De-Colonization, Heritage, and Advocacy: An Oxford Handbook of Applied Ethnomusicology, Volume 2 (Oxford Handbooks)

Editat de Svanibor Pettan, Jeff Titon
Notă GoodReads:
en Limba Engleză Paperback – 11 Apr 2019
The nine ethnomusicologists who contributed to this volume present a diverse range of views, approaches, and methodologies that address indigenous peoples, immigrants, and marginalized communities. Discussing participatory action research, social justice, empowerment, and critical race theory in relation to ethnomusicology, De-Colonization, Heritage, and Advocacy is the second of three paperback volumes derived from the original Oxford Handbook of Applied Ethnomusicology. The Handbook can be understood as an applied ethnomusicology project: as a medium of getting to know the thoughts and experiences of global ethnomusicologists, of enriching general knowledge and understanding about ethnomusicologies and applied ethnomusicologies in various parts of the world, and of inspiring readers to put the accumulated knowledge, understanding, and skills into good use for the betterment of our world.
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ISBN-13: 9780190885731
ISBN-10: 0190885734
Pagini: 352
Ilustrații: 6 line, 25 halftone
Dimensiuni: 173 x 248 x 19 mm
Greutate: 0.64 kg
Editura: Oxford University Press
Colecția OUP USA
Seria Oxford Handbooks

Locul publicării: New York, United States

Notă biografică

Svanibor Pettan is professor and chair of the ethnomusicology program at the University of Ljubljana, Slovenia. Initiator and first chair of the ICTM study group on applied ethnomusicology and a founding member of the SEM Section on applied ethnomusicology, he contributes to the advancement of the field in the global arena with studies in various formats, addressing war-peace continuum, minorities, conflicts and education. He currently serves as Vice-President of theInternational Council for Traditional Music and as Chair of its Study Group Music and Minorities.Jeff Todd Titon is Professor of Music, Emeritus, at Brown University, USA, where for 27 years he directed the Ph.D. program in ethnomusicology. The author or editor of eight books and numerous essays, he is known for developing phenomenological and ecological approaches to ethnographic fieldwork, for theorizing and practicing an applied ethnomusicology based in reciprocity and friendship, and for introducing the concepts of cultural and musical sustainability to the fields of folklore andethnomusicology. His current research on a sound ecology may be tracked at