Stanley Kubrick at Look Magazine: Authorship and Genre in Photojournalism and Film
Autor Philippe D. Matheren Limba Engleză Paperback – 12 iul 2013
From
1945
to
1950,
during
the
formative
years
of
his
career,
Stanley
Kubrick
worked
as
a
photojournalist
forLookmagazine.
Offering
a
comprehensive
examination
of
the
work
he
produced
during
this
period—before
going
on
to
become
one
of
America’s
most
celebrated
filmmakers—Stanley
Kubrick
at
"Look"
Magazinesheds
new
light
on
the
aesthetic
and
ideological
factors
that
shaped
his
artistic
voice.
Tracing
the
links
between
his
photojournalism
and
films,
Philippe
Mather
shows
how
working
atLookfostered
Kubrick’s
emerging
genius
for
combining
images
and
words
to
tell
a
story.
Mather
then
demonstrates
how
exploring
these
links
enhances
our
understanding
of
Kubrick’s
approach
to
narrative
structure—as
well
as
his
distinctive
combinations
of
such
genres
as
fiction
and
documentary,
and
fantasy
and
realism.
Beautifully
written
and
exhaustively
researched,Stanley
Kubrick
at
"Look"
Magazinefeatures
never-before-published
photographs
from
theLookarchives
and
complete
scans
of
Kubrick’s
photo
essays
from
hard-to-obtain
back
issues
of
the
magazine.
It
will
be
an
indispensable
addition
to
the
libraries
of
Kubrick
scholars
and
fans.
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Specificații
ISBN-13: 9781841506111
ISBN-10: 1841506117
Pagini: 304
Ilustrații: 126 halftones
Dimensiuni: 178 x 229 x 18 mm
Greutate: 0.66 kg
Editura: Intellect Ltd
Colecția Intellect Ltd
ISBN-10: 1841506117
Pagini: 304
Ilustrații: 126 halftones
Dimensiuni: 178 x 229 x 18 mm
Greutate: 0.66 kg
Editura: Intellect Ltd
Colecția Intellect Ltd
Notă biografică
Philippe
Matheris
an
associate
professor
of
media
studies
at
the
University
of
Regina.
Cuprins
Acknowledgements
Introduction
Part I: Authorship: A Sociology of Production
1 Psychosocial Context: A Formative Period. Stanley Kubrick at Look Magazine in the Lifespan
2 Macro-objective Analysis: Look Magazine’s Organizational Structure
3 Micro-objectivity: The Work Culture at Look Magazine
4 Macro-subjectivity: Look Magazine’s Conception of Photojournalism
5 Micro-subjectivity: Stanley Kubrick’s Conception of Photojournalism and Film
Part II: Genre: Contexts of Reception
6 Photojournalism Genres: A Semantic/Syntactic/Pragmatic Approach
7 Photography and Film: History, Ontology and Pragmatics
8 From Photojournalism to Film: Transmedial Correspondences in the Formal and Stylistic Systems
9 Photography in Film: Photographic and Documentary Aspects of Kubrick’s Films
Conclusion
Appendix
Bibliography
Index
Photographic Credits
Introduction
Part I: Authorship: A Sociology of Production
1 Psychosocial Context: A Formative Period. Stanley Kubrick at Look Magazine in the Lifespan
2 Macro-objective Analysis: Look Magazine’s Organizational Structure
3 Micro-objectivity: The Work Culture at Look Magazine
4 Macro-subjectivity: Look Magazine’s Conception of Photojournalism
5 Micro-subjectivity: Stanley Kubrick’s Conception of Photojournalism and Film
Part II: Genre: Contexts of Reception
6 Photojournalism Genres: A Semantic/Syntactic/Pragmatic Approach
7 Photography and Film: History, Ontology and Pragmatics
8 From Photojournalism to Film: Transmedial Correspondences in the Formal and Stylistic Systems
9 Photography in Film: Photographic and Documentary Aspects of Kubrick’s Films
Conclusion
Appendix
Bibliography
Index
Photographic Credits
Recenzii
“A
fascinating
book.”
“By
exploring
the
images
captured
by
the
teenager
standing
behind
the
still
photography
lens,Stanley
Kubrick
at
“Look”
Magazinebrings
more
into
focus
the
creative
decisions
made
by
the
filmmaker
as
an
adult.”
“Detailed
and
at
times
broad,
it
is
fervently
written
and
researched,
and
uncovers
the
sources
of
the
'Kubrickian
worldview'
whose
origins
have
seldom
been
studied,
nor
particularly
established.”