Fruit Chan’s Made in Hong Kong
Autor Esther M. K. Cheungen Limba Engleză Paperback – 30 iun 2009
This
tragic
coming-of-age
story
follows
three
disillusioned
local
youths
struggling
to
navigate
Hong
Kong
public
housing
projects
and
late
adolescence
amid
violent
crime,
gang
pressure,
and
broken
homes.
Their
personal
friendships
and
family
lives
intersect
with
a
mysterious
fourth
protagonist,
a
girl
whose
suicide
haunts
the
other
three
throughout
the
film
as
they
move
toward
their
own
premature
ends.
This
1997
film
was
the
first
in
Chan’s
acclaimed
“handover
trilogy.”
Shot
on
a
very
low
budget,
utilizing
excess
film
stock,
amateur
actors,
and
a
crew
of
five,
it
marked
the
beginning
of
Chan’s
career
as
an
independent
film
director.
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Specificații
ISBN-13: 9789622099777
ISBN-10: 9622099777
Pagini: 196
Ilustrații: 25 b&w illus.
Dimensiuni: 140 x 191 x 14 mm
Greutate: 0.3 kg
Editura: Hong Kong University Press
Colecția Hong Kong University Press
ISBN-10: 9622099777
Pagini: 196
Ilustrații: 25 b&w illus.
Dimensiuni: 140 x 191 x 14 mm
Greutate: 0.3 kg
Editura: Hong Kong University Press
Colecția Hong Kong University Press
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Recenzii
“Esther
Cheung’s
monograph
is
a
model
of
its
kind
well
researched,
provocative,
illuminating.
While
giving
an
in-depth
analysis
of
one
film,
it
also
demonstrates
what
is
new
and
important
about
the
New
Hong
Kong
Cinema.”
—Ackbar
Abbas,
University
of
Calif
“This
well-researched
volume
offers
some
unique
insights
into
the
work
of
Fruit
Chan,
certainly
one
of
the
most
original
and
‘native’
Hong
Kong
film
directors
to
have
emerged
in
the
last
decade.
A
welcome
addition
to
this
popular
series
on
Hong
Kong
film.
“In
this
passionately
thoughtful
study,
Esther
M.
K.
Cheung
brings
global
concerns
and
local
experiences
together
to
enhance
our
capacity
to
grasp
the
vital
relationship
between
them.
At
once
an
illuminating
account
of
the
work
of
Fruit
Chan
and
a
loving
Notă biografică
Esther
Cheung
is
associate
professor
and
chair
of
Comparative
Literature
at
the
University
of
Hong
Kong.
Textul de pe ultima copertă
Film
Studies
/
Asian
Studies
/
Cultural
Studies
Descriere
This
tragic
coming-of-age
story
follows
three
disillusioned
local
youths
struggling
to
navigate
Hong
Kong
public
housing
projects
and
late
adolescence
amid
violent
crime,
gang
pressure,
and
broken
homes.
Their
personal
friendships
and
family
lives
intersect
with
a
mysterious
fourth
protagonist,
a
girl
whose
suicide
haunts
the
other
three
throughout
the
film
as
they
move
toward
their
own
premature
ends.
This
1997
film
was
the
first
in
Chan’s
acclaimed
“handover
trilogy.”
Shot
on
a
very
low
budget,
utilizing
excess
film
stock,
amateur
actors,
and
a
crew
of
five,
it
marked
the
beginning
of
Chan’s
career
as
an
independent
film
director.