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A Tale of Two Cities: The Complete Work & Comprehensive Study Guide (Dover Thrift Study Edition)

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Notă GoodReads:
en Limba Engleză Carte Paperback – July 2011

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Audies (2006)
Includes the unabridged text of Dicken's classic novel plus a complete study guide that helps readers gain a thorough understanding of the work's content and context. The comprehensive guide includes chapter-by-chapter summaries, explanations and discussions of the plot, question-and-answer sections, author biography, analytical paper topics, list of characters, bibliography, and more.
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Specificații

ISBN-13: 9780486475684
ISBN-10: 0486475689
Pagini: 386
Dimensiuni: 135 x 210 x 25 mm
Greutate: 0.30 kg
Ediția: Green
Editura: Dover Publications
Seria Dover Thrift Study Edition


Notă biografică

Charles Dickens was born on February 7, 1812, in Portsmouth, England, where his father was a naval pay clerk. When he was five, the family moved to Chatham, near Rochester, another port town. He received some education at a small private school but this was curtailed when his father's fortunes declined.When Dickens was ten, the family moved to Camden Town, and this proved the beginning of a long, difficult period. When he had just turned twelve, Dickens was sent to work for a manufacturer of boot blacking, where for the better part of a year he labored for ten hours a day, an unhappy experience that instilled him with a sense of having been abandoned by his family. Around the same time Dickens's father was jailed for debt in the Marshalsea Prison, where he remained for fourteen weeks. After some additional schooling, Dickens worked as a clerk in a law office and taught himself shorthand; this qualified him to begin working in 1831 as a reporter in the House of Commons, where he became known for the speed with which he took down speeches.By 1833 Dickens was publishing humorous sketches of London life in the Monthly Magazine, which were collected in book form as Sketches by "Boz". These were followed by the publication in installments of the comic adventures that became The Posthumous Papers of the Pickwick Club, whose unprecedented popularity made the twenty-five-year-old author a national figure. In 1836 he married Catherine Hogarth, who would bear him ten children over a period of fifteen years. Dickens's energies enabled him to lead an active family and social life, including an indulgence in elaborate amateur theatricals, while maintaining a literary productiveness of astonishing proportions. He characteristically wrote his novels for serial publication and was himself the editor of many of the periodicals in which they appeared, including Bentley's Miscellany, the Daily News, Household Words, and All the Year Round. Among his close associates were his future biographer John Forster and the younger Wilkie Collins, with whom he collaborated on fictional and dramatic works. In rapid succession he published Oliver Twist, Nicholas Nickleby, The Old Curiosity Shop, and Barnaby Rudge, sometimes working on several novels simultaneously.Dickens's celebrity led to a tour of the United States in 1842. There he met Henry Wadsworth Longfellow, Washington Irving, William Cullen Bryant, and other literary figures, and was received with an enthusiasm that was dimmed somewhat by the criticisms Dickens expressed in his American Notes and in the American chapters of Martin Chuzzlewit. The appearance of A Christmas Carol in 1843 sealed his position as the most widely popular writer of his time; it became an annual tradition for him to write a story for the season, of which the most memorable were The Chimes and The Cricket on the Hearth. He continued to produce novels at only a slightly diminished rate, publishing Dombey and Son in 1848 and David Copperfield in 1850.From this point on, his novels tended to be more elaborately constructed and harsher and less buoyant in tone than his earlier works. These late novels include Bleak House, Hard Times, Little Dorrit, A Tale of Two Cities, and Great Expectations. Our Mutual Friend, published in 1865, was his last completed novel and perhaps the most somber and savage of them all. Dickens had separated from his wife in 1858-he had become involved a year earlier with a young actress named Ellen Ternan-and the ensuing scandal had alienated him from many of his former associates and admirers. He was weakened by years of overwork and by a near-fatal railroad disaster during the writing of Our Mutual Friend. Nevertheless, he embarked on a series of public readings, including a return visit to America in 1867, which further eroded his health. A final work, The Mystery of Edwin Drood, a crime novel much influenced by Wilkie Collins, was left unfinished upon his death on June 9,1870, at the age of 58. Simon Vance, a former BBC Radio presenter and newsreader, is a full-time actor who has appeared on both stage and television. He has recorded over four hundred audiobooks and has earned over twenty Earphones Awards from AudioFile magazine, including one for his narration of Scaramouche by Rafael Sabatini. A twelve-time Audie finalist, Simon has won Audie Awards for The King's Speech by Mark Logue and Peter Conradi, The Life and Adventures of Nicholas Nickleby by Charles Dickens, Great Expectations by Charles Dickens, Market Forces by Richard K. Morgan, and The Tao of Pooh by Benjamin Hoff. Winner of the 2008 Booklist Voice of Choice Award, Simon has also been named an AudioFile Golden Voice as well as an AudioFile Best Voice of 2009.

Recenzii

At a recent department meeting, it became evident that Dickens is an author who can divide a room. 'Let's teach some Dickens at key stage three,' some argued. 'I can't imagine anything worse,' others said. 'Too difficult', 'too wordy', 'enough to put anyone off'. 'But the stories are great,' I argued. It's easy to see both sides of the argument. As someone who has dipped in and out of Dickens over the years, I have always been delighted by the actual reading of the novel, but sometimes it has taken a considerable effort of will to start the thing. Many are long, all are complex, and there is some truth in the assertion that they are too difficult-not for all, certainly, but for some children at key stage three, Dickens could sound the death knell for reading pleasure. There is a case, then, for a differentiated Dickens, and here, as with other literary classics, Real Reads provides a helpful solution. The series currently includes nine of the major novels: Bleak House, A Christmas Carol, David Copperfield, Hard Times, Oliver Twist and Great Expectations, The Old Curiosity Shop, A Tale of Two Cities and Little Dorrit. All follow the same format-a couple of pages introducing the characters with some delightful illustrations by Karen Donnelly, forty-seven pages of narrative and a 'Taking Things Further' section at the back. Like other Real Reads, too, the novels are not designed to replace the originals, but to complement them. The publisher's hope is that for some readers, the Real Reads are a springboard into the original texts; for others it is to broaden their range of cultural experience and introduce them to a world of wonderful plots and characters. What makes these retellings particularly appealing from a classroom point of view is that significant attention is paid to the language use characteristic of the authors. The novels are retold with some integrity to the original-that is that some of the cadence of Dickens is retained; that some of the vocabulary remains authentic, and that some of those seminal passages remain relatively unaltered. Take the opening of A Tale of Two Cities as an example, 'It was the best of times, it was the worst of times; it was the age of wisdom, it was the age of foolishness; it was the season of wealth, it was the season of poverty. In short, it was a time very much like the present.' In short, it is very much like the original. The retellings go some way to preserving Dickens's characters and while there are of course casualties, the characters that remain are rounded and engaging. For Oliver we feel pity as he pleads with Sikes 'P-p-p-please don't make me steal,' in the face of Sikes terrifying whisper 'Quiet, vermin'. We long for Nancy to be saved by Mrs Maylie and feel the poignancy of her departure: 'You must take Oliver to safety. I must return to my life.' We sense the justice in Fagin's wait for death 'his face so distorted and pale, his eyes so bloodshot, that he already looked more dead than alive as he awaited his punishment.' Of course, we also feel the delight and relief as 'Oliver and Mr Brownlow walked hand in hand to their carriage.' Some of Dickens's humour is preserved: Mrs Joe is to be found bringing Pip up by hand and at the birth of David Copperfield, Peggotty's 'bosom swelled with such joy and pride that two buttons popped from her bodice and flew across the room.' The heartbreak remains too: 'As he wasted away over the next few days, Little Dorrit didn't leave her father's side. His spirit was like a maimed bird, able to think only of the place that had broken its wings. Finally, his spirit broke free of all earthly concerns. Little Dorrit wept bitterly. The 'Filling in the Spaces' section at the back of each book provides a helpful resource for teachers. Elements of the plot that have been omitted in order to contain the retelling in such a thin volume are listed here and can provide a useful point of departure to read some of the original text. There is some contextual material pertinent to the text, so for Little Dorrit we learn that Dickens's father was sent to Marshalsea Prison when Dickens was twelve and for Hard Times we can read about the rise of steam power and the way in which machinery in factories gave rise to mass migration to cities. There is also a two-page section called 'Food for thought' that provides points for discussion, themes, style and symbols and would neatly help shape classroom discussion and activity. In The Old Curiosity Shop, for example, 'Oscar Wilde said that Nell's death makes the reader laugh, whereas critics in Dickens' time were usually overcome by grief. Which is closer to your own reaction? Why?' would lend itself very well to paired, group or whole-class debate. Thinking about how the symbols of fog, hands, light and shadow and city and countryside match the action in Bleak House immediately suggests ways in which pupils might track language against action as they read. At the lower end of the price range for class readers, the excellent and durable quality of the books presents a good investment at GBP4.99 RRP for individual texts. -- Jane Campion English in Use

Textul de pe ultima copertă

It was the time of the French Revolution a time of great change and great danger. It was a time when injustice was met by a lust for vengeance, and rarely was a distinction made between the innocent and the guilty. Against this tumultuous historical backdrop, Dickens' great story of unsurpassed adventure and courage unfolds.
Unjustly imprisoned for 18 years in the Bastille, Dr. Alexandre Manette is reunited with his daughter, Lucie, and safely transported from France to England. It would seem that they could take up the threads of their lives in peace. As fate would have it though, the pair are summoned to the Old Bailey to testify against a young Frenchman Charles Darnay falsely accused of treason. Strangely enough, Darnay bears an uncanny resemblance to another man in the courtroom, the dissolute lawyer's clerk Sydney Carton. It is a coincidence that saves Darnay from certain doom more than once. Brilliantly plotted, the novel is rich in drama, romance, and heroics that culminate in a daring prison escape in the shadow of the guillotine."

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