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The Adventures of Tom Sawyer

De (autor) Editat de 1st World Publishing
Notă GoodReads:
en Limba Engleză Carte Paperback – July 2013

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Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. 1st World Library-Literary Society is a non-profit educational organization. Visit us online at www.1stWorldLibrary.ORG - - MOST of the adventures recorded in this book really occurred; one or two were experiences of my own, the rest those of boys who were schoolmates of mine. Huck Finn is drawn from life; Tom Sawyer also, but not from an individual - he is a combination of the characteristics of three boys whom I knew, and therefore belongs to the composite order of architecture. The odd superstitions touched upon were all prevalent among children and slaves in the West at the period of this story - that is to say, thirty or forty years ago. Although my book is intended mainly for the entertainment of boys and girls, I hope it will not be shunned by men and women on that account, for part of my plan has been to try to pleasantly remind adults of what they once were themselves, and of how they felt and thought and talked, and what queer enterprises they sometimes engaged in.
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Specificații

ISBN-13: 9781421850634
ISBN-10: 142185063X
Pagini: 312
Dimensiuni: 140 x 216 x 18 mm
Greutate: 0.40 kg
Editura: 1st World Library

Notă biografică

Mark Twain is the pseudonym of American writer and humorist Samuel Langhorne Clemens (1835-1910), whose best work is characterized by broad, often irreverent humor or biting social satire. Twain's writing is also known for realism of place and language, memorable characters, and hatred of hypocrisy and oppression.Born in Florida, Missouri, Clemens moved with his family to Hannibal, Missouri, a port on the Mississippi River, when he was four years old. There he received a public school education. After the death of his father in 1847, Clemens was apprenticed to two Hannibal printers, and in 1851 he began setting type for and contributing sketches to his brother Orion's Hannibal Journal. Subsequently he worked as a printer in Keokuk, Iowa; New York City; Philadelphia, Pennsylvania; and other cities. Later, Clemens was a steamboat pilot on the Mississippi River until the American Civil War brought an end to travel on the river. In 1862 he became a reporter on the Territorial Enterprise in Virginia City, Nevada, and in 1863 he began signing his articles with the pseudonym Mark Twain, a Mississippi River phrase meaning "two fathoms deep."In 1867 Twain lectured in New York City, and in the same year he visited Europe and Palestine. He wrote of these travels in The Innocents Abroad, a book exaggerating those aspects of European culture that impress American tourists. Much of Twain's best work was written in the 1870s and 1880s, when he was living in Hartford, Connecticut, or during the summers at Quarry Farm, near Elmira, New York. Roughing It recounts his early adventures as a miner and journalist; The Adventures of Tom Sawyer celebrates boyhood in a town on the Mississippi River; A Tramp Abroad describes a walking trip through the Black Forest of Germany and the Swiss Alps; Life on the Mississippi combines an autobiographical account of his experiences as a river pilot with a visit to the Mississippi nearly two decades after he left it; and A Connecticut Yankee in King Arthur's Court satirizes oppression in feudal England. The Adventures of Huckleberry Finn, the sequel to Tom Sawyer, is considered Twain's masterpiece.Twain's work during the 1890s and the 1900s is marked by growing pessimism and bitterness. Significant works of this period are Pudd'nhead Wilson, a novel set in the South before the Civil War that criticizes racism by focusing on mistaken racial identities, and Personal Recollections of Joan of Arc, a sentimental biography. In Twain's later years he wrote less, but he became a celebrity, frequently speaking out on public issues. He also came to be known for the white linen suit he always wore when making public appearances. Twain received an honorary doctorate from the University of Oxford in 1907. When he died he left an uncompleted autobiography, which was eventually edited by his secretary, Albert Bigelow Paine, and published in 1924. William Dufris began his audio career doing radio plays, audiobooks, film/animation dubbing, and language tapes in London, where he lived for thirteen years. While there, he had the honor of sharing the microphone in a number of BBC Radio plays with Kathleen Turner, Sharon Gless, Stockard Channing, and Helena Bonham-Carter. These experiences led him to cofound two audio production companies: The Story Circle Ltd. and Mind's Eye Productions. He has also acted on stage and television in the United States, the United Kingdom, and Germany. William is the original voice of Bob (and Farmer Pickles/Mr. Beasley/Mr. Sabatini) in the popular children's show Bob the Builder for the United States and Canada (Series 1-9). He produces, directs, acts and engineers for his audio theatre company, Rocky Coast Radio Theatre. He has been nominated nine times as a finalist for the APA's prestigious Audie Award and has garnered twenty-one Earphones Awards from AudioFile magazine, which also named him one of the Best Voices at the End of the Century, as well as one of the Best Voices of the Year in 2008 and 2009.

Extras

Chapter 1

"Tom!"

No answer.

"Tom!"

No answer.

"What's gone with that boy, I wonder? You TOM!"

No answer.

The old lady pulled her spectacles down and looked over them, about the room; then she put them up and looked out under them. She seldom or never looked through them for so small a thing as a boy; they were her state pair, the pride of her heart, and were built for "style," not service;-she could have seen through a pair of stove lids just as well. She looked perplexed for a moment, and then said, not fiercely, but still loud enough for the furniture to hear:

"Well, I lay if I get hold of you I'll-"

She did not finish, for by this time she was bending down and punching under the bed with the broom-and so she needed breath to punctuate the punches with. She resurrected nothing but the cat.

"I never did see the beat of that boy!"

She went to the open door and stood in it and looked out among the tomato vines and "jimpson" weeds that constituted the garden. No Tom. So she lifted up her voice, at an angle calculated for distance, and shouted:

"Y-o-u-u Tom!"

There was a slight noise behind her and she turned just in time to seize a small boy by the slack of his roundabout and arrest his flight.

"There! I might 'a' thought of that closet. What you been doing in there?"

"Nothing."

"Nothing! Look at your hands. And look at your mouth. What is that truck?"

"I don't know, aunt."

"Well I know. It's jam-that's what it is. Forty times I've said if you didn't let that jam alone I'd skin you. Hand me that switch."

The switch hovered in the air-the peril was desperate-

"My! Look behind you, aunt!"

The old lady whirled around, and snatched her skirts out of danger. The lad fled, on the instant, scrambled up the high board fence, and disappeared over it.

His aunt Polly stood surprised a moment, and then broke into a gentle laugh.

"Hang the boy, can't I never learn anything? Ain't he played me tricks enough like that for me to be looking out for him

by this time? But old fools is

the biggest fools there is. Can't learn an old dog new tricks, as the saying is. But my goodness, he never plays them alike, two days, and how is a body to know what's coming? He 'pears to know just how long he can torment me before I get my dander up, and he knows if he can make out to put me off for a minute or make me laugh, it's all down again and I can't hit him a lick. I ain't doing my duty by that boy, and that's the Lord's truth, goodness knows. Spare the rod and spile the child, as the Good Book says. I'm a-laying up sin and suffering for us both, I know. He's full of the Old Scratch, but laws-a-me! he's my own dead sister's boy, poor thing, and I ain't got the heart to lash him, somehow. Every time I let him off my conscience does hurt me so, and every time I hit him my old heart most breaks. Well-a-well, man that is born of woman is of few days and full of trouble, as the Scripture says, and I reckon it's so. He'll play hookey this evening,* and I'll just be obleeged to make him work, to-morrow, to punish him. It's mighty hard to make him work Saturdays, when all the boys is having holiday, but he hates work more than he hates anything else, and I've got to do some of my duty by him, or I'll be the ruination of the child."

Tom did play hookey, and he had a very good time. He got back home barely in season to help Jim, the small colored boy, saw next day's wood and split the kindlings, before supper-at least he was there in time to tell his adventures to Jim while Jim did three-fourths of the work. Tom's younger brother, (or rather, half-brother) Sid, was already through with his part of the work (picking up chips,) for he was a quiet boy and had no adventurous, troublesome ways.

While Tom was eating his supper, and stealing sugar as opportunity offered, aunt Polly asked him questions that were full of guile, and very deep-for she wanted to trap him into damaging revealments. Like many other simple-hearted souls, it was her pet vanity to believe she was endowed with a talent for dark and mysterious diplomacy and she loved to contemplate her most transparent devices as marvels of low cunning. Said she:

"Tom, it was middling warm in school, warn't it?"

"Yes'm."

"Powerful warm, warn't it?"

"Yes'm."

"Didn't you want to go in a-swimming, Tom?"

A bit of a scare shot through Tom-a touch of uncomfortable suspicion. He searched aunt Polly's face, but it told him nothing. So he said:

"No'm-well, not very much."

The old lady reached out her hand and felt Tom's shirt, and said:

"But you ain't too warm now, though." And it flattered her to reflect that she had discovered that the shirt was dry without anybody knowing that that was what she had in her mind. But in spite of her, Tom knew where the wind lay, now. So he forestalled what might be the next move:

"Some of us pumped on our heads-mine's damp yet. See?"

Aunt Polly was vexed to think she had overlooked that bit of circumstantial evidence, and missed a trick. Then she had a new inspiration:

"Tom, you didn't have to undo your shirt collar where I sewed it to pump on your head, did you? Unbutton your jacket!"

The trouble vanished out of Tom's face. He opened his jacket. His shirt collar was securely sewed.

"Bother! Well, go 'long with you. I'd made sure you'd played hookey and been a-swimming. But I forgive ye, Tom. I reckon you're a kind of a singed cat, as the saying is-better'n you look. This time."

She was half sorry her sagacity had miscarried, and half glad that Tom had stumbled into obedient conduct for once.

But Sidney said:

"Well, now, if I didn't think you sewed his collar with white thread, but it's black."

"Why, I did sew it with white! Tom!"

But Tom did not wait for the rest. As he went out at the door he said:

"Siddy, I'll lick you for that."

In a safe place Tom examined two large needles which were thrust into the lappels of his jacket, and had thread bound about them-one needle carried white thread and the other black. He said:

"She'd never noticed, if it hadn't been for Sid. Consound it! sometimes she sews it with white and sometimes she sews it with black. I wish to geeminy she'd stick to one or t'other-I can't keep the run of 'em. But I bet you I'll lam Sid for that. I'll learn him!"

He was not the Model Boy of the village. He knew the model boy very well though-and loathed him.

Within two minutes, or even less, he had forgotten all his troubles. Not because his troubles were one whit less heavy and bitter to him than a man's are to a man, but because a new and powerful interest bore them down and drove them out of his mind for the time-just as men's misfortunes are forgotten in the excitement of new enterprises. This new interest was a valued novelty in whistling, which he had just acquired from a negro, and he was suffering to practice it undisturbed. It consisted in a peculiar bird-like turn, a sort of liquid warble, produced by touching the tongue to the roof of the mouth at short intervals in the midst of the music-the reader probably remembers how to do it if he has ever been a boy. Diligence and attention soon gave him the knack of it, and he strode down the street with his mouth full of harmony and his soul full of gratitude. He felt much as an astronomer feels who has discovered a new planet. No doubt, as far as strong, deep, unalloyed pleasure is concerned, the advantage was with the boy, not the astronomer.

The summer evenings were long. It was not dark, yet. Presently Tom checked his whistle. A stranger was before him-a boy a shade larger than himself. A new-comer of any age or either sex was an impressive curiosity in the poor little shabby village of St. Petersburg. This boy was well dressed, too-well dressed on a week-day. This was simply astounding. His cap was a dainty thing, his close-buttoned blue cloth roundabout was new and natty, and so were his pantaloons. He had shoes on-and yet it was only Friday. He even wore a necktie, a bright bit of ribbon. He had a citified air about him that ate into Tom's vitals. The more Tom stared at the splendid marvel, the higher he turned up his nose at his finery and the shabbier and shabbier his own outfit seemed to him to grow. Neither boy spoke. If one moved, the other moved-but only sidewise, in a circle; they kept face to face and eye to eye all the time. Finally Tom said:

"I can lick you!"

"I'd like to see you try it."

"Well, I can do it."

"No you can't, either."

"Yes I can."

"No you can't."

"I can."

"You can't."

"Can!"

"Can't!"

An uncomfortable pause. Then Tom said:

"What's your name?"

"Tisn't any of your business, maybe."

"Well I 'low I'll make it my business."

"Well why don't you?"

"If you say much I will."

"Much-much-much! There now."

"Oh, you think you're mighty smart, don't you? I could lick you with one hand tied behind me, if I wanted to."

"Well why don't you do it? You say you can do it."

"Well I will, if you fool with me."

"Oh yes-I've seen whole families in the same fix."

"Smarty! You think you're some, now, don't you? Oh what a hat!"

"You can lump that hat if you don't like it. I dare you to knock it off-and anybody that'll take a dare will suck eggs."

"You're a liar!"

"You're another."

"You're a fighting liar and dasn't take it up."

"Aw-take a walk!"

"Say-if you gimme much more of your sass I'll take and bounce a rock off'n your head."

"Oh, of course you will."

"Well I will."

"Well why don't you do it then? What do you keep saying you will, for? Why don't you do it? It's because you're afraid."

"I ain't afraid."

"You are."

"I ain't."

"You are."

Another pause, and more eyeing and sidling around each other. Presently they were shoulder to shoulder. Tom said:

"Get away from here!"

"Get away yourself!"

"I won't."

"I won't either."

So they stood, each with a foot placed at an angle as a brace, and both shoving with might and main, and glowering at each other with hate. But neither could get an advantage. After struggling till both were hot and flushed, each relaxed his strain with watchful caution, and Tom said:

"You're a coward and a pup. I'll tell my big brother on you, and he can thrash you with his little finger, and I'll make him do it, too."

"What do I care for your big brother? I've got a brother that's bigger than he is-and what's more, he can throw him over that fence, too." [Both brothers were imaginary.]

"That's a lie."

"Your saying so don't make it so."

Tom drew a line in the dust with his big toe, and said:

"I dare you to step over that, and I'll lick you till you can't stand up. Anybody that'll take a dare will steal a sheep."

The new boy stepped over promptly, and said:

"Now you said you'd do it, now let's see you do it."

"Don't you crowd me, now; you better look out."

"Well you said you'd do it-why don't you do it?"

"By jingo! for two cents I will do it."

The new boy took two broad coppers out of his pocket and held them out with derision. Tom struck them to the ground. In an instant both boys were rolling and tumbling in the dirt, gripped together like cats; and for the space of a minute they tugged and tore at each other's hair and clothes, punched and scratched each other's noses, and covered themselves with dust and glory. Presently the confusion took form, and through the fog of battle Tom appeared, seated astride the new boy and pounding him with his fists.

"Holler 'nuff!" said he.

The boy only struggled to free himself. He was crying,-mainly from rage.

"Holler 'nuff!"-and the pounding went on.

At last the stranger got out a smothered "'Nuff!" and Tom let him up and said:

"Now that'll learn you. Better look out who you're fooling with, next time."

The new boy went off brushing the dust from his clothes, sobbing, snuffling, and occasionally looking back and shaking his head and threatening what he would do to Tom the "next time he caught him out." To which Tom responded with jeers, and started off in high feather; and as soon as his back was turned the new boy snatched up a stone, threw it and hit him between the shoulders and then turned tail and ran like an antelope. Tom chased the traitor home, and thus found out where he lived. He then held a position at the gate for some time, daring the enemy to come outside, but the enemy only made faces at him through the window and declined. At last the enemy's mother

appeared, and called Tom a bad, vicious, vulgar child, and ordered him away. So he went away; but he said he "lowed" to "lay" for that boy.

He got home pretty late, that night, and when he climbed cautiously in at the window, he uncovered an ambuscade, in the person of his aunt; and when she saw the state his clothes were in her resolution to turn his Saturday holiday into captivity at hard labor became adamantine in its firmness.


From the Trade Paperback edition.

Recenzii

 • "This classic story will stay with you through life, and always remind you of the things that you knew were important when you first read it." --Independent
There comes a time in every boy's life when when he has a raging desire to go somewhere and dig for hidden treasure'. Impish, daring young Tom Sawyer is a hero to his friends and a torment to his relations. For wherever there is mischief or adventure, Tom is at the heart of it. During one hot summer, Tom witnesses a murder, runs away to be a pirate, attends his own funeral, rescues an innocent man from the gallows, searches for treasure in a haunted house, foils a devilish plot and discovers a box of gold. But can he escape his nemesis, the villainous Injun Joe? BACKSTORY: Find out some fascinating facts about the author and have a go at a game of marbles!

- "This classic story will stay with you through life, and always remind you of the things that you knew were important when you first read it." --"Independent"

This classic story will stay with you through life, and always remind you of the things that you knew were important when you first read it Independent Whet juvenile appetites with Tom, his entrepreneurial spirit and his taste for treasure-hunting adventure. A paean to true boyhood Guardian The language is hard to begin with but the hero is one of the most endearing in literature -- Michael Morpurgo Daily Telegraph Twain had a gift for reliving the innermost feelings of growing up, the insecurity, fears and hopes that lie beneath the swagger that young boys maintain. He turned them into literature Daily Mail

Textul de pe ultima copertă

[front flap]
Mark Twain called his 1876 novel a "hymn to boyhood," and it remains an archetypal vision of pre-Civil War small-town America. Readers of all ages delight in its humorous narrative, delivered in a voice as mischievous and good-hearted as Tom Sawyer himself. Generations have played hooky with Twain's young hero, chuckling at his pranks and thrilling in his starry-eyed search for buried treasure.
This handsome edition is the only hardcover version that features all of True Williams's endearing illustrations. Chosen by Twain himself, Williams was the first artist to depict Tom Sawyer and Huckleberry Finn, leaving an indelible stamp on the popular image of American childhood.
Dover (2011) unabridged republication of the Chatto & Windus, London, 1897 edition.
[back flap]
Mark Twain
(Samuel Langhorne Clemens, 1835 1910)
A native of Missouri, Twain pursued a variety of professions until his 1865 short story, "The Celebrated Jumping Frog of Calaveras County," created an overnight sensation and propelled him into literary prominence. Novelist, journalist, essayist, and a lecturer of unsurpassed popularity, Twain was known primarily as a humorist in his lifetime, but he has since come to be regarded as one of America's greatest authors.
See every Dover book in print at
www.doverpublications.com"

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