4 by Malpede plus an Intervention
Autor Karen Malpede Cuvânt înainte de Marvin Carlson Cuvânt după de Lydia Koniordouen Limba Engleză Paperback – 8 noi 2025
The particular twists in bloodlines, in psychosexual scars, in cataclysmic social forces are what US exposes; the very particular violence and reconciliations that recur endlessly between two disparate human beings who confront one another as lover and beloved.
Better People are to be concocted in this genetic research play that interrogates the true import of better.
From the depths of a dystopia, in the wake of the climate apocalypse, four rebels enact a daring plan to give birth to something new — to beings Other Than We.
In a great leap of fellow feeling, the separate griefs of three diverse characters converge — together with that of a blue roan horse: Blue Valiant.
From the fastness of observation, in Dinner During Yemen, two foreign experts dine to the tune of bloodcurdling screams.
Each of these works represents a heroic attempt to liberate the world.
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Specificații
ISBN-13: 9781942281450
ISBN-10: 1942281455
Pagini: 320
Dimensiuni: 146 x 229 x 25 mm
Greutate: 0 kg
Editura: Laertes
Colecția Egret
Locul publicării:United States
ISBN-10: 1942281455
Pagini: 320
Dimensiuni: 146 x 229 x 25 mm
Greutate: 0 kg
Editura: Laertes
Colecția Egret
Locul publicării:United States
Recenzii
Karen Malpede is a downtown New York Theater mainstayknown for her unflagging commitment to social justice. —Brad Rothbart, AmericanTheatre
Karen Malpede’s plays scream “Pay Attention.” —CindyRosenthal, The Theatre Times
A real kick in the gut and terrific writing. — NaomiWallace, playwright, MacArthur Fellow
Sublime writing, first very realistic, then a slow buildtoward poetic monologues that are glorious and heartbreaking. — LindaEisenstein, composer, playwright, chief theatre correspondent for angle: ajournal of arts + culture
Her characters are strong & fascinating, her contextsbrilliant & horrifying, and her tone always warm & in the end loving. —Andrew Solomon, past president of PENAmerican Center
We want to believe that mending our species is indeedpossible . . . Can the quartet of fugitives accomplish their outlandish goal? —LenaZeldovitch, Other Than We: The Making of Post Homo Sapiens, Woman Around Town
One of America’s more prominent political playwrights . .. These plays seek to bring us to our senses, intellectually, morally, andsocially. —Marvin Carlson, Sidney E.Cohn Distinguished Professor of Theatre, Comparative Literature, and MiddleEastern Studies, The Graduate Center, The City University of New York
Karen Malpede’s latest creation evokes the wordless lovepeople and animals can experience . . . Hannah Doyle is at wit’s end with griefand rage when she sees Blue galloping in an open, but fenced-in field. She isimmediately smitten. What unfolds . . .is an intense meditation on freedom, love, patience, taming, and compromise. Inshort, it’s the stuff of human connection. — Eleanor J. Bader, The Indypendent
Simultaneously unsettling, surreal and hopeful . . . apost-apocalyptic scenario in which survivors have a chance to remake the world. . . a grand vision, born of catastrophe, but with the possibility of triumph. . . Albert Einstein is credited with saying that great opportunities lie inthe midst of calamity. Award-winning playwright Karen Malpede agrees. — Eleanor Bader, The Indypendent
A utopian vision for a reconfigured race that will be“Other Than We” – hybrid creatures, human/non-human that will adapt and sustainthemselves in the treacherous territory outside of The Dome. Malpede usesimage-rich language and striking stage pictures to transmit an urgent call forglobal unity, imagination, transformation, and action. —Cindy Rosenthal, The Theatre Times
Karen Malpede’s plays scream “Pay Attention.” —CindyRosenthal, The Theatre Times
A real kick in the gut and terrific writing. — NaomiWallace, playwright, MacArthur Fellow
Sublime writing, first very realistic, then a slow buildtoward poetic monologues that are glorious and heartbreaking. — LindaEisenstein, composer, playwright, chief theatre correspondent for angle: ajournal of arts + culture
Her characters are strong & fascinating, her contextsbrilliant & horrifying, and her tone always warm & in the end loving. —Andrew Solomon, past president of PENAmerican Center
We want to believe that mending our species is indeedpossible . . . Can the quartet of fugitives accomplish their outlandish goal? —LenaZeldovitch, Other Than We: The Making of Post Homo Sapiens, Woman Around Town
One of America’s more prominent political playwrights . .. These plays seek to bring us to our senses, intellectually, morally, andsocially. —Marvin Carlson, Sidney E.Cohn Distinguished Professor of Theatre, Comparative Literature, and MiddleEastern Studies, The Graduate Center, The City University of New York
Karen Malpede’s latest creation evokes the wordless lovepeople and animals can experience . . . Hannah Doyle is at wit’s end with griefand rage when she sees Blue galloping in an open, but fenced-in field. She isimmediately smitten. What unfolds . . .is an intense meditation on freedom, love, patience, taming, and compromise. Inshort, it’s the stuff of human connection. — Eleanor J. Bader, The Indypendent
Simultaneously unsettling, surreal and hopeful . . . apost-apocalyptic scenario in which survivors have a chance to remake the world. . . a grand vision, born of catastrophe, but with the possibility of triumph. . . Albert Einstein is credited with saying that great opportunities lie inthe midst of calamity. Award-winning playwright Karen Malpede agrees. — Eleanor Bader, The Indypendent
A utopian vision for a reconfigured race that will be“Other Than We” – hybrid creatures, human/non-human that will adapt and sustainthemselves in the treacherous territory outside of The Dome. Malpede usesimage-rich language and striking stage pictures to transmit an urgent call forglobal unity, imagination, transformation, and action. —Cindy Rosenthal, The Theatre Times