After the Rite: Stravinsky's Path to Neoclassicism (1914-1925)
Autor Maureen A. Carren Limba Engleză Hardback – 24 iul 2014
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Specificații
ISBN-13: 9780199742936
ISBN-10: 0199742936
Pagini: 356
Ilustrații: 60 line art, 33 halftones, one 8 page color insert
Dimensiuni: 239 x 163 x 28 mm
Greutate: 0.66 kg
Editura: Oxford University Press
Colecția OUP USA
Locul publicării:New York, United States
ISBN-10: 0199742936
Pagini: 356
Ilustrații: 60 line art, 33 halftones, one 8 page color insert
Dimensiuni: 239 x 163 x 28 mm
Greutate: 0.66 kg
Editura: Oxford University Press
Colecția OUP USA
Locul publicării:New York, United States
Recenzii
Carr's book contains a vast amount of information, including musical examples, sketch reproductions, tabular presentations of musical form, and meticulous documentation. Thus, it will prove invaluable to the student of this period in Stravinskys life.
Throughout Carr's analysis, the reader can witness how the composer establishes and maintains objectivity in his compositions...Carr's scholarship successfully elucidates this correspondence and compels us to investigate Stravinsky's music further and from other vantage points.
Not only does it furnish the Stravinsky scholar with insight into the composer's creative processes and socio-historical-aesthetic background, it provides those more widely interested in sketch-study methodology with a welcome compendium of resources and insights to which they will frequently return.
If Stravinsky's legacy to the twentieth century (and beyond) is to be fully evaluated, then an analytical rehearing of his neoclassical works is long overdue.
Throughout Carr's analysis, the reader can witness how the composer establishes and maintains objectivity in his compositions...Carr's scholarship successfully elucidates this correspondence and compels us to investigate Stravinsky's music further and from other vantage points.
Not only does it furnish the Stravinsky scholar with insight into the composer's creative processes and socio-historical-aesthetic background, it provides those more widely interested in sketch-study methodology with a welcome compendium of resources and insights to which they will frequently return.
If Stravinsky's legacy to the twentieth century (and beyond) is to be fully evaluated, then an analytical rehearing of his neoclassical works is long overdue.
Notă biografică
Maureen A. Carr is a Distinguished Professor of Music and teaches undergraduate and graduate music theory at the Pennsylvania State University. A scholar of the music of Igor Stravinsky, she has studied his manuscripts and other documents extensively at the Stravinsky Archive of the Paul Sacher Stiftung in Basel, Switzerland, as well as at archives in Paris and London. Her previous writings include Multiple Masks: Neoclassicism in Stravinsky's Works on Greek Subjects and Stravinsky's Histoire du soldat: A Facsimile of the Sketches. Her most recent publication, Stravinsky's Pulcinella: A Facsimile of the Sources and Sketches, received a Citation of Special Merit for her book from the Society for Music Theory (SMT).