captivating because the elegy is its driving force. What is an elegy? That ages-old mode of poetry wherein the poet uses language to break bread with the dead, to bring them back to life, if only for the moment, for a portion of the moment, an instant, before the line breaks. All There Is to Lose is where we find ourselves at any moment. Some of us look back.
—Ilya Kaminsky, Judge of the 2024 Four Way Books Levis Prize in Poetry

Notă biografică

Aiden Heung (he/they) is a Chinese poet born in a Tibetan Autonomous town. After working as a traveling salesman for years, he recently relocated to St. Louis, USA. His poems have been published in Australian Poetry JournalHarvard ReviewThe Kenyon ReviewThe Yale Review声韵诗刊 (Voice and Verse Poetry Magazine), and many other places. He is a finalist for the DISQUIET Prize, a winner of the International Proverse Poetry Prize, and the recipient of 2025 Elinor Benedict Poetry Prize, selected by Diane Seuss. He and his work have been generously supported by Varuna, The National Writers' House (Australia) and Swatch Art Peace Hotel residency (Switzerland/ Shanghai, China). He holds an MFA in creative writing from Washington University.

Extras

Death Brought Many Images 
This time, his toes,
protruding
from the snow sheet.
I couldn’t see his face.
I asked myself: Did he shave?
Father covered my eyes,
turned me out to the door.
I sat at the cold end
of the yard, watched adults
threading through the vestibule.
I was left alone; I appreciated that.
I tossed his name on my tongue
until it went numb. It was not
a conjuring—
I was only a boy.
Shame was physical
I began to gasp.
It was a hot summer day.
A hornet was busy hunting
a hive. What did I know
of its appetite, its spite.
I could have caught it;
I let it go—