Jay DeFeo: A Retrospective

Editat de Dana Miller Contribuţii de Greil Marcus, Michael Duncan, Carol Mancusi-Ungaro, Corey Keller
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en Limba Engleză Hardback – 02 Oct 2012

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Jay DeFeo (1929–1989) was part of a vibrant community of avant-garde artists, poets, and musicians in San Francisco during the 1950s and 1960s. Her circle included Wallace Berman, Joan Brown, Bruce Conner, Wally Hedrick, Edward Kienholz, and Michael McClure. Although best known for her monumental painting The Rose (1958–66), DeFeo worked in a wide range of media and produced an astoundingly diverse and compelling body of work over four decades. DeFeo's unconventional approach to materials and her intensive, physical method make her a unique figure in postwar American art.
In the first comprehensive monograph on DeFeo, Dana Miller looks at the breadth of the artist's work, her cross-disciplinary practice, broad range of interests and influences, as well as pivotal moments in her career. In addition, Miller dispels misconceptions and assumptions about the artist and also offers new insight into her under-recognized works from the 1970s and 1980s. Greil Marcus explores the significance of titles in DeFeo's work; Michael Duncan considers her approach to her career and the marketplace; Corey Keller looks at DeFeo's photographic oeuvre; and Carol Mancusi-Ungaro examines her materials and processes.
The book features new photography, archival images, and a number of previously unpublished works. Also included are a biographical chronology, an extensive bibliography, and an exhibition history.
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ISBN-13: 9780300182651
ISBN-10: 0300182651
Pagini: 320
Ilustrații: 267 color + 36 b-w illus.
Dimensiuni: 267 x 305 x 35 mm
Greutate: 2.29 kg
Ediția: New.
Editura: Yale University Press
Colecția Whitney Museum of American Art

Notă biografică

Dana Miller is curator of the permanent collection at the Whitney Museum of American Art.


“[T]he book is a landmark and celebrates a reputational coming-of-age for an important artist.”—Publishers Weekly

Jay DeFeo: A Retrospective insightfully, intelligently, and emphatically confirms DeFeo’s rightful place among key American artists of the second half of the twentieth century.”—Woman’s Art Journal