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Tchaikovsky through Others` Eyes

Autor Alexander Poznansky, Robert Bird
en Limba Engleză Hardback – 21 apr 1999
This compilation of reminiscences about Tchaikovsky the man is unprecedented in English. The memoirs, diary entries, and interviews written and conducted by his contemporariesÑfriends, relatives, fellow musicians, journalists, and state officialsÑshow us both the public and the private figure: the student at the School of Jurisprudence, the conductor, the professor at the Conservatory, the philanthropist and promoter of talent, the loving brother and uncle, the intrepid traveler, and the man who impressed a range of peopleÑfrom servants to members of the Russian imperial family. Ten chronologically arranged chapters offer more than fifty documentsÑmany laudatory, others not. Here TchaikovskyÕs contemporaries speak of little-known facets of the composerÕs life: foibles and manners, politics and tastes, prejudices and preferences (sexual and otherwise).Alexander Poznansky prefaces each chapter with information on the relevant period of the composerÕs life and on the writers quoted; notes elucidate allusions to individuals and artifacts, and identify sources for further information. The result is a dynamic portrayal of the composer, with all the complexities and paradoxes of a real life.Thirty-two illustrationsÑmany of them never before publishedÑcomplement the text.Russian Music StudiesÑMalcolm Hamrick Brown, founding editor
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Specificații

ISBN-13: 9780253335456
ISBN-10: 0253335450
Pagini: 368
Ilustrații: 32 b&w photos
Dimensiuni: 185 x 241 x 26 mm
Greutate: 0.78 kg
Editura: MH – Indiana University Press

Cuprins

List of Illustrations
Acknowledgments
Note on transliteration, names spellings, and dates
Abbreviations
Introduction
I. The Schoolboy (1840-1863)
Fanny DŸrbach, Fyodor Maslov, Ivan Turchaninov, Alexander Mikhailov, Vladimir Gerard, Rudolph KŸndinger, Ippolit Tchaikovsky, Arkady Raich, Modest Tchaikovsky
II. The Music Student (1863-1865)
Modest Tchaikovsky, Vasily Bessel, Herman Laroche, Ivan Klimenko, Adelaida Spasskaya, Alexander Rubets
III. The Conservatory Professor (1866-1876)
Rostislav Genika, Mariya Gurye, Alexandra Amfiteatrova-Levitskaya, Samuil Litvinov, V. A., Ivan Klimenko
IV. The Socialite (1866-1876)
Modest Tchaikovsky, Konstantin de Lazari, Alexandra Sokolova
V. Marriage (1877)
Antonina Tchaikovsky, Nikolay Kashkin
VI. The Composer (1878-1892)
Alexander Glazunov, Eduard N‡pravn’k, Vladimir Pogozhev, Romain Rolland, Herman Klein, Julius Block, Varvara Tsekhovskaya
VII. The Man (1878-1892)
Konstantin de Lazari, Grand Duke Konstantin Konstantinovich, Boris Vietinghoff-Schell, Vasily Korganov, Vasily Bertenson, Konstantin Varlamov, Nazar Litrov
VIII. The Celebrity (1891-1892)
Musical Courier, New York Herald, News of the Day, Petersburg Life, Petersburg Gazette
IX. The National Treasure (1893)
Leonid Sabaneyev, Mikhail Bukinik, Anton Door, Abram Kaufman, Konstantin Dumchev, Isaak Bukinik, Yulian Poplavsky, Ivan Klimenko, Vasily Sapelnikov
X. Death (1893)
Modest Tchaikovsky, Vladimir N‡pravn’k, Yury Davydov, Vasily Bertenson, Lev Bertenson, Nikolay Mamonov, Grand Duke Konstantin Konstantinovich, Yulian Poplavsky

Recenzii

This is Poznansky's third book on Tchaikovsky in one decade and--like its two well-received predecessors, Tchaikovsky: The Quest for the Inner Man (CH, Jun'92) and Tchaikovsky's Last Days (CH, Apr'97)--it deals not at all with the music but with the man and his milieu. Poznansky (Yale) divides the book into ten essentially chronological chapters, ranging from descriptions of the composer as a schoolboy to reactions to his untimely death. At the heart of each chapter are contemporaneous comments and journalistic writings; each chapter begins with an essay by Poznansky, in which he sets the scene for the era and describes the reliability--sometimes nonreliability--of those making the comments. Given the chronological order of presentation, the essays constitute a selective biography of the composer. This book serves as a companion to Alexandra Orlova's somewhat flawed compilation of writings by the composer himself (Tchaikovsky: A Self-Portrait, comp. by Alexandra Orlova, CH, Jun'91). Poznansky's project also benefits from the assistance of two experienced translators. Materials concerning Tchaikovsky have been subject to longstanding suppression, and documentation remains to published, especially in translation. Copious endnotes and a reliable index complete the volume, which this reviewer recommends to anyone interested in this composer.--R. Stahura, Ripon College"Choice" (01/01/1999)

Notă biografică

Alexander Poznansky s many publications on Tchaikovsky include Tchaikovsky s Last Days: A Documentary Study and Tchaikovsky: The Quest for the Inner Man."

Textul de pe ultima copertă

Here are views of Tchaikovsky by a wide range of his contemporaries - from all periods of his life. In letters, diaries, and interviews, they speak of little-known facets of the composer's life: foibles and manners, politics and tastes, prejudices and preferences (sexual and otherwise). Friends, relatives, musicians, journalists, and state officials show us both the public and the private figure: the student at the School of Jurisprudence, the conductor, the professor at the Conservatory, the philanthropist and promoter of talent, the loving brother and uncle, the intrepid traveler, and the man who impressed a range of people - from servants to members of the Russian Imperial family.

Descriere

Photos and writings on PITÑsome newly discovered in Russian archives.