Improvision: Orphic Art in the Age of Jazz
Autor Professor Simon Shaw-Milleren Limba Engleză Hardback – 5 mai 2022
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Specificații
ISBN-13: 9781350203426
ISBN-10: 1350203424
Pagini: 336
Ilustrații: 52 bw illus
Dimensiuni: 156 x 234 mm
Greutate: 0.79 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Visual Arts
Locul publicării:London, United Kingdom
ISBN-10: 1350203424
Pagini: 336
Ilustrații: 52 bw illus
Dimensiuni: 156 x 234 mm
Greutate: 0.79 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Visual Arts
Locul publicării:London, United Kingdom
Caracteristici
A extraordinary interpretation of early visual modernism refracted through an understanding of early jazz
Notă biografică
Simon Shaw-Miller is Chair of History of Art, University of Bristol, UK. He is an Honorary Associate and Research Fellow of the Royal Academy of Music, a Fellow of the Royal Society of Arts, and a Fellow of the Higher Education Academy.
Cuprins
Introduction & Theoretical Preliminaries: Art, Abstraction and All That Jazz1. The Sight and Sound of Nascent Jazz: Words, Definitions & Rags2. Orphism and a New Tune I: Dance, Music, Painting3. Orphism and a New Tune II: Words, Music, Image4. Orphism in America: Art, Machines and Jazz Rhythm5. Objects, Improvisation and Rhythm: Kandinsky, Duchamp and Beyond
Recenzii
Shaw-Miller's brilliant new volume is a virtuosic critical riff on improvisation as aesthetic principle and artistic practice. Productively entwining histories of jazz and abstraction in 20th-century visual art, this text is a revelatory account of modernism at its most playful and creative.
In a wide-ranging and compelling argument, Shaw-Miller rethinks the theory and practice of improvisation in early-20th-century transatlantic culture and offers an essential account of the "jazz modernism" that continues to challenge the racial and experiential hierarchies of modernity.
Having amassed prodigious research, Simon Shaw-Miller is a terrific Orphic guide to the vast musical-visual territory that he fearlessly traverses. Even as he embraces the mutability of jazz as a category, Shaw-Miller offers a jazz paradigm for the visual arts that is sturdy and capacious enough to accommodate composition, execution, and reception in equal measure.
In a wide-ranging and compelling argument, Shaw-Miller rethinks the theory and practice of improvisation in early-20th-century transatlantic culture and offers an essential account of the "jazz modernism" that continues to challenge the racial and experiential hierarchies of modernity.
Having amassed prodigious research, Simon Shaw-Miller is a terrific Orphic guide to the vast musical-visual territory that he fearlessly traverses. Even as he embraces the mutability of jazz as a category, Shaw-Miller offers a jazz paradigm for the visual arts that is sturdy and capacious enough to accommodate composition, execution, and reception in equal measure.