Active Romanticism: The Radical Impulse in Nineteenth-Century and Contemporary Poetic Practice: Modern and Contemporary Poetics
Editat de Dr. Julie Carr, Jeffrey C. Robinson Ph.D. Contribuţii de Dan Beachy-Quick, Jacques Darras, Rachel Blau DuPlessis, Judith Goldman, Simon Jarvis, Andrew Joron, Nigel Leask, Jennifer Moxley, Bob Perelman, Jerome Rothenberg, Elizabeth Willis, Heriberto Yépezen Limba Engleză Paperback – 31 mar 2015
Literary history generally locates the primary movement toward poetic innovation in twentieth-century modernism, an impulse carried out against a supposedly enervated “late-Romantic” poetry of the nineteenth century. The original essays in Active Romanticism challenge this interpretation by tracing the fundamental continuities between Romanticism’s poetic and political radicalism and the experimental movements in poetry from the late nineteenth century to the present day.
According to editors July Carr and Jeffrey C. Robinson, “active romanticism” is a poetic response, direct or indirect, to pressing social issues and an attempt to redress forms of ideological repression; at its core, “active romanticism” champions democratic pluralism and confronts ideologies that suppress the evidence of pluralism. “Poetry fetter’d, fetters the human race,” declared poet William Blake at the beginning of the nineteenth century. No other statement from the era of the French Revolution marks with such terseness the challenge for poetry to participate in the liberation of human society from forms of inequality and invisibility. No other statement insists so vividly that a poetic event pushing for social progress demands the unfettering of traditional, customary poetic form and language.
Bringing together work by well-known writers and critics, ranging from scholarly studies to poets’ testimonials, Active Romanticism shows Romantic poetry not to be the sclerotic corpse against which the avant-garde reacted but rather the wellspring from which it flowed.
Offering a fundamental rethinking of the history of modern poetry, Carr and Robinson have grouped together in this collection a variety of essays that confirm the existence of Romanticism as an ongoing mode of poetic production that is innovative and dynamic, a continuation of the nineteenth-century Romantic tradition, and a form that reacts and renews itself at any given moment of perceived social crisis.
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Specificații
ISBN-13: 9780817357849
ISBN-10: 081735784X
Pagini: 288
Ilustrații: 11 b&w illustrations
Dimensiuni: 152 x 229 x 23 mm
Greutate: 0.45 kg
Ediția:First Edition
Editura: University Of Alabama Press
Colecția University Alabama Press
Seria Modern and Contemporary Poetics
ISBN-10: 081735784X
Pagini: 288
Ilustrații: 11 b&w illustrations
Dimensiuni: 152 x 229 x 23 mm
Greutate: 0.45 kg
Ediția:First Edition
Editura: University Of Alabama Press
Colecția University Alabama Press
Seria Modern and Contemporary Poetics
Notă biografică
Julie Carr is the author of six books of poetry, most recently 100 Notes on Violence, RAG, and Think Tank. She is also the author of Surface Tension: Ruptural Time and the Poetics of Desire in Late Victorian Poetry. A chapbook of prose was recently released as a free pdf from Essay Press: http://www.essaypress.org/ep-19/. Carr was a 2011–12 NEA fellow and is an associate professor at the University of Colorado in Boulder. She is the cofounder of Counterpath Press and Counterpath Gallery.
Jeffrey C. Robinson is a professor of Romantic poetry at the University of Glasgow. He is a winner of National Endowment for the Humanities and Guggenheim Fellowships, and the author or editor of eighteen books, among them Radical Literary Education: A Classroom Experiment with Wordsworth’s Ode, The Walk: Notes on a Romantic Image, and Unfettering Poetry: The Fancy in British Romanticism. He is coeditor with Jerome Rothenberg of Poems for the Millennium: The University of California Book of Romantic and Postromantic Poetry, winner of the 2010 American Book Award.
Jeffrey C. Robinson is a professor of Romantic poetry at the University of Glasgow. He is a winner of National Endowment for the Humanities and Guggenheim Fellowships, and the author or editor of eighteen books, among them Radical Literary Education: A Classroom Experiment with Wordsworth’s Ode, The Walk: Notes on a Romantic Image, and Unfettering Poetry: The Fancy in British Romanticism. He is coeditor with Jerome Rothenberg of Poems for the Millennium: The University of California Book of Romantic and Postromantic Poetry, winner of the 2010 American Book Award.
Cuprins
Introduction: Active Romanticism
Julie Carr and Jeffrey C. Robinson
1. Bright Ellipses: The Botanic Garden, Meteoric Flowers, and Leaves of Grass
Elizabeth Willis
2. “The Oracular Tree Acquiring”: On Romanticism as Radical Praxis
Dan Beachy-Quick
3. Singing Schools and “Mental Equality”: An Essay in Three Parts
Rachel Blau DuPlessis
4. A Deeper, Older O: The Oral (Sex) Tradition (in Poetry)
Jennifer Moxley
5. The Construction of Poems for the Millennium, Volume 3 and the Poems It Engendered
Jerome Rothenberg
6. Copying Whitman
Bob Perelman
7. “A Spark orsquo; Nature's Fire”: Robert Burns and the Vernacular Muse
Nigel Leask
8. Hyper-Pindaric: The Greater Irregular Lyric from Cowley to Keston Sutherland
Simon Jarvis
9. Dysachrony: Temporalities and Their Discontents, in New and Old Romanticisms
Judith Goldman
10. The Influence of Shelley on Twentieth- and Twenty-First-Century Avant-Garde Poetry: A Survey
Jeffrey C. Robinson
11. The Dialectic of Romantic and Postromantic Ethopoetics (after Certain Hispano-American Visual Poetries)
Heriberto Yépez with Jen Hofer
12. The Sublime Is Now Again
Julie Carr
13. Beyond Romanticism
Jacques Darras
14. Accident over N: Lines of Flight in the Philosophical Notebooks of Novalis
Andrew Joron
Bibliography
Contributors
Index
Julie Carr and Jeffrey C. Robinson
1. Bright Ellipses: The Botanic Garden, Meteoric Flowers, and Leaves of Grass
Elizabeth Willis
2. “The Oracular Tree Acquiring”: On Romanticism as Radical Praxis
Dan Beachy-Quick
3. Singing Schools and “Mental Equality”: An Essay in Three Parts
Rachel Blau DuPlessis
4. A Deeper, Older O: The Oral (Sex) Tradition (in Poetry)
Jennifer Moxley
5. The Construction of Poems for the Millennium, Volume 3 and the Poems It Engendered
Jerome Rothenberg
6. Copying Whitman
Bob Perelman
7. “A Spark orsquo; Nature's Fire”: Robert Burns and the Vernacular Muse
Nigel Leask
8. Hyper-Pindaric: The Greater Irregular Lyric from Cowley to Keston Sutherland
Simon Jarvis
9. Dysachrony: Temporalities and Their Discontents, in New and Old Romanticisms
Judith Goldman
10. The Influence of Shelley on Twentieth- and Twenty-First-Century Avant-Garde Poetry: A Survey
Jeffrey C. Robinson
11. The Dialectic of Romantic and Postromantic Ethopoetics (after Certain Hispano-American Visual Poetries)
Heriberto Yépez with Jen Hofer
12. The Sublime Is Now Again
Julie Carr
13. Beyond Romanticism
Jacques Darras
14. Accident over N: Lines of Flight in the Philosophical Notebooks of Novalis
Andrew Joron
Bibliography
Contributors
Index
Recenzii
“Moving out across time more than space, Active Romanticism: The Radical Impulse in Nineteenth-Century and Contemporary Poetic Practice . . . brings together poets and some critics to think about a continuing romantic response as active in subsequent poetry, offering an avant-garde rejoinder to continuing oppression and repression.” —Studies in English Literature 1500-1900
“In my reading of this wonderful book, we see with piercing clarity why and how the activities of Romanticism still live and move and have their being in postmodern and postromantic contexts.” —Jerome McGann, author of The Romantic Ideology and A Critique of Modern Textual Criticism
“In my reading of this wonderful book, we see with piercing clarity why and how the activities of Romanticism still live and move and have their being in postmodern and postromantic contexts.” —Jerome McGann, author of The Romantic Ideology and A Critique of Modern Textual Criticism
Descriere
Active Romanticism reveals the vibrant, ongoing influence of nineteenth‑century Romantic poetry on today’s most innovative poetic practices, challenging the idea that Romanticism is a static or bygone tradition. By tracing the movement’s poetic and political radicalism into the present, this collection shows how “active romanticism” responds to pressing social issues and champions democratic pluralism. It offers readers a fresh rethinking of literary history, presenting Romanticism as a dynamic force that renews itself at every moment of cultural crisis.