Table of Contents: Yolanda Plumley and Anne Stone, Introduction. I . Reading the Repertory. Virginia Newes, Deception, Reversal, and Paradox. The Rondeaux of the Chantilly Codex in Context - Gilles Dulong, En relisant Solage - Elizabeth Eva Leach, Dead Famous: Mourning, Machaut, Music, and Renown in the Chantilly Codex - Gilles Dulong and Agathe Sultan, Nouvelles lectures des chansons notees dans le codex Chantilly - Elizabeth Randell Upton, Editing Chantilly Chansons: Scribal Procedures for Text Placement and Larger Questions of Musical Style. II . Reading the Notation. Jehoash Hirshberg, Criticism of Music and Music as Criticism in the Chantilly Codex - Dorit Tanay, Between the Fig Tree and the Laurel: Or voit tout Revisited - Jason Stoessel, The Interpretation of Unusual Mensuration Signs in the Ars subtilior - Margaret Bent, The Myth of tempus perfectum diminutum in the Chantilly Manuscript. III. Sources and Questions of Provenance. Reinhard Strohm, Diplomatic Relationships between the Chantilly Codex and Cividale Fragments? - Maricarmen Gomez, French Songs in Aragon de Terence Scully revise - Thomas Brothers, Flats and Chansons in MS Florence, Biblioteca Nazionale, Panciatichi 26 - Mark Everist, A New Source for the Polyphony of the Ars subtilior. Paris, Bibliotheque nationale de France, nouvelles acquisitions francaises 22069 - Yolanda Plumley and Anne Stone, Cordier's Picture-Songs and the Relationship between the Song Repertories of the Chantilly Codex and Oxford Manuscript - Guiliano Di Bacco, The Myth of Philipoctus de Caserta? Abbreviations.