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The Duchess of Malfi

Autor John Webster Editat de Michael Neill
en Limba Engleză Paperback – 3 aug 2015
"Neill's edit of the play is very well done. ... If there's a more knowledgeable or erudite unraveling of the play, I haven't seen it." --Steve Sohmer, Comitatus
This Norton Critical Edition of John Webster's 1612-13 tragedy offers a newly edited and annotated text together with a full introduction and illustrative materials intended for student readers.

The Duchess of Malfi's themes of love, loyalty, and betrayal have resonated through the centuries, making this a perennially popular play with audiences and readers alike. This volume includes a generous selection of supporting materials, among them Webster's likely sources for the play (William Painter, George Whetstone, Simon Goulart, and Thomas Beard) as well as related works by Webster and George Wither on widows, funerals, and memorializing death. A generous selection from Mark H. Curtis's classic essay, "The Alienated Intellectuals of Early Stuart England," tells readers as much about the character of Bosola as it does about his creator. Henry Fitzgeffrey (1617) and Horatio Busino (1618) provide early responses to the play.

"Criticism" is thematically organized to provide readers with a clear sense of The Duchess of Malfi's central themes of dramaturgy; the politics of family, court, and religion; and gender. Also included are essays on contemporary re-imaginings of the play and its critical reception over time. Contributors include Don D. Moore, Inga-Stina Ewbank, Christina Luckyj, Barbara Correll, D. C. Gunby, Lee Bliss, Rowland Wymer, Brian Chalk, Theodora Jankowski, and Pascale Aebischer.

A selected bibliography is also included.

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Specificații

ISBN-13: 9780393923254
ISBN-10: 0393923258
Pagini: 448
Dimensiuni: 128 x 211 x 25 mm
Greutate: 0.43 kg
Ediția:Adnotată
Editura: W. W. Norton & Company

Caracteristici

Provides a comprehensive consideration of the historical, literary, theatrical, and critical contexts of the play, as well as giving students clear indications of how the play might address concerns that are still relevant to them today

Notă biografică

Karen Britland is Professor of Early Modern English Literature at the University of Wisconsin-Madison, USA. Her research interests include early modern drama, the Stuart court, and women's writing. She has edited plays by Elizabeth Cary, John Marston, and James Shirley, and was an associate editor for the Cambridge Complete Works of Ben Jonson edition between 2000 and 2012.

Cuprins

IntroductionPreface Plot Summary Analysis1. Historical and Literary Contexts2. Performance Aspects of the Text 3. Critical InterpretationsResources and Annotated Bibliography A Note on the Text The Play

Recenzii

'I found it more exciting than I should probably admit to at seeing the Shakespeare-rich layer of annotation underpinning the text on the page of a play - The Duchess of Malfi - that simply hasn't been treated in that way before, especially in terms of introductory matter.'
'Fascinating reading'
'Webster took tragedy to a new level in the psychology of evil, actual horror and callousness.'
'Webster's language has a musical poetry second only to Shakespeare's'

Descriere

Descriere de la o altă ediție sau format:
The Duchess of Malfi is amacabre, tragic play which is often performed and studied at A leveland university. This Arden edition brings all the scholarship andcomprehensive analysis associated with the series and offers readers adeeper understanding of the play than competing editions.