Just One of the Boys: Female-to-Male Cross-Dressing on the American Variety Stage: Music in American Life
Autor Gillian M Rodgeren Limba Engleză Paperback – 4 ian 2018
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Specificații
ISBN-13: 9780252083150
ISBN-10: 0252083156
Pagini: 275
Ilustrații: 24 black & white photographs, 1 table
Dimensiuni: 152 x 229 x 20 mm
Greutate: 0.43 kg
Editura: University of Illinois Press
Colecția University of Illinois Press
Seria Music in American Life
ISBN-10: 0252083156
Pagini: 275
Ilustrații: 24 black & white photographs, 1 table
Dimensiuni: 152 x 229 x 20 mm
Greutate: 0.43 kg
Editura: University of Illinois Press
Colecția University of Illinois Press
Seria Music in American Life
Recenzii
Marcia
Herndon
Book
Award,
Gender
and
Sexualities
Section,
Society
for
Ethnomusicology,
2018
"An important study that offers valuable insights into the lives and careers of significant performers, reasons for the popularity of male impersonators, and the types of songs male impersonators included in their repertories."--William Everett, author ofRudolf Friml
"An important study that offers valuable insights into the lives and careers of significant performers, reasons for the popularity of male impersonators, and the types of songs male impersonators included in their repertories."--William Everett, author ofRudolf Friml
"Gillian
M.
Rodger's
new
book
is
a
welcome
addition
to
scholarship
on
nineteenth-century
performance
culture
and
the
history
of
gender
and
sexuality
more
broadly.Just
One
of
the
Boysis
a
lively,
important
study,
one
that
will
delight
readers
in
performance
history,
gender
history,
and
U.S.
cultural
history."
--The
Journal
of
American
History
"The contributions ofJust One of the Boys: Female-to-Male Cross-Dressing on the American Variety Stageto the history of gender illusion are tremendous." --Journal of the American Musicological Society
"Serious students of variety entertainment will find much to delight them in Rodger's impeccably researched and explicated work. . . Recommended."--Choice
"Gillian Rodger'sJust One of the Boysis a welcome and fascinating addition to the history of cross-dressed performance and 19th-century Anglo-American theater more generally." --The Gay & Lesbian Review
"Through her analysis of performance styles and management strategies in the heyday of variety, Rodger demonstrates the significant role played by women impersonating men, despite the form's declining importance with the transition to vaudeville in the twentieth century." --American Historical Review
Notă biografică
Gillian
M.
Rodgeris
a
professor
of
musicology
and
ethnomusicology
at
the
University
of
Wisconsin-Milwaukee.
She
is
the
author
ofChampagne
Charlie
and
Pretty
Jemima:
Variety
Theater
in
the
Nineteenth
Century.