Alfred Gilbert's Aestheticism: Gilbert Amongst Whistler, Wilde, Leighton, Pater and Burne-Jones: British Art and Visual Culture since 1750 New Readings
Autor Jason Edwardsen Limba Engleză Hardback – 28 feb 2006
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Specificații
ISBN-13: 9780754608615
ISBN-10: 0754608611
Pagini: 292
Dimensiuni: 174 x 246 x 19 mm
Greutate: 0.88 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria British Art and Visual Culture since 1750 New Readings
Locul publicării:Oxford, United Kingdom
ISBN-10: 0754608611
Pagini: 292
Dimensiuni: 174 x 246 x 19 mm
Greutate: 0.88 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria British Art and Visual Culture since 1750 New Readings
Locul publicării:Oxford, United Kingdom
Cuprins
Contents: Introduction: Alfred Gilbert's Aestheticism; A portrait of the artist as a young aesthete: Perseus Arming (1882) and 'Grosvenor' Aestheticism; Icarus (1884): 'academic' Aestheticism at Leighton and Burlington House; Allegorizing love in fin-de-siècle London: Eros (1886-93) and Piccadilly Aestheticism; The truth of masks: Comedy and Tragedy: 'Sic Vita' (1892); From Cleveland Street to Bruges: the Clarence Memorial Tomb (1892-99); Conclusion: G. F. Watts and the end of Gilbert's Aestheticism, 1899-1903; Bibliography; Index.
Notă biografică
Jason Edwards is Lecturer in Art History at the University of York, UK.
Recenzii
’... [Edwards's] erudition is impressive...Edwards's book is certainly readable, while his patent admiration for a remarkable artist is affecting and infectious. Alfred Gilbert's Aestheticism provocatively complements the excellent if more orthodox biographical achievements of Richard Dorment.’ The Burlington Magazine
Descriere
Alfred Gilbert's Aestheticism presents the first sustained re-evaluation of the life and work of one of the most acclaimed sculptors of the late-Victorian period. Drawing on important archival sources, this ground-breaking study challenges the customary assumption that Aestheticism was primarily a literary, painterly or architectural phenomena. Jason Edwards reveals both the diverse ways in which Gilbert's sculptures operated within the context of Aestheticism and also how these works provided a unique and provocative commentary on the history of masculine friendship and eroticism in the period leading up to and beyond the Wilde trials in 1895.