The Actor and His Body (Theatre Makers)

De (autor) Introducere de Ayse Tashkiran
Notă GoodReads:
en Limba Engleză Paperback – 30 Nov 2017
'Once you start working with someone like Litz you don't ever want to stop if you can help it' - Vanessa Redgrave Litz Pisk was widely regarded as the most influential teacher of modern theatre movement of the 20th Century. She innovated and advocated a physical training that sought to combine awareness, emotion and imagination specifically for the actor's craft. Her seminal book, The Actor and His Body, is the direct result of her unique dual career as a professional movement director and as an actor movement teacher working in leading British conservatoires. Pisk's quest was to find expression for the inner impulse that motivated actors to move. Her teachings, as outlined in this book, offer insight on the specific craft of the actor, and the relationship between movement, imagination and the 'need' to move. The Actor and His Body is also a practical manual for keeping the actor's body physically and expressively responsive. In addition, there are a range of movement exercises, illuminated by her exquisite line drawings, and a complete weekly programme which concentrates on movement practice within different timescales. This fourth edition features the original foreword by Michael Elliot as well as a new introduction by Ayse Tashkiran, contemporary movement director and Senior Lecturer at the Royal Central School of Speech and Drama, which contextualises Pisk's work.
Citește tot Restrânge
Toate formatele și edițiile
Toate formatele și edițiile Preț Express
Paperback (2) 7835 lei  Economic 2-4 săpt. +4071 lei  6-9 zile
  Bloomsbury Publishing – 30 Nov 2017 7835 lei  Economic 2-4 săpt. +4071 lei  6-9 zile
  Bloomsbury Publishing – October 1998 10599 lei  Economic 4-6 săpt. +5081 lei  12-20 zile

Din seria Theatre Makers

Preț: 7835 lei

Preț vechi: 11625 lei

Puncte Express: 118

Preț estimativ în valută:
1531 1826$ 1370£

Carte disponibilă

Livrare economică 17-31 decembrie
Livrare express 09-12 decembrie pentru 5070 lei

Preluare comenzi: 021 569.72.76


ISBN-13: 9781474269742
ISBN-10: 1474269745
Pagini: 128
Dimensiuni: 156 x 234 x 11 mm
Greutate: 0.2 kg
Ediția: 4
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Theatre Makers

Locul publicării: London, United Kingdom


This new edition in the Theatre Makers series features an introduction by Ayse Tashkiran, Senior Lecturer at the Royal Central School of Drama, and curator of the Litz Pisk movement workshops there

Notă biografică

Litz Pisk taught movement to generations of actors at RADA, the Old Vic Theatre School and Royal Central School of Speech and Drama. She movement directed productions at the Old Vic, National Theatre, Royal Shakespeare Company and English National Opera. Litz also worked on television and films, most notably movement directing Vanessa Redgrave in Isadora. As a pioneering movement director her legacy is felt in the current growth of movement direction. First published in 1975, the Actor and His Body continues to be a seminal guide to movement practice. Ayse Tashkiran trained at L'Ecole International Jacques Lecoq for two years in Paris and spent twelve years as a physical theatre performer. She has taught movement in a conservatoire setting for ten years and works as a Movement Director for a variety of professional theatre productions and companies.


Introduction by Ayse TashkiranForeword by Michael ElliottThe Actor and his Body by Litz Pisk


Those of us who were fortunate enough to be taught by Litz will never forget the inspiration she gave us. Through her movement work Litz made an extraordinary contribution to the theatre. A unique teacher of movement, an inspiring movement director, this book gives an insight into the seminal work of Litz Pisk
No one who worked with the movement teacher Litz Pisk, either as actor or student, will ever forget the sheer theatrical impact of her own movement, at once dynamic and sculptural, intense and totally possessed.
Litz Pisk was a theatre visionary who introduced to the field of actors' movement a startlingly new approach, which remains ground-breaking to this day. With her background in the visual arts, Litz Pisk viewed the actor's body as a piece of dynamic sculpture capable of expressing to the audience people and places they had never known. However, a special kind of physical training was necessary before the actor could reach 'a state of readiness' where the body could respond totally to the imagination. In these pages, we begin to gain an insight into how Litz Pisk went about achieving this.