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Sound Art Revisited

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en Limba Engleză Paperback – 22 Aug 2019
Revised version of: Sound art: beyond music, between categories, published by Rizzoli, 2007.
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Paperback (1) 13130 lei  Economic 2-4 săpt. +2300 lei  7-12 zile
  Bloomsbury Publishing – 22 Aug 2019 13130 lei  Economic 2-4 săpt. +2300 lei  7-12 zile
Hardback (1) 43086 lei  Economic 4-6 săpt. +17692 lei  13-21 zile
  Bloomsbury Publishing – 22 Aug 2019 43086 lei  Economic 4-6 săpt. +17692 lei  13-21 zile

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Specificații

ISBN-13: 9781501333774
ISBN-10: 1501333771
Pagini: 208
Ilustrații: 25 b&w figures
Dimensiuni: 152 x 229 x 12 mm
Greutate: 0.34 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării: New York, United States

Caracteristici

The revised edition highlights the recent rise of sound-specific galleries, touches on the current dialogue among scholars of sound art, and includes a new range of artist biographies

Notă biografică

Alan Licht has lectured widely on sound art and served on faculty in the Music/Sound department at the Bard College Milton Avery Graduate School of the Arts, USA. He is the editor of Will Oldham on Bonnie "Prince" Billy (2012). He is a contributing music editor at BOMB magazine and writes frequently for Artforum, Art Review, Parkett, Organised Sound, and WIRE.

Cuprins

Preface1. Introduction2. Prehistories and Early Manifestations3. Sound and the Art World4. Recent Sound ArtNotesIndex

Recenzii

[An] important text for anyone involved in any form of sound studies.
I am pleased to discover at last an English-language, far-reaching survey of sound art rightly focusing on both theoretical and historical aspects while dealing with challenging categorization and placement issues such as situating sound art with regard to the fields of experimental music, fine art, and even sound studies. Sound art is becoming an increasingly important art form; this volume, a highly revised and expanded version of Licht's earlier Sound Art: Beyond Music, Between Categories, is long overdue.
Sound Art Revisited demonstrates in abundance that sound can--and must--be heard throughout all of the arts. Alan Licht's book is brimming with examples that traverse art, music, and the spaces in between. From seminal figures such as Maryanne Amacher, Max Neuhaus, and Alvin Lucier through to contemporary artists including Christine Sun Kim, Marco Fusinato, and Camille Norment, this book is essential reading for those looking to discover the breadth of practices encompassed by the sonic turn of the arts.