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Albertina: Identities de Jitka Hanzlová

Albertina: Identities

Autor Jitka Hanzlová Editat de Walter Moser
en Limba Engleză Hardback – 21 aug 2025
Die wichtigsten, teils unveröffentlichten Serien der berühmten Fotografin Jitka Hanzlová flieht 1982 aus der Tschechoslowakischen Sozialistischen Republik nach Westdeutschland, wo sie in Essen Fotografie studiert. Ihre Biografie prägt die zentralen Themen ihrer Arbeiten: Exil, Erinnerung und Identität. Das Buch zur Albertina-Ausstellung zeigt zehn ihrer wichtigsten Serien sowie bisher unveröffentlichte Arbeiten: Rokytník (1990-1994) ist dem gleichnamigen Heimatdorf der Künstlerin gewidmet, Forest (2000-2005) dem Wald ihrer Kindheit. Später entstehen Porträtserien wie Bewohner (1994-1996) oder Female (1997-2000), die das Verhältnis von Individuum und Umgebung untersuchen. Hanzlová zählt zu den international renommiertesten Fotografinnen der Gegenwart. Sie erhielt zahlreiche Preise, unter anderem den European Photography Award und den Paris Photo Prize for Contemporary Photography.
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Specificații

ISBN-13: 9783969002032
ISBN-10: 3969002036
Pagini: 240
Ilustrații: 143
Dimensiuni: 215 x 276 x 22 mm
Greutate: 1 kg
Editura: Kehrer Verlag
Colecția Kehrer Verlag
Locul publicării:Germany

Descriere

For the second time, Kehrer Verlag publishes a volume on the remarkable work of the exceptional artist Jitka Hanzlova. On the occasion of the Albertina exhibition, this book offers a comprehensive overview of ten of her most important series from 1990 to the present, including previously unpublished works. In her work, Jitka Hanzlova explores the complex relationship between people and their environment, between identity and place. Shaped by the formative experience of exile, Hanzlova raises universal questions about belonging. In her first series Rokytnik (1990-1994), created after her return to her Czech hometown, she reflects on the transformation of rural community life caught between a socialist past and a democratic future. Later, in the series Bewohner (1994-1996) and Hier (1998, 2003-2010), she conveys the sense of isolation and alienation of people in European metropolises, often in contrast to nature. Her portrait series Female (1997-2000) brings out the indivi duality of women she encountered by chance in mostly urban settings. In the newly published series Bohdanka (2004-2025) she turns to ecological themes and presents alternative ways of life in harmony with nature. Set once again in Rokytnik, the series reconnects with her artistic beginnings. Hanzlova's work not only provides a fascinating retrospective of the past, but also offers compelling perspectives for the future.

Cuprins

Rokytník, 1990-1994 Seite 34-71 Bewohner, 1994-1996 Seite 72-93 Female, 1997-2000 Seite 94-117 Brixton, 2002 Seite 118-127 Forest, 2000-2005 Seite 128-147 Hier, 1998, 2003-2010 Seite 148-165 There Is Something I Don't Know, 2000-2013 Seite 166-177 Horse, 2007-2014 Seite 178-191 Water, 2013-2019 Seite 192-207 Bohdanka, 2004-2025 Seite 208-237