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The Architecture of the Screen: Essays in Cinematographic Space

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en Limba Engleză Carte Paperback – 22 Oct 2013
With the birth of film came the birth of a revolutionary visual language. This new, unique vocabulary—the cut, the fade, the dissolve, the pan, and a new idea of movement gave not only artists but also architects a completely new way to think about and describe the visual. The Architecture of the Screen examines the interrelations between the visual language of film and the onscreen perception of space and architectural design, revealing how film’s visual vocabulary influenced architecture in the twentieth century and continues to influence it today. Graham Cairns draws on film reviews, architectural plans, and theoretical texts to illustrate the unusual and fascinating relationship between the worlds of filmmaking and architecture.
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Specificații

ISBN-13: 9781841507118
ISBN-10: 1841507113
Pagini: 360
Ilustrații: 200 halftones
Dimensiuni: 178 x 229 x 23 mm
Greutate: 0.66 kg
Editura: Intellect Ltd
Colecția Intellect Ltd

Cuprins

Foreword by François Penz
Introduction
Part 1: Film reviews
The cinema of the French New Wave and the illusionism of SITE architects
Les Carabiniers. 1963
The architecture of Diller and Scofidio: The screen and surveillance
Das Experiment. 2001
The “cut” in the architecture of Jean Nouveland and the scenery of Ken Adam
You Only Live Twice. 1967
The visual narratives of Resnais in the architecture of Carlo Scarpa
Hiroshima Mon Amour. 1959
German Baroque architecture and the filming of Resnais: A fusion
Last Year in Marienbad. 1961
Siegfreid Giedion, Rem Koolhaas, and the fragmentary architecture of the city
Run Lola Run. 1998
The aesthetics and formalism of Godfrey Reggio in the projects of Jen Nouvel
Koyaanisqatsi. 1982
Boullée on film: An architectural cinematography
The Belly of an Architect. 1987
Playtime: A commentary on the art of Situationists, the philosophy of Henri Lefebvre and the architecture of the Modern Movement
Playtime. 1967
Venturi and Antonioni: The modern city and the phenomenon of the moving image
Zabriskie Point. 1970
Part 2: Applying film to architecture
Video Installation: Hybrid Artworks
The physical experience of space and the sensorial perception of image
                Performance 1: Shadows
                Performance 2: Memories
                Performance 3: Echoes
                Performance 4: A technical description
The physical experience of image and the sensorial perception of space
                The world imagined by Diller and Scofidio
                Performance: Jet Lag
                Installation: Loophole
                Architecture: The Slow House
Cinematographic architecture: Exercises in theory and practice
Cinematographic space: A study of Citizen Kane
                Scene 1. Citizen Kane
                Scene 2. Citizen Kane
                Scene 3. Citizen Kane
                Scene 4. Citizen Kane
From the contradictions of film to the creativity of architecture: Design workshop
                Stage 1. Cinematographic analysis of film
                Stage 2. Filming space
                Stage 3. Storyboarding spaces
                Stage 4. Storyboarding architectural events
                Stage 5. Design proposals
Part 3. Conceptual essays
The hybridisation of sight in the hybrid architecture of sport: The effects of television on stadia and spectatorship
Cinematic movement in the work of Le Corbusier and Sergei Eisenstein
The historical construction of cinematic space: An architectural perspective on the films of Jean Renoir and Yasujiro Uzo
Cinematic phenomenology in architecture: The Cartier
Foundation, Paris, Jean Nouvel
Cinematic space and time: The morphing of a theory in film and architecture
Conclusion
Bibliography
Index
Index of images

Recenzii

"Graham Cairns's book is an innovative and welcome addition to the dialogue between cinema and architecture. Recently established as a field of research, this interdisciplinary terrain is relevant to other disciplines beyond architecture and film. Its influence is already evident in established fields such as history, geography, and cultural and language studies, but it is also gaining ground in other areas. This book is an opportunity to explore the alternative and complementary intelligence this field opens up, and which can be injected at various stages of creative design processes."