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Queer Troublemakers: The Poetics of Flippancy (Bloomsbury Studies in Critical Poetics)

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en Limba Engleză Hardback – 08 Aug 2019
Irreverent and provoking, the figure of the 'queer troublemaker' is a disruptive force both poetically and politically. Tracing the genealogy of this figure in modern avant-garde American poetry, Prudence Bussey-Chamberlain develops innovative close readings of the works of Gertrude Stein, Frank O'Hara, Eileen Myles and Maggie Nelson. Exploring how these writers play with identity, gender, sexuality and genre, Bussey-Chamberlain constructs a queer poetics of flippancy that can subvert ideas of success and failure, affect and affectation, performance and performativity, poetry and being.
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ISBN-13: 9781350079359
ISBN-10: 1350079359
Pagini: 208
Ilustrații: 3 bw illus
Dimensiuni: 156 x 234 mm
Greutate: 0.45 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Bloomsbury Studies in Critical Poetics

Locul publicării: London, United Kingdom


Explores the relationship between politics, sexuality and literature in avant-garde American poetry

Notă biografică

Prudence Bussey-Chamberlain is Lecturer in Creative Writing at Royal Holloway, University of London, UK. She is the author of The Feminist Fourth Wave: Affective Temporalities (2017) and three books of poetry: House of Mouse (with S. J. Folwer, 2016), Coteries (2018) and *Retroviral (2018).


List of FiguresAcknowledgementsIntroduction 1 The Poetics of Flippancy 2 He Cannot Understand Women. I Can': Gertrude Stein and the Camp Butch 3 'There's Nothing Metaphysical About It': Frank O'Hara's Flippant Manifesto and the Poetry of Tight Trousers4 'Who Are These Idiots Writing These Poems?': Eileen Myles' Pornographic Tone and Mutable Categories 5 'Was Harry a Woman? Was I a Straight Lady?': Tensions of Heternormativity, Assimilation and the Second PersonConclusion ReferencesIndex