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Deleuze on Cinema (Deleuze and the Arts)

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en Limba Engleză Paperback – 27 Mar 2003
Gilles Deleuze has produced some of the most important--and most formidable--theory on cinema to appear in the last half-century. "Deleuze on Cinema provides a thorough and reliable guide to Deleuze's thought on the art of film, elucidating in clear language the shape and thrust of Deleuze's arguments found in his influential books on cinema.
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Specificații

ISBN-13: 9780415966047
ISBN-10: 0415966043
Pagini: 248
Ilustrații: Illustrations
Dimensiuni: 163 x 225 x 18 mm
Greutate: 0.4 kg
Ediția: New.
Editura: Routledge
Seria Deleuze and the Arts


Cuprins

List of Abbreviations

Introduction

1. Bergson and Cinema
Deleuze's Bergson
Three Bergsonian Theses on Movement
Image, Movement, Matter, Light
The Three Movement-Images

2. Frame, Shot and Montage
Frame and Shot
Montage: Organic and Dialectic
Montage: Quantitative and Intensive

3. Eighteen Signs (More or Less)
Pierce and Signs
The Perception-Image
The Affection-Image
The Impulse-Image
The Action-Image
The Reflection-Image
The Relation-Image

4. Hyalosigns: Crystals of Time
Opsigns
Mnemosigns and Onirosigns
Hyalosigns
Crystalline States

5. Chronosigns: The Order of Time and Time as Series
Sheets of the Past, Peaks of the Present
Robbe-Grillet, Welles and Resnais
Powers of the False
Rouch's Ethnofictions
Bodies and Categories

6. Noosigns and Lectosigns: Images and Thought, Sight and Sound
The Classic Image of Thought
The Thought of the Outside
The Spiritual Automaton
Silent and Audible Lectosigns
The Modern Lectosign
A Note on Cinema, Theater and Television

Conclusion

Works Cited

Notă biografică

Ronald Bogue is Professor of Comparative Literature at the University of Georgia. He has written widely on the work of Deleuze and Guattari, and aesthetics.

Recenzii

'After these books are published, there will be no need for anyone else to write a how-to-understand-Deleuze book. The clarity of the prose, the careful explanation of each difficult and important concept, and the lack of any jargon whatsoever make this the definitive commentary on Deleuze.' - Dorothea Olkowski, University of Colorado 'An extremely lucid and nearly seamless analysis of both of Deleuze's cinema books.' - Charles Stivale, Wayne State University