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Musical Meaning in Beethoven: Markedness, Correlation, and Interpretation (Advances in Semiotics)

De (autor) David Lidov
Notă GoodReads:
en Limba Engleză Paperback – October 2004

"Hatten s interpretations are at times surprisingly poetic in their expression.... In his book he effectively creates an interaction between aspects of music theory, analysis, aesthetics and semiotics. His work yields some novel insights that deserve careful consideration from anyone in these fields." The Semiotic Review of Books

Musical Meaning in Beethoven offers a fresh approach to the problem of expressive meaning in music. Beginning with a provocative analysis of the slow movement of the Hammerklavier piano sonata, Robert S. Hatten examines the roles of markedness, Classical topics, expressive genres, and musical tropes in fostering expressive interpretation at all levels of structure. Close readings of movements from Beethoven s late piano sonatas and string quartets highlight less obvious expressive meanings and explain how more familiar stylistic meanings are consistently cued from one work to the next. Co-recipient of the 1997 Wallace Berry Publication Award from the Society for Music Theory.

Musical Meaning and Interpretation Robert S. Hatten, editor"

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Specificații

ISBN-13: 9780253217110
ISBN-10: 0253217113
Pagini: 349
Dimensiuni: 158 x 232 x 22 mm
Greutate: 0.53 kg
Editura: Indiana University Press
Seria Advances in Semiotics

Locul publicării: United States

Cuprins

I. A Case Study for Interpretation The Third Movement of Op. 106 (Hammerklavier) II. Correlation, Interpretation, and the Markedness of Oppositions III. From Topic to Expressive Genre IV. The Pastoral Expressive Genre The Four Movements of Op. 101 V. The Thematic Level and the Markedness of Classical Material VI. Thematic Markedness The First Movements of Op. 130 and Op. 131 VII. Beyond the Hierarchies of Correlation Troping, Irony, Levels of Discourse, and Intertextuality VIII. Analysis and Synthesis The Cavatina from Op. 130 IX. From the Aesthetic to me Semiotic X. Further Perspectives on Musical Meaning and Cognition

Recenzii

“Hatten’s interpretations are at times surprisingly poetic in their expression. . . . In his book he effectively creates an interaction between aspects of music theory, analysis, aesthetics and semiotics. His work yields some novel insights that deserve careful consideration from anyone in these fields.” —The Semiotic Review of Books