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Treasure Island (Classics Illustrated)

De (autor) Ilustrat de Alex A. Blum
Notă Books Express:  5.00 · o notă  
Notă GoodReads:
en Limba Engleză Paperback – June 2010
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Robert Louis Balfour Stevenson (13 November 1850 - 3 December 1894) was a Scottish novelist, poet, essayist, musician and travel writer. His most famous works are Treasure Island, Kidnapped, Strange Case of Dr Jekyll and Mr Hyde, and A Child's Garden of Verses. Stevenson was a literary celebrity during his lifetime, and now ranks as the 26th most translated author in the world. His works have been admired by many other writers, including Jorge Luis Borges, Bertolt Brecht, Marcel Proust, Arthur Conan Doyle, Henry James, Cesare Pavese, Emilio Salgari, Ernest Hemingway, Rudyard Kipling, Jack London, Vladimir Nabokov, J. M. Barrie, and G. K. Chesterton, who said that Stevenson "seemed to pick the right word up on the point of his pen, like a man playing spillikins".................Treasure Island is an adventure novel by Scottish author Robert Louis Stevenson, narrating a tale of "buccaneers and buried gold". Its influence is enormous on popular perceptions of pirates, including such elements as treasure maps marked with an "X", schooners, the Black Spot, tropical islands, and one-legged seamen bearing parrots on their shoulders.PART I-"THE OLD BUCCANEER"An old sailor, calling himself "the captain"-real name Billy Bones-comes to lodge at the Admiral Benbow Inn on the west English coast during the mid-18th-century, paying the innkeeper's son, Jim Hawkins, a few pennies to keep a lookout for "a one-legged seafaring man". A seaman with intact legs, but lacking two fingers, shows up to confront Billy about sharing his treasure map. After running the stranger off in a violent fight, Billy, who drinks far too much rum, has a stroke and tells Jim that his former shipmates covet the contents of his sea chest. After a visit from an evil blind man named Pew who gives him "the black spot" as a summons to share the treasure, Billy has another stroke and dies; Jim and his mother (his father has also died just a few days before) unlock the sea chest, finding some money, a journal, and a map. The local physician, Dr. Livesey and the district squire, Trelawney, deduce that the map is of the island where a deceased pirate, Captain Flint buried his treasure. Squire Trelawney proposes buying a ship and going after the treasure, taking Livesey as ship's doctor and Jim as cabin boy.PART II-"THE SEA COOK"Several weeks later, the Squire introduces Jim and Dr. Livesy to "Long John" Silver, a one-legged Bristol tavern-keeper whom he has hired as ship's cook. (Silver enhances his outre attributes-crutch, pirate argot, etc.-with a talking parrot.) They also meet Captain Smollett, who tells them that he dislikes most of the crew on the voyage, which it seems everyone in Bristol knows is a search for treasure. After taking a few precautions, however, they set sail on Trelawney's schooner, the Hispaniola, for the distant island. During the voyage, the first mate, a drunkard, disappears overboard. And just before the island is sighted, Jim-concealed in an apple barrel-overhears Silver talking with two other crewmen. Most of them are former "gentlemen o'fortune" (as Long John Silver refers to pirates) from Flint's crew and have planned a mutiny. Jim alerts the captain, doctor, and squire, and they calculate that they will be seven to 19 against the mutineers and must pretend not to suspect anything until the treasure is found when they can surprise their adversaries.PART III-"MY SHORE ADVENTURE"But after the ship is anchored, Silver and some of the others go ashore, and two men who refuse to join the mutiny are killed-one with so loud a scream that everyone realizes that there can be no more pretence. Jim has impulsively joined the shore party and covertly witnessed Silver committing one of the murders; now, in fleeing, he encounters a half-crazed Englishman, Ben Gunn, who tells him he was marooned there and that he can help against the mutineers in return for passage home and part of the treasure. ...........................
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Specificații

ISBN-13: 9781906814472
ISBN-10: 1906814473
Pagini: 48
Ilustrații: Fully Illustrated
Dimensiuni: 165 x 239 x 3 mm
Greutate: 0.15 kg
Editura: CLASSIC COMIC STORE LTD
Colecția Classics Illustrated
Seria Classics Illustrated


Notă biografică

Robert Louis Stevenson, a Scottish essayist, poet, and author of fiction and travel books, was born in 1850 in Edinburgh. As a child, he suffered from tuberculosis and spent much of his time in bed composing stories before he could even read. His father was a prosperous joint-engineer to the Board of Northern Lighthouses. Stevenson studied engineering at Edinburgh University but, due to his ill health, had to abandon his plans to follow in his father's footsteps. He changed to law and passed the Scottish bar in 1875. Stevenson then took some time to travel to warmer countries in an attempt to improve his health. These experiences provided much material for his works.Instead of practicing law, Stevenson devoted himself to writing travel sketches, essays, and short stories for magazines. While on a trip to France, he met Fanny Osbourne, whom he married in California in 1880. They later returned to Scotland but moved often, in search of better climates.Stevenson is especially known for his adventure novels. His first success was the romantic adventure story Treasure Island. His other prominent works include Kidnapped, The Strange Case of Dr. Jekyll and Mr. Hyde, and The Black Arrow. Characteristic of Stevenson's novels is a skillful use of horror and supernatural elements. His stories are often set in colorful locations, where his characters can forget the restrictions of Victorian social manners. Arguing against realism, Stevenson underlined the "nameless longings of the reader," or the desire for experience.In 1885 Stevenson published A Child's Garden of Verses, which was dedicated to his childhood nurse and has since been made into popular songs. His last work, Weir of Hermiston, was left unfinished, but it is considered his masterpiece. From the late 1880s until his death, Stevenson lived with his family in Samoa. He enjoyed a period of comparative good health but died of a brain hemorrhage in 1894. Michael Prichard has played several thousand characters during his career. While he has been seen performing over one hundred of them in theater and film, Michael is primarily heard, having recorded well over five hundred full-length books. During his career as a one-man repertory company, he has recorded many series with running characters-including the complete Travis McGee adventures by John D. MacDonald and the complete Nero Wolfe mysteries by Rex Stout-as well as series by such masters as Mark Twain, John Cheever, and John Updike. His numerous awards and accolades include an Audie Award for Tears in the Darkness by Michael Norman and Elizabeth M. Norman and several AudioFile Earphones Awards, including for At All Costs by Sam Moses and In Nixon's Web by L. Patrick Gray III. Named a Top Ten Golden Voice by SmartMoney magazine, he holds an M.F.A. in theater from the University of Southern California. Michael appears regularly on the professional stage, including as a member of Ray Bradbury's Pandemonium Theatre Company, performing such great roles as Captain Beatty in Fahrenheit 451, which became the second-longest-running production in the Los Angeles area. Bradbury himself dubbed Michael "the finest Beatty in history."

Extras

Chapter One

The Old Sea Dog at the "Admiral Benbow"

Squire Trelawney, Dr. Livesey, and the rest of these gentlemen having asked me to write down the whole particulars about Treasure Island, from the beginning to the end, keeping nothing back but the bearings of the island, and that only because there is still treasure not yet lifted, I take up my pen in the year of grace 17-, and go back to the time when my father kept the "Admiral Benbow" inn, and the brown old seaman, with the sabre cut, first took up his lodging under our roof.

I remember him as if it were yesterday, as he came plodding to the inn door, his sea-chest following behind him in a hand-barrow; a tall, strong, heavy, nut-brown man; his tarry pigtail falling over the shoulders of his soiled blue coat; his hands ragged and scarred, with black, broken nails; and the sabre cut across one cheek, a dirty, livid white. I remember him looking round the cove and whistling to himself as he did so, and then breaking out in that old sea-song that he sang so often afterwards:-

"Fifteen men on the dead man's chest-

Yo-ho-ho, and a bottle of rum!"

in the high, old tottering voice that seemed to have been tuned and broken at the capstan bars. Then he rapped on the door with a bit of stick like a handspike that he carried, and when my father appeared, called roughly for a glass of rum. This, when it was brought to him, he drank slowly, like a connoisseur, lingering on the taste, and still looking about him at the cliffs and up at our signboard.

"This is a handy cove," says he, at length; "and a pleasant sittyated grog-shop. Much company, mate?"

My father told him no, very little company, the more was the pity.

"Well, then," said he, "this is the berth for me. Here you, matey," he cried to the man who trundled the barrow; "bring up alongside and help up my chest. I'll stay here a bit," he continued. "I'm a plain man; rum and bacon and eggs is what I want, and that head up there for to watch ships off. What you mought call me? You mought call me captain. Oh, I see what you're at-there;" and he threw down three or four gold pieces on the threshold. "You can tell me when I've worked through that," says he, looking as fierce as a commander.

And, indeed, bad as his clothes were, and coarsely as he spoke, he had none of the appearance of a man who sailed before the mast; but seemed like a mate or skipper, accustomed to be obeyed or to strike. The man who came with the barrow told us the mail had set him down the morning before at the "Royal George;" that he had inquired what inns there were along the coast, and hearing ours well spoken of, I suppose, and described as lonely, had chosen it from the others for his place of residence. And that was all we could learn of our guest.

He was a very silent man by custom. All day he hung round the cove, or upon the cliffs, with a brass telescope; all evening he sat in a corner of the parlour next the fire, and drank rum and water very strong. Mostly he would not speak when spoken to; only look up sudden and fierce, and blow through his nose like a fog-horn; and we and the people who came about our house soon learned to let him be. Every day, when he came back from his stroll, he would ask if any seafaring men had gone by along the road? At first we thought it was the want of company of his own kind that made him ask this question; but at last we began to see he was desirous to avoid them. When a seaman put up at the "Admiral Benbow" (as now and then some did, making by the coast road for Bristol), he would look in at him through the curtained door before he entered the parlour; and he was always sure to be as silent as a mouse when any such was present. For me, at least, there was no secret about the matter; for I was, in a way, a sharer in his alarms. He had taken me aside one day, and promised me a silver fourpenny on the first of every month if I would only keep my "weather-eye open for a seafaring man with one leg," and let him know the moment he appeared. Often enough, when the first of the month came round, and I applied to him for my wage, he would only blow through his nose at me, and stare me down; but before the week was out he was sure to think better of it, bring me my fourpenny piece, and repeat his orders to look out for "the seafaring man with one leg."

How that personage haunted my dreams, I need scarcely tell you. On stormy nights, when the wind shook the four corners of the house, and the surf roared along the cove and up the cliffs, I would see him in a thousand forms, and with a thousand diabolical expressions. Now the leg would be cut off at the knee, now at the hip; now he was a monstrous kind of a creature who had never had but the one leg, and that in the middle of his body. To see him leap and run and pursue me over hedge and ditch was the worst of nightmares. And altogether I paid pretty dear for my monthly fourpenny piece, in the shape of these abominable fancies.

But though I was so terrified by the idea of the seafaring man with one leg, I was far less afraid of the captain himself than anybody else who knew him. There were nights when he took a deal more rum and water than his head would carry; and then he would sometimes sit and sing his wicked, old, wild sea-songs, minding nobody; but sometimes he would call for glasses round, and force all the trembling company to listen to his stories or bear a chorus to his singing. Often I have heard the house shaking with "Yo-ho-ho, and a bottle of rum;" all the neighbours joining in for dear life, with the fear of death upon them, and each singing louder than the other, to avoid remark. For in these fits he was the most over-riding companion ever known; he would slap his hand on the table for silence all round; he would fly up in a passion of anger at a question, or sometimes because none was put, and so he judged the company was not following his story. Nor would he allow any one to leave the inn till he had drunk himself sleepy and reeled off to bed.

His stories were what frightened people worst of all. Dreadful stories they were; about hanging, and walking the plank, and storms at sea, and the Dry Tortugas, and wild deeds and places on the Spanish Main. By his own account he must have lived his life among some of the wickedest men that God ever allowed upon the sea; and the language in which he told these stories shocked our plain country people almost as much as the crimes that he described. My father was always saying the inn would be ruined, for people would soon cease coming there to be tyrannised over and put down, and sent shivering to their beds; but I really believe his presence did us good. People were frightened at the time, but on looking back they rather liked it; it was a fine excitement in a quiet country life; and there was even a party of the younger men who pretended to admire him, calling him a "true sea-dog," and a "real old salt," and such like names, and saying there was the sort of man that made England terrible at sea.

In one way, indeed, he bade fair to ruin us; for he kept on staying week after week, and at last month after month, so that all the money had been long exhausted, and still my father never plucked up the heart to insist on having more. If ever he mentioned it, the captain blew through his nose so loudly, that you might say he roared, and stared my poor father out of the room. I have seen him wringing his hands after such a rebuff, and I am sure the annoyance and the terror he lived in must have greatly hastened his early and unhappy death.

All the time he lived with us the captain made no change whatever in his dress but to buy some stockings from a hawker. One of the cocks of his hat having fallen down, he let it hang from that day forth, though it was a great annoyance when it blew. I remember the appearance of his coat, which he patched himself up-stairs in his room, and which, before the end, was nothing but patches. He never wrote or received a letter, and he never spoke with any but the neighbours, and with these, for the most part, only when drunk on rum. The great sea-chest none of us had ever seen open.

He was only once crossed, and that was towards the end, when my poor father was far gone in a decline that took him off. Dr. Livesey came late one afternoon to see the patient, took a bit of dinner from my mother, and went into the parlour to smoke a pipe until his horse should come down from the hamlet, for we had no stabling at the old "Benbow." I followed him in, and I remember observing the contrast the neat, bright doctor, with his powder as white as snow, and his bright, black eyes and pleasant manners, made with the coltish country folk, and above all, with that filthy, heavy, bleared scarecrow of a pirate of ours, sitting far gone in rum, with his arms on the table. Suddenly he-the captain, that is-began to pipe up his eternal song:-

"Fifteen men on the dead man's chest-

Yo-ho-ho, and a bottle of rum!

Drink and the devil had done for the rest-

Yo-ho-ho, and a bottle of rum!"

At first I had supposed "the dead man's chest" to be that identical big box of his up-stairs in the front room, and the thought had been mingled in my nightmares with that of the one-legged seafaring man. But by this time we had all long ceased to pay any particular notice to the song; it was new, that night, to nobody but Dr. Livesey, and on him I observed it did not produce an agreeable effect, for he looked up for a moment quite angrily before he went on with his talk to old Taylor, the gardener, on a new cure for the rheumatics. In the meantime, the captain gradually brightened up at his own music, and at last flapped his hand upon the table before him in a way we all knew to mean-silence. The voices stopped at once, all but Dr. Livesey's; he went on as before, speaking clear and kind, and drawing briskly at his pipe between every word or two. The captain glared at him for a while, flapped his hand again, glared still harder, and at last broke out with a villainous, low oath: "Silence, there, between decks!"

"Were you addressing me, sir?" says the doctor; and when the ruffian had told him, with another oath, that this was so, "I have only one thing to say to you, sir," replies the doctor, "that if you keep on drinking rum, the world will soon be quit of a very dirty scoundrel!"

The old fellow's fury was awful. He sprang to his feet, drew and opened a sailor's clasp-knife, and, balancing it open on the palm of his hand, threatened to pin the doctor to the wall.

The doctor never so much as moved. He spoke to him, as before, over his shoulder, and in the same tone of voice; rather high, so that all the room might hear, but perfectly calm and steady:-

"If you do not put that knife this instant in your pocket, I promise, upon my honour, you shall hang at the next assizes."

Then followed a battle of looks between them; but the captain soon knuckled under, put up his weapon, and resumed his seat, grumbling like a beaten dog.

"And now, sir," continued the doctor, "since I now know there's such a fellow in my district, you may count I'll have an eye upon you day and night. I'm not a doctor only; I'm a magistrate; and if I catch a breath of complaint against you, if it's only for a piece of incivility like to-night's, I'll take effectual means to have you hunted down and routed out of this. Let that suffice."

Soon after Dr. Livesey's horse came to the door, and he rode away; but the captain held his peace that evening, and for many evenings to come.

Chapter Two


Black Dog Appears and Disappears

It was not very long after this that there occurred the first of the mysterious events that rid us at last of the captain, though not, as you will see, of his affairs. It was a bitter cold winter, with long, hard frosts and heavy gales; and it was plain from the first that my poor father was little likely to see the spring. He sank daily, and my mother and I had all the inn upon our hands; and were kept busy enough, without paying much regard to our unpleasant guest.

It was one January morning, very early-a pinching, frosty morning-the cove all grey with hoar-frost, the ripple lapping softly on the stones, the sun still low and only touching the hilltops and shining far to seaward. The captain had risen earlier than usual, and set out down the beach, his cutlass swinging under the broad skirts of the old blue coat, his brass telescope under his arm, his hat tilted back upon his head. I remember his breath hanging like smoke in his wake as he strode off, and the last sound I heard of him, as he turned the big rock, was a loud snort of indignation, as though his mind was still running upon Dr. Livesey.

Well, mother was up-stairs with father; and I was laying the breakfast-table against the captain's return, when the parlour door opened, and a man stepped in on whom I had never set my eyes before. He was a pale, tallowy creature, wanting two fingers of the left hand; and, though he wore a cutlass, he did not look much like a fighter. I had always my eye open for seafaring men, with one leg or two, and I remember this one puzzled me. He was not sailorly, and yet he had a smack of the sea about him too.

Textul de pe ultima copertă

The adventure story told in Treasure Island has become a part of popular folklore. John Sutherland discusses the novel’s place in Stevenson’s biography and oeuvre in his learned and lively critical introduction to this new edition. Exploring the novel’s genesis in Stevenson’s “plundering” of other writers, his writer’s block, and the surprisingly disturbing and complex nature of what was meant to be a children’s story, Sutherland argues for the enduring vitality and appeal of Stevenson’s first novel.

Appendices include Stevenson’s writing about the novel, contemporary reviews, and sources on which Stevenson drew (or from which he borrowed) when writing Treasure Island.


Recenzii

 • "It is a breathless journey and the closest thing to a real pirate adventure without an eye patch and a time machine... It is a unique work of genius." --Eoin Colfer, author of Artemis Fowl

 • "Who can think of a pirate without conjuring up the image of Long John Silver?" --Daily Mail
"An undisputed masterpiece" Daily Telegraph "A poet, a rebel, a philosopher, a genius far ahead of his time, [Stevenson] has given us some of the most powerful characters of English literature" Daily Mail "What I didn't anticipate was the power of Stevenson's prose. His ability to bring everything vividly to life is still astonishing. It was probably the first time for me that reading became as exciting as messing about. The pirate has a dangerous glamour to him, a degenerate dandyism, something, once I was in my teens, that I would admire in people like David Bowie and Sid Vicious'" -- Jake Arnott Daily Telegraph "Reading Treasure Island at the age of seven or eight was my real awakening as a reader... it is all as frightening and exciting when read for the umpteenth time in middle age as when first discovered in childhood" -- A.N.Wilson, Daily Telegraph "I believe Treasure Island to be Robert Louis Stevenson's masterpiece. The very opening - the murder-bent Blind Pew, tapping his way towards the isolated inn - is designed to make our flesh creep. Long John Silver is a great literary creation. Re-reading the book, it gripped me as firmly now as it did under the torch-lit blankets 60 years ago" -- George Melly Sunday Telegraph